Resultados de búsqueda: Land Of Unlikeness de Robert Lowell

Cummington, MA: Cummington Press, 1944. Limited Edition. Hardcover. Very good-. Octavo, unpaginated [48pp.]. About very good in the publisher's blue boards, stamped in red. Spine sun-faded (as is often the case) and slightly offset near the spine on the rear board. Spine ends nicked. A fragile book, with some mild evidence of wear, but unrestored, and perfectly clean internally. One of 224 limited copies (there were another 26 copies printed on Dacian paper and signed and lettered by the author). The first edition of Lowell's rare first book, which appears infrequently in commerce and at auction. Lacks the uncommon tissue dust jacket.

Cummington, Massachusetts: Cummington Press,, 1944. Fire-breathing righteousness First edition, first printing, of Lowell's first book of poems, one of 250 copies, notably uncommon in the original glassine, especially so in such fine condition. The poems were written between 1940 and 1944, while the author was studying in Louisiana and Tennessee. "Lowell at that time converted to Roman Catholicism, influenced by Gerard Manley Hopkins, Etienne Gilson, and other Catholic writers and philosophers, and impelled as well by his dark moods and what his wife termed 'fire-breathing righteousness'. This religious conversion strongly shaped the character of his first two books of poetry" (ANB). The Cummington Press was a small letterpress owned and operated by Harry Duncan (1916-1997), "considered the father of the post-World War II private-press movement" (Newsweek, 16 August 1982). The press's first book, Incident on the Bark Columbia, appeared in 1941, printed on a hand printing press at the Cummington… Leer más

Cummington, MA: The Cummington Press, 1944. Boards. Very Good. The 1944 original printing of Robert Lowell's first published book, limited to 250 copies. THIS COPY BELONGING TO POET ROBERT DUNCAN, WHO SIGNED HIS NAME ON THE FRONT FREE ENDPAPER AND WHOSE WILDLY DECORATIVE 1945 BOOKPLATE (SHARED WITH AND UNDOUBTEDLY DESIGNED BY HIS PARTNER JESS COLLINS) ADORNS THE FRONT PASTEDOWN. A solid, presentable copy to boot. Clean and VG in its dark boards, with light offsetting along the panel edges, limited, very light blotching to the rear panel and its usual (in this case mild) fading along the spine. Introduction by Allen Tate. Also includes a handsome, custom-made chemise and printed slipcase, with its gilt-titled, dark-leather label along the spine.

(Cummington, MA): Cummington Press, 1944. First Edition. Hardcover. Slight fading to boards, moreso to the spine which has a couple of small tears, one neatly repaired. Very Good and scarce. Publisher's blue boards stamped in orange, title page printed in red and black with woodcut in blue by Gustav Wolf. Introduction by Allen Tate. Lowell's first book, limited to a total of 250 copies printed. This is Copy #11 of only 26 on Dacian paper SIGNED by the author on the limitation page. Allen Tate, in his introduction to this collection, tempers his praise with a fair assessment of Lowell's current stature and potential, heralding a lasting presence in American poetry: "The history of poetry shows that good verse does not inevitably make its way; but unless, after the war, the small public for poetry shall exclude all except the democratic poets who enthusiastically greet the advent of the slave-society, Robert Lowell will have to be reckoned with." Two years later, Lowell would win the Pulitzer Prize… Leer más

(Cummington): The Cummington Press, 1944. Hardcover. Very Good. First edition. Blue printed papercovered boards, lettered in red. Introduction by Allen Tate. Woodcut by Gustav Wolf. Light rubbing to the crown, spine a little faded, with two very small spots, and a small, light smudge on the front board, lacking the original unprinted glassine dustwrapper. A nice, very good copy of a fragile volume, and internally fine. This copy Inscribed by Lowell to Stanley Hyman, important American literary critic, and husband of the novelist Shirley Jackson: "For Stanley Hyman From Robert Lowell With Great Respect." The author's first book. One of 224 copies of a total edition of 250. An important title and a keystone of American poetry.