Resultados de búsqueda: Títulos que empiezan por V de Common Crow Books

London: Eyre & Spottiswoode, 1957. Hardcover. Very good/very good-. Blue cloth boards in dust jacket, octavo, not illustrated. Book has mild rubbing and edgewear, binding tight, previous owner's signature to front pastedown, endpapers off-set, text clean and unmarked, with mild foxing to edges of block. DJ has rubbing and wear to spine joints and edges, small scuff and stain to front panel, toning, rubbing, foxing, now in archival mylar wrap.

London: Adam and Charles Black, 1903. Hardcover. Good. Hardcover with decorative cloth boards, 1903, octavo, 260pp., illustrated in color. Book good with edgewear to corners and spine ends, rubbing to spine hinges that tears cloth, rubbing, binding tight, text clean and unmarked with mild toning throughout, gilt to top edge of text block. No DJ.

London: Thames and Hudson, 2003. First edition. Hardcover. Fine/near fine. First edition, 2003. Quarto, hardcover in dust jacket, 224 pp., illustrated in color, clean unmarked text, Fine copy in Near Fine dust jacket, light creasing to the tips of the dust jacket. Dust jacket housed in archival dust jacket protector.

New York: Thames and Hudson, 1991. First printing. Hardcover. Fine/near fine. First edition, 1991. Cloth hardcover in dust jacket, 416 pp., illustrated, clean unmarked text, Fine copy in Near Fine dust jacket. Dust jacket housed in archival dust jacket protector.

Texas Tech University Press, 2002. First Printing. Hardcover. Fine/fine. Publisher's boards in dust jacket, mint copy still in shrinkwrap. 247 pp, maps and figures.

Chicago: Paul Theobald, 1947. Third printing. Hardcover. Good. Brown stamped beige cloth boards, small quarto [8.75" x 11.25"], illustrated in b&w and color. Book soil and rubbing, corners worn and torn, binding tender with inner hinges cracked, previous owners' marks to front pastedown, front of text has pencil underlining and marginalia, otherwise text clean.

Chicago: The University of Chicago Press, 2006. First printing. Paperback. New. Wraps, clean unmarked text, new copy, in original shink-wrap.

Madison, WI: The University of Wisconsin Press, no date. Paperback. New. New book, still in publisher's shrinkwrap! Printed paper wraps, octavo. New.

no place: Phaidon, no date. Paperback. New. Brand new book still in publisher's shrinkwrap! Printed paper wraps, quarto [10" x 11.5"], illustrated. Book new.

London: R. Ackermann, 1817. First printing. Hardcover. Fine. First printing with the Rowlandson illustrations, 1817, tall 8vo, modern binding in full red morocco gilt by Riviere, gilt spine, handsome gilt dentelles and watered green silk endpapers, all plates collated complete, a lovely binding with expert restoration to joints using calf. A fine copy.

Los Angeles: Beyond Baroque Books, 1998. First Printing. Wraps. Fine. 7 x 4.5 inches, wraps, fine. 30 pp. The introduction makes clear that this is a bit of a hoax, there's no author named Sandor Tadjeck, it's all made up. Whether Kurt Brown is the real author, we don't know.

Saarbrucken: Fines Mundi, 2012. Hardcover. Fine. 12 x 9 inches, cloth, fine copy. 491 (10) pp., illustrated. A complete facsimile of the original 1557 edition of this classic on mining, assaying and related topics, first published in Latin as "De Re Metallica" in 1556, posthumously.

Tokyo (?): Japan Publications, 1974. Second Printing. Hardcover. Fine/fine. Tall 8vo, 10.5 x 7.5 inches, publisher's red cloth in dust jacket, fine copy. 192 pp, illustrated. Uncommon, especially in such nice condition. Signed by Jim Bregman at Camp Olympus in 1975, also referencing the 1964 Olympics. Bregman (b. 1941) was a member of the first American team to compete in judo at the Summer Olympics. A founding member and President of the United States Judo Federation, in his competitive career he was a bronze Olympic medalist (1964), a World Championships bronze medalist (1965), a Pan American Championships gold medalist, and a Maccabiah Games gold medalist (1965).

Philadelphia: J. A. Wagenseller, 1882. Fine. Original chromolithograph plate, 11¾ x 9 inches. Neatly excised from "Nests and Eggs of Birds of the United States", by Thomas Gentry, published by Wagenseller in Philadelphia, 1882. The volume contained 54 chromolithographs from drawings by Edwin Sheppard. In fine condition, with vivid colors on a bright, clean sheet. Ready for framing. Search "Ornithology plates" on our website for more plates from this series.

New York: Oxford University Press, 1994. First edition. Hardcover. Fine. First edition, 1994, hardcover with blue cloth boards, octavo, 432pp., not illustrated. Book fine, binding tight, text clean bright and unmarked. No DJ.

New York: American Federation of Arts/Prestel, 2018. Softcover. Fine. Printed paper wraps, quarto [10" x 12"], illustrated in color. Book has handsome wraps and tight binding, text clean bright and unmarked. Exhibition catalog.

Washington DC: National Gallery of Art/Princeton University Press, 2001. Hardcover. Fine/fine. Red cloth boards in dust jacket, quarto [9.25" x 13.25"], illustrated in color and b&w. Book has handsome boards and tight binding, text clean and unmarked. DJ fine, now in archival mylar wrap. Exhibition catalog.

Kent, OH: Volair / Capra Press, 1979. Limited ed. Hardcover. Fine/Slipcase. Number 20 of 25 Artist Proofs. Signed by the artist, Secunda, in pencil beneath the etching on the title page. 1979. Hardcover, leather-backed boards. Fine in original slipcase. Etchings originally produced for this edition which had a total run of 275 copies. Barely perceptible wear to the corners. Fresh, beautiful contents. Slipcase strong, but lightly rubbed and faded.

Bloomington, IN: Indiana University Press, 1995. First printing. Hardcover. Fine/fine. Inscribed by the author, first printing, 1995, hardcover, octavo, 301pp., sparsely illustrated in b&w. Book fine, binding tight, text clean bright and unmarked. DJ fine.

Thousand Oaks, CA: Sage Publications, 1999. First printing. Hardcover. Fine. Glossy paper covered boards, large octavo [7.25" x 10.25"], not illustrated. Book has handsome boards and tight binding, text clean bright and unmarked.