Resultados de búsqueda: Títulos que empiezan por S de Waugh Books

New York: Knopf, 1992. Stated First edition. Hardcover. Very good +/fine. Chip Kidd. 8vo. Quarter black cloth and illustrated paper covered boards, with black spine titles (over white patch). 524 pages. Very light foxing to top text block, else Fine. No names, remainder marks, or marks to text. In publisher's original printed acetate dust-jacket (with "$23.00" price intact) designed by Barbara de Wilde and Chip Kidd. A bright copy of the first edition, first printing, in a crisp dust-jacket, without the usual scratches and rubbing.

New York: Delacorte Press, 1969. Third Printing. Hardcover. Very good +/very good. 8vo. Turquoise cloth, with gilt, red, and black spine lettering and gilt facsimile signature on front cover. Black end papers. 186 pages. No names, remainder marks, or marks to text. Dust-jacket (with "$5.95" price intact, and "0369" on rear flap), designed by Paul Bacon, is lightly toned, chipped at spine ends and corners, and has closed tears at both ends of front flap fold. Some sticker remains over the printed price on the top corner of the front flap. Stated "Third printing, May 1969" on the copyright page.

New York: Modern Library, 1932. Reprint. Hardcover. Very good +/very good. E. McKnight Kauffer. With a New Introduction [1932] by Faulkner. 12mo. Light blue cloth, with gilt lettering over red patches on spine and front cover. Red top stain. Patterened Kent end papers. 380 pages, with lists of Modern Library titles at end. Prior owner's name/address sticker (small) on blank preliminary page, across from title page. No marks to text. In dust-jacket (illustrated by E. McKnight Kauffer). Dust-jacket has a small price sticker on front flap stating "As of April 15, 1947, the price of the Modern Library in U.S.A. is $1.25 a copy[.] Other markings void. The Modern Library, Inc." Dust-jacket has slight edge wear and spine ends are crimped. Modern Library 61.2. Lists 322 ML titles on back of dust-jacket. This edition published in the late 1940s with the striking E. McKnight Kauffer jacket.

New York: Simon & Schuster, 1978. First printing. Hardcover. Fine/very good +. 8vo. Blue cloth, with gilt spine lettering. Tan end papers. 347 pages. No names, remainder marks, or marks to text. Illustrated dust-jacket (with price intact) has a small crease at bottom of front flap, else Fine. A bright, unmarked copy in crisp dust-jacket of the first printing (with number line ending in "1").

New York: Grove Press, 1966. Stated First printing. Hardcover. Fine/fine. Sm 8vo. Blue cloth, with silver spine lettering. 118 pages. [Charters A 21a.] The word "CENSORED" is hand-stamped on the Front Free End Paper. No other marks, or names. In bright orange, blue, and black dust-jacket (with "$3.95" price intact) with Kerouac photograph by Lawrence L. Smith on rear panel. A fine copy of the first edition, first printing, in a fine dust-jacket.

New York: Knopf, 1986. Stated First edition. Hardcover. Fine/fine. Translated from the Spanish by Randolph Hogan. 8vo. Navy blue cloth, with silver spine lettering. 106 pages. No names, remainder marks, or marks to text. In illustrated dust-jacket (with price intact). A crisp, as new copy in crisp dust-jaket.

New York: Bantam Books, 1967. Reprint. Paperback. Very good. 16mo. Glossy illustrated wrappers. 92 pages, followed by 25 b/w photographic images. Slight toning and edge wear. No names or marks. The first Bantum paperback ("Pathfinder") edition (1967). A crisp, tight copy.

Boston: Atlantic-Little, Brown. Third printing. Hardcover. Very good +/very good +. 8vo. Beige cloth, with gilt spine lettering. Black top-stain. 402 pages. No names, remainder marks, or marks to text. Illustrated dust-jacket (with "$6.00" price intact) has slight wear at spine ends and corners.

Boston: Little, Brown & Company, 1984. Stated First edition. Hardcover. Very good +/fine. 8vo. Gray cloth, with gilt spine and cover lettering. Teal end papers. 193 pages. Light foxing to top text block. No names, remainder marks, or marks to text. In illustrated dust-jacket (with price intact). A crisp, bright, unmarked copy.

