Resultados de búsqueda: ulysses de james joyce

London: Picador, 1997. First Edition. Hardcover. Fine/Fine. Signed and dated by Danis Rose on a label affixed to the title page. "...a completely redesigned and comprehensively edited text of James Joyce's masterpiece." Octavo: lxxxiii, 739 p. Original black cloth binding, with silver titles. A fine copy in a fine dust jacket.

[Belgium]: [Die Keure], 2006. Produced as a conceptual art project nominated for the Beck's Future Prize, this is based on the 1922 edition of Joyce's seminal modern work. The artist has alphabetized Joyce's words into a long list of letters and punctuation. This is a Near Fine copy of the First Edition, which was LIMITED to 1000 copies, SIGNED and NUMBERED by the artist. This is copy number 728. Published in green wraps; a tiny bit of rub at the margins. In an archival plastic protector.. Signed by Author. First Edition. Soft Cover. Near Fine/No Jacket. 8vo - over 7¾" - 9¾" tall.

Limited Editions Club Book. Near Fine. Hardcover. Signed by Author(s). First Edition. FIRST ILLUSTRATED EDITION, LIMITED ISSUE, one of 1500 copies, signed by Henri Matisse on the limitation leaf a VERY GOOD first in brown cloth..

New York: Limited Editions Club, 1935. One of the most arresting collaborations in 20th-century literature. "It was a great idea to bring them together; celebrities of the same generation, of similar virtuosity" (Wheeler, 15). The 26 beautiful full-page illustrations by Matisse accompany the text of Joyce's Ulysses, including six soft-ground etchings with reproductions of the sketches on blue and yellow paper. "One of the very few American livres de peintres issued before World War II. According to George Macy [this work's designer], who undertook this only American publication of Matisse's illustrations, he asked the artist how many etchings the latter could provide for $5000. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings (Matisse's only use of this medium) record the evolution of the figures from vigorous sketches to closely knit compositions" (Artist and the Book 197).

Limited Editions Club Book. Near Fine. Hardcover. Signed by Author(s). First Edition. FIRST ILLUSTRATED EDITION, LIMITED ISSUE, one of 1500 copies, signed by Henri Matisse on the limitation leaf a VERY GOOD first in brown cloth..

New York: The Limited Editions Club, 1935. First edition thus. Very good plus in a very good slipcase.. The iconic modernist book, signed by Matisse - one of the great editions of one of the great books. Joyce's masterpiece, in the deluxe edition published after the 1933 landmark ruling in the case of United States v. One Book Called Ulysses. Eleven years after the book's initial publication, a US court affirmed that in the matter of obscenity, One Book Called Ulysses had soundly defeated the United States, and immediately thereafter, Limited Editions Club founder George Macy began to plan what would be a monumental achievement: a landmark among Matisse's livres d'artiste, reproducing his preparatory drawings alongside the final soft-ground etchings; the only illustrated ULYSSES with an introduction that Joyce allowed to be published; and the most accurate text of the novel published in the US until 1961. In the early days of the project, believing that the artist "[knew] the French translation… Leer más

Copy 110 of an edition of 150 copies. 835 pp., [20] leaves ; illustrated with forty etchings, 18 chapter numbers and 22 color illustrations, on 20 double leaves. Signed by Motherwell. Small folio. Near fine. White pigskin over blue cloth ; In case as issued (case shows mild sun fading and wear at the extremities). [1615]
Included with the work are fine copies of the original Arion Press prospectus and the invitation to Dora Donner Ide's February 13, 1990 donation dinner at the San Francisco Public Library, both with prints by Motherwell. Per the colophon: "Ulysses by James Joyce is the twenty-seventh publication by the Arion Press. The book was designed by Andrew Hoyem and produced under his direction with the following associates: G. B. Carson, Matthew Kelsey, Gerald Reddan, Glenn Todd, Lawrence Van Velzer, and Marilyn Young. The type is Perpetua. Monotype for the roman was composed by Michael Bixler in Skaneateles, New York, and cast by Lewis Mitchell at Mackenzie Harris Corp. in San Francisco. The… Leer más

Paris: Shakespeare and Company, 1924. Ulysses was published in Paris by Shakespeare & Company, 1922. It was a struggle for the author to find a publisher, a comic irony considering that Ulysses is "[u]niversally hailed as the most influential work of modern times" (Grolier Joyce 69). Ulysses was an immediate success. The first printing sold out, and "within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world of 1922" (de Grazia, 27). Even so, the book faced difficulties in global reception. It was banned in the U.K. and was prosecuted for the obscenity in the Nausicaa episode (Ellmann, 1982). Joyce's inspiration for the novel began as a young boy reading Charles Lamb's Adventures of Ulysses and writing an essay entitled "My Favorite Hero" after being impressed by the wholeness of the character (Goreman, 1939). The idea for the novel grew from a story in Dubliners in 1906, which Joyce expanded into… Leer más

