Resultados de búsqueda: Libros de Garnet Books

Pawlet, VT: Banyan Press, 1954. First edition. Paperback. Very Good +. 8vo. 10 pp. Bound in marbled wrappers, printed paper title label to front cover, text printed on handmade paper with watermark of F. J. Head. Limited Edition of 210 numbered copies; 60 for sale and 150 for friends of the poet and printer. This is copy number 90. Inscribed by Merrill on first blank page: "Greetings to/Ralph from/Jimmy-/Christmas 1954." Very Good+, minor age-toning and creasing to edges of wrappers, extremities of pages show some minor age-toning, small patch of discoloration to outer margin of first blank page, otherwise clean copy.

Paris: Chez l'Artiste, 1946. Limited edition. Good. Fontseré, Carles. 12mo. 14 unbound pages, laid into original cardboard folder covered by handmade wrappers decorated in orange and titled in black. Color frontispiece and 3 color lithographs by Carles Fontseré. Printed on handmade chiffon d'Auvergne. In the original paper-covered slipcase. Limited edition, this is number 99 of 110. Frontispiece signed by the artist in pencil. Preface in French by Jean Cassou; text in Catalan followed by French translation. Oda a Espanya, one of Maragall's most popular poems, appeared with 'Els adéus' and 'Cant del Retornas' as 'Els tres cants de la guerra' in Visions and Cants (1900). Illustrated by Catalan artist and photographer Carles Fontseré, best known for his Spanish Civil War posters. Good, wrappers toned with offsetting from wrappers to first and last pages; chipping and 1" piece of missing at middle of spine of wrapper and folder, age-toning and light rubbing to slipcase.

New York: Rizzoli, 1987. Hardcover. Very Good +/near fine. Thick 4to. 502 pp. Bound in full black cloth, title blind stamped on cover and in gilt on spine. Profusely illustrated with black and white photographs and illustrations, including many floor plans. Inscribed by the Author on: “Edwin Malloy/ in celebration of your birthday 5.9.1991, Robert A. M. Stern” Malloy was best known for his role as the broker who, in the late 1970s, helped Pan Am sell its Midtown high-rise to Metropolitan Life for $405 million, a record-setting price at the time. He was also a member of the Real Estate Board of New York. Very Good+, foxing to top edge of text block, corners of pages 422 and 593 creased, otherwise clean and bright, in Near Fine dust jacket with minor shelf wear.

New York, NY: Houghton Mifflin Company, [1953]. First Edition. Hard Cover. Very Good+/very good +. Bannon, Laura. 8vo. 88 pp. Bound in green cloth stamped in yellow on cover and spine, in pink illustrated dust jacket. Illustrated by the author in full color and black and white. Very Good+, pages clean, illustrations bright, boards bright with very slight bowing, in Very Good- dust jacket with heavy rubbing to spine and fore edges, two small holes to rear cover near spine, light soiling to front cover, overall age-toning. Beautiful, sharp copy.

New York: Near Eastern Art Research Center, 1965. First edition. Hardcover. Fine/very good. Folio. 386 pp, errata bound in at rear. Bound in full red cloth, stamped in gilt on cover and spine, in illustrated dust jacket. Illustrated with plates, mostly full color, including 8 fold-outs. From verso of table of contents page: "The rugs published in this catalogue are all from the collection of Joseph V. McMullan in New York." Very Good+, binding and gilt bright, hard bump to tail of spine, age-toning to margins of pages, in Very Good dust jacket with 2" tear to lower edge of front cover, 1/2" tear to upper edge of front cover, creasing to flaps, minor wear to head and tail of spine, overall age-toning.

México: Fondo Editorial de las Plástica Mexicana, 1974. First edition. Hardcover. Near Fine/near fine. Folio. 138 pp. Bound in full gray cloth, stamped in brown on cover and spine, in illustrated dust jacket. Illustrations, chiefly color, including one gatefold. Text in Spanish. Foreword by Carlos Pellicer. This is the third volume in the series "Maestros Mexicanos de la Pintura", the first and second volumes focused on José María Velasco and Joaquín Clausell. Near Fine, tight, clean copy, some minor shelf wear to extremities, in Near Fine dust jacket with overall age-toning and minor wear to extremities. Please note this book is 17 1/2" x 14 1/2".

