Resultados de búsqueda: woman in sacred history a de stowe harriet beecher

paperback. Good. Access codes and supplements are not guaranteed with used items.

New York: J. B. Ford And Company. Poor. 1873. Leather. 3/4 leather. Front cover detatched, spine cover torn and coming off at the bottom. Text block good.; Folio - over 12" - 15" tall .

J. B. Ford and Company, 1874. Leather-bound with gilt details, all edges gilt; cover rubbed/bumped, lightly soiled/foxed, top edge front board/top spine end quite rubbed with small chip, otherwise intact; edges very faintly rubbed; pastedowns/endpapers faintly sunned/soiled/foxed, previous owners' dedications at front endpapers, Title page/frontispiece lightly age- toned/faintly foxed, text block very faintly age-toned, minor foxing sprinkled lightly throughout; binding tight; interior intact and clean, except where noted; due to the size/weight of this item, additional shipping charges may apply.. leather_bound. Good.

paperback. Good. Access codes and supplements are not guaranteed with used items.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Leather Bound. Good. Good for age, J. B. Ford & Co., 1874. Edge wear to boards all around, frayed spine ends. Front hinge cracked, previous owner's name on front flyleaf dated 1874. Some foxing on first and last few pages, interior pages good. Illustrations good. Satisfaction guaranteed. Glass case.

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

John B. Alden, 1888 Stamped illustrated maroon cloth, lettering and iconography in gilt. Illustrated edition, with decorated flyleaf. Small 4to volume, N/p. Fine.. Hardcover. Fine.

New York: J. B. Ford and Company, 1873. Hardcover. g. 4to. Three-quarter gilt-decorated leather and spine over brown cloth. Raised bands. Wear to parts of leather and spine. Scuffing and some staining to boards. All gilt edges. Gutters have been expertly reinforced with binders tape at front-and rear endpapers. Ex-libris of Rabbi Edgar F. Magnin of Hebrew Union College to inside of front board. Marbled endpapers. Frontispiece missing. Tissue-guard on title-page torn. Perforated library stamp on margin of title-page. Few pages and plates loose but complete. Usual age browning to pages. "Illustrated with twenty-five Chromo-Lithographs after paintings by Raphael, Batoni, Horace Vernet, Goodall, Landelle, Portaels, Vernet-Lecomte, Baader, Merle, and Boulanger and others; printed by Monroco from Stones executed by Jehenne, Paris." Stunning color lithographs. The author is best known for her masterpiece "Uncle Tom's Cabin". Overall good condition.

New York: J.B. Ford And Company, 1873. Hardcover. Good (rubbing to leather edges & corners. leather has scuffs & scratches, moisture-like darkened spots to front. pastedowns/hinges repaired. opening textblock hinge cracked; front hinge rattled. textblock has a few, less severe splits. instances of light, coffee-like staining to upper & lower pg edges/corners. a few plates detached and laid-in. tissue-guards tanned.). leather boards w/ embossed designs & gilt emblem; gilt spine printing & raised bands; gilt to interior board borders. 400 pgs w/ 25 color plates. all gilt edges. This appears to be an older, handsome rebinding of the original text. Cover pastedown has a small sticker from Thling Brothers Binders And Printers from Kalamazoo Michigan. Pastedown/hinge repair is with a black binding material. Lovely color plates of various important female figures from religion and literature.

New York: J.B. Ford and Company, 1873. Hardcover. Very good. Stowe's sketches of the women in sacred history illustrate her ability to blend her own distinctively female reading of the text with insights and resources traditionally associated with the male world of the academy and church. By combining these approaches, she produces readings that sometimes challenge traditional interpretations of texts and women's roles and often encourage readers in their spiritual lives" (Marion Ann Taylor, Recovering Nineteenth-Century Women Interpreters of the Bible). Quarto: 400 p. with 25 chromolithographs after paintings by Raphael, Batoni, Horace Vernet, Goodall, Landelle, Koehler, Portaels, Vernet-Lecomte, Baader, Merle, Boulanger, and others, printed in Monrocq, from stones executed by Jehenne, Paris. Full brown morocco binding, with elaborate gilt and blind stamping, four raised bands, and decorative endpapers. The tissue guards opposite five of the chromolithographs are damaged, with a small amount of the… Leer más