Resultados de búsqueda: Photographs from Royal Books, Inc.

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1935. Vintage reference photograph from the 1935 film, showing a ballroom interior, with crew members visible to the far left. MGM stamp on the verso. From the archive of film historian and author Joel Finler. Based on the classic 1877 novel by Leo Tolstoy, about a young woman whose loveless marriage leads her to begin an affair with a dashing Czarist officer. Set in St. Petersburg. 10 x 8 inches. Pinholes at the corners, else about Near Fine.

N.p.: Bioskop Film, 1990. Collection of 11 vintage studio still photographs from the 1990 film. Based on Margaret Atwood's 1985 novel, which envisions a dystopian future in which fertile women are forced to play sexual surrogate to wealthy childless families. Shot on location in North Carolina. 8 x 10 inches. Fine.

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1960. Collection of five vintage studio still photographs from the 1960 film. Mimeo snipe on the verso, one with "SILVER SCREEN ARCHIVES" stamp on the verso. Based on Mark Twain's 1884 classic, the sixth adaptation for the screen and the first to be filmed in color, shot in CinemaScope and Technicolor. Set in and shot on location along the Mississippi River. 8 x 10 inches. Four Near Fine, One Very Good plus with faint creasing.

N.p.: Leland Hayward Productions, 1958. Vintage photograph of Ernest Hemingway and Spencer Tracy on the set of the 1958 film. Mimeo snipe on the verso. Based on the Pulitzer Prize winning novel by Ernest Hemingway, published in 1952. Winner of an Academy Award, and nominated for two more, including Best Actor for Spencer Tracy, one of nine nominations he would receive during his career. 8 x 10 inches. Near Fine, very light creasing.

N.p.: AVCO Embassy Pictures, 1979. Collection of eight vintage studio still photographs from the 1979 film. With the stamp of a Canadian film distributor on the verso, and a stamp noting production No. 79-22 on the bottom right corner of the recto. Based on Sylvia Plath's influential semi-autobiographical 1963 novel, about a young woman who suffers a series of mental breakdowns at her family's home in New England in the 1950s. Set in New York and New England, shot on location in New Jersey and New York. 10 x 8 inches. Near Fine.

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1935. Four vintage reference photographs and one studio still photograph from the 1935 film. Based on Charles Dickens' 1859 novel, which follows a love triangle between a French aristocrat, an alcoholic English lawyer, and a young woman named Lucie in the years before and during the French Revolution. Set in France and England. 10 x 8 inches. Most Near Fine.

Los Angeles: Paramount Pictures, 1943. Vintage borderless reference photograph from the 1943 film, showing director Sam Wood speaking with actors Ingrid Bergman, Lilo Yarsen, Katina Paxinou, and Gray Cooper on the set. Printed mimeo snipe affixed to the verso, along with the stamps of PIX Agency and the Westport Public Library. From the archive of the PIX Agency, a photo house that acted as an intermediary between émigré photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. Based on Ernest Hemingway's 1940 novel, which follows the experiences of an American fighting against the fascists in the Spanish Civil War, and his relationship with a young guerrilla fighter. Nominated for nine Academy Awards, winning one for Best Supporting Actress for Katina Paxinou. Set and shot on location in Spain. 9.5 x 7.5 inches. Photograph laminated (presumably as issued), else Near Fine.

N.p.: N.p., 1962. Four vintage oversize borderless reference photographs from the classic 1962 film. Based on the 1960 Pulitzer Prize-winning novel by Harper Lee. One of the greatest and most loved literary adaptations ever to reach the screen, and the film debut of Robert Duvall, in a dialogue-free role, as Boo Radley. Nominated for eight Academy Awards, winning three, including Best Actor for Gregory Peck and Best Screenplay. Nominated for the Palme d'Or. Set in fictional town of Maycomb, Alabama, shot on location in Monroeville, Alabama and Pasadena, California. 13.5 x 10.5 inches. Near Fine. National Film Registry. Penzler, 101 Greatest Films of Mystery and Suspense.

Moscow: Mosfilm, 1964. Two vintage photographs from the four-fim series, released between 1966 and 1967, showing director Sergey Bondarchuk on a large outdoor battle set. With Italian mimeo snipes, and stamps of a magazine archive dated August 19, 1964 on the verso. An epic production, based on Leo Tolstoy's 1869 novel, at the time the most expensive film ever made in the Soviet Union. Filmed over six years, with the photographs offered here from the midpoint of the production, and released in four parts in 1966 and 1967, running a totla of just over seven hours. Winner of an Academy Award for Best Foreign Language Film. Photographs 9 x 5.25 and 9.25 x 6.5 inches. Near Fine.

N.p.: N.p., 1935. Vintage reference photograph from the 1935 film, showing Greta Garbo as Anna Karenina on the train voyage home, draped in furs and wistfully looking out the window. From the archive of film historian and author Joel Finler. Based on the classic 1877 novel by Leo Tolstoy, about a young woman whose loveless marriage leads her to begin an affair with a dashing Czarist officer. Set in St. Petersburg. 10 x 8 inches. Lightly creased at the corners, else Near Fine.

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1945. Three vintage reference photographs from the 1945 film. One photograph with a mimeo snipe on the verso. Based on the 1890 novel by Oscar Wilde, about a man whose portrait magically takes on the ability to absorb the sins of his debauched life while he remains unaged. Nominated for three Academy Awards, winning one for Best Cinematography. Set in London. 10 x 8 inches. Near Fine.