Limited Editions Club, 1935. First Edition. Hardcover. Fine. Copy #1365 of 1500 numbered copies, one of the 250 copies signed by both James Joyce and Henri Matisse. A fine copy in the original gilt-stamped brown cloth, entirely unfaded with tight hinges; in a solid and intact copy of publisher's slipcase (the book has a couple of faints spots or bruises to the deckles on foredge; the slipcase has light wear and a few marks). Illustrated with 6 original etchings and 20 photomechanical reproductions by Henri Matisse Housed in a sturdy custom brown cloth clamshell box with black leather spine stamped in gilt. One of the most storied illustrated books of the 20th century. Although the tale is often erroneously told that Matisse thought he had been hired to illustrated Homer (and did so), Alfred Barr wrote "Matisse remarked that he had observed how Joyce's Ulysses was divided into episodes based on Homer's Odyssey ... Macy accepted the suggestion and Matisse went to work." (Matisse: His Art and His… Leer más

New York: Limited Editions Club, 1935. One of the most arresting collaborations in 20th-century literature. "It was a great idea to bring them together; celebrities of the same generation, of similar virtuosity" (Wheeler, 15). The 26 beautiful full-page illustrations by Matisse accompany the text of Joyce's Ulysses, including six soft-ground etchings with reproductions of the sketches on blue and yellow paper. "One of the very few American livres de peintres issued before World War II. According to George Macy [this work's designer], who undertook this only American publication of Matisse's illustrations, he asked the artist how many etchings the latter could provide for $5000. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings (Matisse's only use of this medium) record the evolution of the figures from vigorous sketches to closely knit compositions" (Artist and the Book 197).

Paris: Shakespeare and Company, 1922 First edition. Limited to 1000 copies. The 1000 copies were divided into three limitations: 100 copies (nos. 1-100) printed on Dutch paper and signed by Joyce; 150 copies (nos. 101-250) printed on Vergé d'Arches paper; and the final 750 copies (nos. 251-1000) printed on linen paper, of which this is number 349. Original publisher's teal paper wrappers, lettered in white. Light rubbing to wrapper edges, wear to spine with a small chip below first spine band and some loss to lower spine, very mild crease to first several leaves, front wrapper joint tender but holding. Housed in custom slipcase with folding chemise, slipcase with some wear. Joyce's masterpiece, Ulysses, was first published serially in The Little Review from March 1918 to December 1920, at which time copies of the magazine were seized and the magazine's publishers were taken to trial due to the sexually explicit nature of the novel. Because of the controversy surrounding… Leer más

Paris: Shakespeare and Company, May 1927. Ninth Printing of the First Edition. 205 x 160 mm. (8 1/8 x 6 1/4"). 4 p.l. (first blank), 735 pp. DRAMATIC DARK BLUE-GRAY CRUSHED MOROCCO, BLIND-TOOLED AND INLAID TO AN ABSTRACT DESIGN, BY SALLY LOU SMITH (stamp-signed with her initials in gilt on rear doublure), with overall wraparound design of inlaid elongated, irregular-shaped pieces of black, gray, blue, tan, and yellow morocco with blind-tooled lines extending from these shapes, MATCHING MOROCCO DOUBLURES tooled in gilt with branch-like lines, yellow handmade free endpapers, gray flyleaves, all edges gilt. In the matching morocco-backed clamshell box. Front flyleaf INSCRIBED BY JOYCE TO H. G. WELLS: "To / H. G. Wells / Respectfully / James Joyce / 5 November 1928 / Paris." Slocum and Cahoon 17. ◆Isolated faint foxing or marginal spots, but a clean, fresh copy with few signs of use, in a new binding. This later printing of what is generally recognized to be the most important 20th century novel in… Leer más

Paris: Shakespeare and Company, 1922. Ulysses was published in Paris by Shakespeare & Company, 1922. It was a struggle for the author to find a publisher, a comic irony considering that Ulysses is "[u]niversally hailed as the most influential work of modern times" (Grolier Joyce 69). Ulysses was an immediate success. The first printing sold out, and "within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world of 1922" (de Grazia, 27). Even so, the book faced difficulties in global reception. It was banned in the U.K. and was prosecuted for the obscenity in the Nausicaa episode (Ellmann, 1982). Joyce's inspiration for the novel began as a young boy reading Charles Lamb's Adventures of Ulysses and writing an essay entitled "My Favorite Hero" after being impressed by the wholeness of the character (Goreman, 1939). The idea for the novel grew from a story in Dubliners in 1906, which Joyce expanded into… Leer más