Chicago / New York: Stephen Daiter Gallery / Deborah Bell Photographs, 2002. First edition. Paperback. Fine. Preface (1957) by Herbert Matter. Sm 4to. Stapled stiff white wrappers. 34 pages. Cohen's 1950s b/w photographs of Peru, with his essay "The Shape of Survival". No names or marks. In illustrated dust-jacket, with note by Patti Smith on rear panel. Exhibition catalogue. A crisp copy.

np: The Fantod Press, 1990. First edition thus. Paperback. Fine. Gorey. Drawings by Edward Gorey as 'Eduard Blutig'. Oblong 24mo. Stapled wrappers. Limited/signed numbered: 238/500. Toledano A100. SIGNED by Edward Gorey as 'Mrs. Regera Dowdy' (an anagram of Edward Gorey) on the limitation page. A crisp, as new copy.

Woodstock, NY: P.C.C. Publications, 1987. First printing. Paperback. Fine. 8vo. Stapled wrappers, with cover drawing by Miriam Sanders. Frontis b/w photographic image of Robin DeLisio. [unpaginated] SIGNED by Ed Sanders on the title page with a note: "Ed Sanders 1987 in a cabin at the Omega Inst. listening this late summer day to a distant song circle in the grass singing, believe it or not, the final verses of Rudolf the Red Nosed Reindeer!" No other names or marks.

Gulfport, FL: Konglomerati, 1976. First printing. Paperback. Fine. Illustrated 4to. [13'X10'] Illustrated stitched wrappers. [11 pages] Full page line drawings by Karen Searls Tandy. Afterword by Richard B. Mathews. Limited/numbered: 126/500. A crisp, bright, as new copy.

New York: Harper & Row, 1971. Stated First edition. Hardcover. Fine/fine. 8vo. Quarter orange cloth and blue paper covered boards, with blue spine lettering and blind-stamp decoration on front cover. Blue end papers. 244 pages. In illustrated dust-jacket (with "$6.95" price intact). A crisp, bright copy in dust-jacket of the first edition, first printing (with number line ending in "1" on rear end paper) of Lee Smith's elusive second novel.

San Francisco: McSweeney's Books, 2003. First printing. Hardcover. Fine. Edited and with a New Insertion by Frances "Hand" Wisneiwski. 8vo. Red cloth and tan boards, with black spine and cover titles. 400 pages. The fore-edges of the "Insertion" pages are brown. Illustrated with photographic images. SIGNED by Dave Eggers in marker on the front cover. No other names or marks. No dust-jacket (as issued). A crisp, as new copy with sharp corners of the limited printing (2000 copies) of "Hand's Revised Edition", of YOU SHALL KNOW OUR VELOCITY. First printing thus, here signed by Dave Eggers.

London: Faber and Faber, 1979. First printing. Hardcover. Fine/fine. 8vo. Light blue cloth, with gilt spine lettering. 131 pages. No names or marks. In illustrated dust-jacket (with price intact). A crisp, bright copy of the first edition, first printing.

New York: Albondocani Press, 1971. First edition. Paperback. Fine. Gorey. Rendered into English and illustrated by Edward Gorey. Oblong 24mo. Illustrated yellow stitched wrappers. [unpaginated] Limited/signed numbered: 55/300. Toledano A41b. SIGNED by Edward Gorey on the limitation page. With Albondocani Press promotional postcard laid in. Albondocani Press Publication No. 14. A crisp, as new copy.

New York: Random House, 1960. First printing. Hardcover. Very good +. Three Volume boxed set: THE GIRL ON THE BAGGAGE TRUCK; IMAGINE KISSING PETE; and WE'RE FRIENDS AGAIN. In publisher's matching cloth and slipcase. Without dust-jacket as issued. Each book states "First Printing". Bruccoli checklist: XVII.1A. Slipcase is Vey Good, with a shadow of old ticker on losser spine. Due to size and weight, international shipping at cost.

New York: Olympia Press, 1970. First edition thus. Paperback. Very good. Introduction [one page] by Allen Ginsberg. 12mo. Glossy illustrated wrappers (with wraparound cover illustration by Ira Cohen and Bill Devore). 191 pages. Some age toning to pages. No names or marks. A square, tight copy.

London: Ernest Benn, 1926. First edition thus. Hardcover. Very good. Sm 4to. Black paper covered boards, with gilt spine lettering, and gilt design on front cover. [unpaginated] Illustrations reproduced from a copy in the British Museum. Small scrapes to rear cover. No names or marks.