Chicago ; New York: The Art Institute of Chicago ; The Museum of Modern Art, [2017]. First edition. Hardcover. Fine. 4to. 192 pp. Bound in illustrated boards, no dust jacket, as issued. Profusely illustrated, chiefly color. Includes exhibition checklist, bibliography, and index. Catalog for the exhibition held at the Art Institute of Chicago from October 8-January 7, 2018 and The Museum of Modern Art, New York from February 11-June 3, 2018. Fine, bright, clean copy.

New York: Guggenheim Museum, 2002. First edition. Hardcover. Fine/near fine. Folio. xvi, 522, [2] pp. Bound in full silver cloth, with decoration in silver and blind stamp to front cover, title stamped in black and silver on spine, decoration stamped in silver on rear cover, white ribbon bookmark, in thick, translucent, mylar dust jacket with title printed in green and gray on cover. Illustrated, chiefly color. Text by Nancy Spector and glossary by Neville Wakefield. Includes film credits, exhibition history, bibliography, and screening history. Published for the exhibition Matthew Barney : The CREMASTER Cycle held at the Museum Ludwig, Cologne from June 6-September 1, 2002 ; The Musée d'Art Moderne de la Ville de Paris from October 10, 2002-January 5, 2003 ; and the Guggenheim Museum, New York from February 14-May 11, 2003. Fine, bright, copy, spine is square and hinges are strong, interior is clean, in Near Fine dust jacket with minor scuffing.

Chicago: Art Institute of Chicago, 2019. First edition. Hardcover. Fine. Tall 8vo. 236 pp. Bound in full gray cloth stamped in orange on covers and spine. No dust jacket, as issued. Illustrations throughout. Includes checklist of plates, selected reading list for each artist, and index. Published to accompany the exhibition of the same name held at the Art Institute of Chicago from September 6, 2019 to January 12, 2020 and featuring works by Clara Porset, Lola Álvarez Bravo, Anni Albers, Ruth Asawa, Cynthia Sargent, Sheila Hicks. Fine, bright, crisp copy, minor bit of rubbing to title stamping on rear cover.

New York: Michael Rosenfeld Gallery, 2001. Hardcover. Fine. 8vo. 56 pp. Bound in red flocked cloth, no dust jacket, as issued. In publisher's olive green box, title in white on cover. Illustrations, chiefly color. Essay by Lowery Stokes Sims. Includes chronology of exhibitions and exhibition checklist. Catalog for an exhibition held at the Michael Rosenfeld Gallery in New York from September 13-November 3, 2001 and the Women's Museum, an Institute for the Future in Dallas, Texas from December 7, 2001-March 24, 2002. Near Fine, flaps of box have left faint impression to fabric on front cover, otherwise bright, clean copy, in Very Good box with heavy rubbing and some sunning to edges

New York: Whittlesey House, The McGraw-Hill Book Company, Inc., [1939]. Hardcover. Good. 4to. [128] pp. Spiral-bound in full blue cloth boards, title stamped in dark blue. Lacking dust jacket. Illustrations throughout some in full color. Good, binding is age-toned and faded, with heavy rubbing and fraying to spine and extremities, spiral binding is sound and pages are clean, colors are bright.

New York: Michael Rosenfeld Gallery, 1999. Hardcover. Very Good +/very good +. 8vo. 64 pp. Bound in illustrated boards, in glassine dust jacket printed in red on covers and spine. Hardbound edition of 300 copies. Illustrated with black and white photographs and full color plates. Essay by David Leeming. Includes chronology and exhibition checklist. Catalog for an exhibition held at the Michael Rosenfeld Gallery, New York from September 9-October 30, 1999. Near Fine, faint age-toning to margins, minor rubbing to extremities of binding, in Very Good+ dust jacket with 1/2" tear to bottom edge of rear cover, a few shorter tears and light wear to extremities.

Atlanta: High Museum of Art, [2002]. Paperback. Very Good +. 8vo. 64 pp. Bound in illustrated wrappers. Black and white frontispiece portrait of artist, black and white photographs and full-color plates. Catalog for an exhibition held at High Museum of Art, Atlanta, February 9-May 5, 2002; the Studio Museum in Harlem, New York, July 10-September 15, 2002; Anacostia Museum and Center for African History and Culture of the Smithsonian Institution, Washington, D.C. October 11-December 30, 2002; Fogg Art Museum, Harvard University, Cambridge, Massachusetts, February 8-May 4, 2003. Very Good+, internally clean, minor rubbing to extremities and sunning along spine.