N.p.: N.p., 1947. Two vintage borderless double weight photographs, one showing actress Jessica Tandy displaying her knitting to director Elia Kazan and stage designer Mordecai Gorelik, and the other two showing Tandy and Kazan in conversation, taken in Tandy's dressing room between performances of the 1947 play. One with two printed mimeo snipes on the verso. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. Tennessee Williams' masterpiece, a landmark of modern American theatre, winner of the Pulitzer Prize for Drama, and basis for the 1951 film also directed by Elia Kazan, with Marlon Brando reprising his role as Stanley. The play debuted at the Shubert Theatre in New Haven in November 1947, before eventually moving to the Ethel Barrymore Theatre on Broadway on December 3, 1947. Nominated for a Tony Award for Jessica Tandy as Best… Leer más

Burbank, CA: Warner Brothers, 1958. Vintage photograph of a camera crew capturing a shot of actor Spencer Tracy and child actor Felipe Pazos on the set of the 1958 film. Printed mimeo snipe affixed to the verso, along with a stamp crediting Warner photographer Jack Woods. Based on the Pulitzer Prize winning 1952 novel by Ernest Hemingway. Winner of an Academy Award, and nominated for two more, including Best Actor for Spencer Tracy, one of nine nominations he would receive during his career. 10 x 8 inches. Near Fine.

Burbank, CA: Warner Brothers, 1951. Vintage reference photograph from the 1951 film, showing actor Marlon Brando and director Elia Kazan talking on the set. Annotations in manuscript pencil and ink on the verso regarding cropping. From the archive of film historian and author Joel Finler. Based on the 1947 play by Tennessee Williams, who collaborated with screenwriter Oscar Saul and director Elia Kazan on the screenplay. Kazan, who also directed the Broadway stage production, cast all the actors from that production with the exception of Jessica Tandy. Nominated for eleven Academy Awards, winning four, including Best Actress for Vivien Leigh. 10 x 8 inches. Very Good plus, with light age toning and edgewear. National Film Registry. Rosenbaum 1000. Scorsese, A Personal Journey through American Movies.

Burbank, CA: Warner Brothers, 1951. Vintage studio still photograph from the 1951 film. Annotations in manuscript pencil and ink regarding cropping on the verso, along with a Warner Brothers stamp noting the film's title in French. Based on the 1947 play by Tennessee Williams, who collaborated with screenwriter Oscar Saul and director Elia Kazan on the screenplay. Kazan, who also directed the Broadway stage production, cast all the actors from that production with the exception of Jessica Tandy. Nominated for eleven Academy Awards, winning four, including Best Actress for Vivien Leigh. 8 x 10 inches. Light edgewear, else Near Fine. National Film Registry. Rosenbaum 1000. Scorsese, A Personal Journey through American Movies.

New York: W. Eugene Smith, 1950. Collection of five vintage oversize borderless photographs, taken during the original 1949-1950 Broadway production of Arthur Miller's 1949 play. All photographs bear catalog stamps and credit stamps of noted photographer W. Eugene Smith on the versos. The production made its debut on February 10, 1949, at the Morosco Theatre, and ran for 742 performances, closing on November 18, 1950. Winner of the Tony Awards for Best Play, Best Supporting Actor, Best Author, and Best Director, as well as the 1949 Pulitzer Prize for Drama. The play has since been revived on Broadway five times, in 1975, 1984, 1999, 2012, and 2022, and has been adapted for the screen ten times, including the Academy Award-nominated 1951 film directed by Laslo Benedik, starring Fredric March and Mildred Dunnock. Described by critic Sean O'Hagan in a 2017 article in "The Guardian" as "perhaps the single most important American photographer in the development of the editorial photo essay," W. Eugene… Leer más

Paris: C. Darmon, 1980. Collection of 16 vintage color French lobby cards from the 1980 French theatrical release of the 1980 US television miniseries. First broadcast in three parts on NBC on January 27 through 29, 1980 in the US, released theatrically in France. Based on the 1950 novel by Ray Bradbury. A three-episode miniseries which imagines a future world punctuated by catastrophes, wherein humans land on Mars, encounter a race of Martians whom they attempt to colonize, unwittingly begin a global nuclear war on Earth, and ultimately cause the mass devastation of life on both planets. Set on Earth and Mars, shot on location in the US, Spain, and the UK. 8.5 x 10.75 inches. Near Fine.

Los Angeles: Walt Disney Productions, 1942. Three vintage oversize borderless double weight reference photographs from the 1942 film. Printed mimeo snipes and photographer stamps on the versos. Based on the 1894 collection of stories by Rudyard Kipling. A Technicolor live-action version of the classic Kipling stories, made by the Hungarian-born filmmaking team of director Zoltan Korda, producer Alexander Korda, and art director Vincent Korda. The production brilliantly utilized live exotic animals, and featured Indian actor Sabu as Mowgli, the boy raised by wolves who can communicate with the animals of the jungle. Nominated for four Academy Awards including Best Cinematography. Shot on location in Sherwood Forest, California. 9 x 12 inches. Fine. Criterion Collection, Eclipse Series 30.

N.p.: N.p., 1967. Vintage reference photograph from the 1967 British film, showing director John Schlesinger talking with actress Julie Christie between takes. Mimeo snipe on the verso. From the archive of film historian and author Joel Finler. Based on Thomas Hardy's 1874 novel, about a young, flirtatious heiress who is relentlessly pursued by three young men. Nominated for an Academy Award. Shot on location throughout Dorset and Wiltshire, England. 8 x 10 inches. Near Fine, with light creasing at the corners.

Hollywood: Paramount Pictures, 1970. Vintage borderless photograph from the German release of the 1970 US film, based on the 1934 autobiographical novel by Henry Miller. In this image, Miller, who also had a cameo role, converses with Rip Torn, who portrays him in the film. With a German mimeo snipe and the stamp Cinema International on the verso. Set and shot in Paris. 10 x 8 inches. Near Fine.