Resultados de búsqueda: Títulos que empiezan por F de Waugh Books

New York: Modern Library, 1996. Eighteenth printing. Hardcover. Fine/fine. Sm 8vo. Gray cloth, with gilt spine lettering. Decorated end papers. 283 pages. Drawings by Ralph Steadman. No names, remainder marks, or marks to text. In illustrated dust-jacket (with price intact), with surreal Johnny Depp cover illustration. A crisp, tight, as new copy.

New York: Harper & Row, 1968. First edition. paperback. Very Good. 8vo. Red-orange paper covers with black title and promotional statement on cover. 385 pages. The Advance Reading Copy of Exley's first book. Spine and corners worn. No names or marks.

London: Heinemann, 1986. First edition. Hardcover. Fine/very good. 8vo. Blue cloth, with gilt spine lettering. 256 pages. No names, remainder marks. or marks to text. Dust-jacket (with price intact) has creases and a closed tear at top corner of front panel.

Lawrence, KS: East Village PhotoArts, 2012. Stated First edition. Hardcover. Fine/fine. Forward by James R. Hugunin. Oblong Sm 4to. Black cloth. 149 pages. Color, and some b/w, photographic images. SIGNED by both photographers on the title page. A crisp, bright as new copy, here signed by both Stern and Smith.

[no place]: Stichting Siebold Council, 1997. First printing. Paperback. Fine. Edited by Chikako Narita. Foreword (in English) by Richard E. Carney. 4to. Glossy, illlustrated wrappers. Black end papers. Text in Japanese (with no English translation). 167 pages. With b/w and color illustrations throughout, including photographic images, drawings, and plans. With checklist (in Japanese) of the exhibition laid in. No names or marks. Catalogue for a 1997 exhibition in five Japanese cities. Due to size, international shipping at cost.

New York: Outerbridge and Dienstfrey, 1971. Stated First edition. Hardcover. Very good +/very good. 8vo. Blue boards, with yellow spine lettering. Goldenrod end papers. 222 pages, with Selected Discography and General Bibliography at end. With b/w photographic images. SIGNED and INSCRIBED by Charlie Rich, one of the musicians featured in the book, on the front FEP: "Dear Bill, Thanks so much for your encouragement and support over the years. Your friend, Charlie Rich". Bottom corner of page 69/70 is creased, with 3 lines of text underlined in blue pen on page 70. No other marks. Illustrated dust-jacket (with "$6.95" price intact), has wrap around photographic images of Son House, Skip James, and Mississippi John Hurt. Dust-jacket is edge worn, with small stains near top of front panel. The first edition, first printing of Guralnick's first book. This copy signed and inscribed by Charlie Rich.

Vintage Contemporaries, 1986. First edition thus. Paperback. Very good +. Sm 8vo. Glossy illustrated wrappers. 223 pages. No names, remainder marks, or marks to text. The stated first printing of the Vintage Contemporaries edition, with Lorraine Louie cover design and Rick Lovell cover illustration.

New York: Knopf, 1983. Stated First edition. Hardcover. Very good +/very good +. 8vo. Quarter gray cloth and cream boards, with silver spine and cover lettering. 253 pages. No names, remainder marks, or marks to text. Illustrated dust-jacket (with price intact) has a small, closed tear to top of front panel, else Fine. A very good+ copy of the first edition, first printing of Shepard's first book.

New York: Doubleday, 1967. First edition. Hardcover. Very good/very good. 8vo. Black cloth, with gilt spine lettering. Red end papers. 155 pages. Both front and rear paste downs have minor bubbling near spine. No names or marks. Illustrated dust-jacket (with "$3.95" price intact), designed by Bob Sullivan, is edge worn, with light soiling along top of rear panel. The first edition, first printing of Reed's first book.

New York: Prentice-Hall, 1972. First printing. Hardcover. Very good +/very good. Sm 8vo. Black cloth, with white and magenta spine lettering. 186 pages, with Filmography, Selected Bibliography, and Index. No names, remainder marks, or marks to text. Illustrated dust-jacket has a small stain on rear panel, else Very Good+. With essays by Agee, Bazin, Kael, Sarris, and others. A crisp, unmarked copy, in dust-jacket.

Boston: Beacon Press, 1970. Second printing. Paperback. Fine. Translations by Jeremy Shapiro and Shierry M. Weber. 8vo. Glossy wrappers. 109 pages. No names or marks. A crisp, unmarked, as new copy, with sharp corners.

New York: Atlantic Monthly Press, 1990. First Printing. Hardcover. Fine/fine. 8vo. Quarter red cloth and grey boards, with beige spine lettering. 257 pages, with Notes. No names or marks. In illustrated dust-jacket (with price intact). A crisp, unmarked, as new copy.

Chicago: University of Chicago Press, 1993. First printing. Hardcover. Fine/fine. Oblong 4to. Gray cloth, with silver spine lettering and a mall red square decoration on front cover. Dark gray end papers. 492 pages, with Index. With b/w photographic images, drawings, and floor plans. No names or marks. In illustrated dust-jacket. A crisp, unmarked copy in dust-jacket of the first printing [with number line ending in "1"]. Given the size and weight of this book, international shipping at cost.

New York: Henry N. Abrams, 1990. First edition. Hardcover. Fine/fine. Edited by Charles Miers. 4to. Forest green cloth, with turquoise spine and cover lettering. Frontis color illustration. 303 pages, with Chronology and Acknowledgments. With color and b/w illustrations and plans. In illustrated dust-jacket. A crisp, as new copy.

New York: Museum of Modern Art, 2002. First edition. paperback. Fine. With essays by Carolyn Lanchner, Jodi Hauptman, and Matthew Affron, and contributions by Beth Handler and Kristen Erickson. Sm 4to. Glossy illustrated covers. 303 pages, with Selected Bibliography. Color and b/w illustrations throughout. No names or marks. A crisp, as new copy.

Boston: Beacon Press, 2001. Second printing. hardcover. Fine/fine. 8vo. Red quarter cloth over black boards, with black spine titles. Red end papers. 295 pages. No names or marks. Illustrated dust-jacket has price intact. An as new copy of this political memoir of the 60s.

Metuchen, NJ: Scarecrow Press, 1985. First printing. Paperback. Very good. Introduction by Robert Peters, and An Appreciation by Rod McKuen. Sm 8vo. Illustrated wrappers. 147 pages. Front cover is creased along spine. No names or marks. Issued as Poets Now 7. The first paperback printing.

Potsdam, NY: Liberty Street Books, 1979. Stated First printing. Paperback. Very good. Oblong Sm 4to. [11"X8.5"] Illustrated card wrappers. [unpaginated] Illustrated with full page line drawings with short captions. Front cover shows wear, with diagonal creases to bottom right corner. Slight wear to spine ends. Drawings are Very Good+. No names or marks. Late 1970s critique of American culture, featuring anthropomorphic frog cartoons. Printed by the Racquette River Printshop.

London: Batsford, LTD, 1945. First printing. Hardcover. Very good. Sm 8vo. Orange cloth, with gilt spine and front cover lettering. Frontis (Beaton water color). 111 pages. Wear at spine hinges, and spine orange and yellow are dulled. Illustrated. Name on Front Free End Paper. No marks to text. Lacing the dust-jacket.

New York: Film Culture, 1965. First printing. Paperback. Very good. Edited by Louis Brigante. Sm 4to. Glossy illustrated stapled wrappers. 210 pages, with 4 pages of advertisements at end. Illustrated throughout with b/w stills. Book store hand-stamp and inked name on title page. No marks to text. Griffith: 1 - "The Birth of a Nation".