London: Oxford University Press, [1949]. First UK edition. Hardcover. Very Good/very good-. 4to. Unpaged. Bound in illustrated boards, in matching dust jacket, Full-color and black and white illustrations by Ardizzone throughout. 'First published in 1949'' stated on copyright page, "8/6 net / Ages 5-7" printed on lower corner of front flap of dust jacket, ads for the first three books in the Tim series on the rear flap of dust jacket. This is the first post-war book in the 'Tim' series and the first to be designed in the smaller 4to format. Additionally, at the request of Oxford University Press's US department, Ardizzone changed the character of the ship's cook from a black man to a white man (Alderson p. 72). Very Good, previous owner's inscription in blue ink to front free endpaper, age-toning to pages, some soiling to margins of a few pages, bumping and rubbing to binding, in Very Good dust jacket with heavy foxing showing through from verso, chips missing from head and tail of spine as well as… Leer más

[Valencia]: IVAM Centre Julio González, [1996]. Hardcover. Near Fine. Quarto. 396 pp. Bound in illustrated boards. Profusely illustrated, chiefly color, including two gate-folds. Text in Spanish with English translation by Karel Clapshaw and Harry Smith pages 333-396. Published to accompany the exhibition held at IVAM Centre Julio González, June 27-September 8, 1996 ; Museo Nacional de Bellas Artes de Santiago, Chile, November 6-26, 1996 ; and Museo Nacional de Bellas Artes, Buenos Aires, December 9-January 8, 1997. Near Fine, minor bumping and shelf wear to extremities of binding, internally sharp.

[New York]: Golden Section Publishers, [2011]. Hardcover. Near Fine. Oblong 8vo. Unpaginated. Bound in illustrated boards. No jacket as issued. Full-color photographs of the Lower East Side street scenes taken in 1980 by collaborators Brian Rose and Ed Fausty, and in 2010 by Rose. Foreword by Suzanne Vega. Signed by Rose on title page. Near Fine, age-toning to margins, otherwise bright copy.

Lisboa: Sociedad Astória, 1973. Paperback. Very Good-/very good. 8vo. 406, [2] pp. Bound in illustrated stiff card wrappers, in heavy mylar dust jacket. Illustrations throughout, some in full color. Text in Portuguese. Includes bibliography and index. Very Good-, wear and heavy foxing to wrappers, internally clean, hinges sound, in Very Good dust jacket with 1/4" piece missing at top edge of rear cover. Solid copy.

New York: Pratt Graphic Art Center, 1964. Paperback. Very Good. Eichenberg, Fritz. 8vo. [12] pp., 4 pages of plates. Bound in stapled, dark pink wrappers with cover illustration in white and title in black. One wood engraving by Fritz Eichenberg on title page, signed by him in pencil, and four relief engravings by José Guadalupe Posada. Printed in an edition of 500 numbered copies signed by Charlot on colophon, this is No. 67. Very Good, internally clean and sound, rubbing and wear to extremities - heaviest at spine, 1/2" tear to head of spine, 1" dark smudge to lower front cover.

Mexico City: Editorial Offset, 1986. First edition. Hardcover. Very Good +/very good. Folio. 52 pp., followed by 80 illustrations, some full-color, some two-page. Bound in black boards stamped in silver on cover and spine, in illustrated dust jacket. Preface by Luis Cardoza y Aragón, Essays by Raquel Tibol and Gabriel Fernández Ledesma. Ledesma began preparing this work in 1971, but it was not published until 1986- three years after his death. The illustrations depict performers in the three-day festival that precedes Ash Wednesday. Very Good+, 1/2" patch of surface damage to front free endpaper (white mark on dark pink paper), otherwise internally clean and sound, bumping and rubbing to extremities of binding, in Very Good dust jacket, short tears to head and tail of spine, wear to extremities, overall rubbing and dulling.

New York: powerHouse, [2005]. Hardcover. Very Good +. 8vo. Unpaged. Bound in brown boards, black and white photo pasted to front cover. No dust jacket. Black and white and color photographs. Very Good+ 1" scratch to front cover, corners and head and tail of spine rubbed, otherwise clean and sound.