British Literature from B & B Rare Books, Ltd., ABAA

Paris: Les Éditions de Minuit, 1980 Translated from the original English by the author. First French trade edition, first printing. Presentation copy, signed and inscribed by Beckett to Mel Gussow on title page: "For Mel Gussow / With all good wishes / Sam Beckett / Paris / July 1982." Publisher's original white wrappers, front wrapper and spine lettered in blue… Saber más sobre este artículo

London: Faber and Faber, 1984 First edition thus. Presentation copy, inscribed by Beckett to Mel Gussow on title page: "For Mel / from his friend / Sam / Paris / July 1985." Publisher's original green, white, and gray patterned wrappers, with illustration of Beckett by Sue Linney to front wrapper, lettered in black and green. Near fine, with a few… Saber más sobre este artículo

Paris: Les Éditions de Minuit, 1982 First edition, first printing. Presentation copy, signed and inscribed by Beckett to Mel Gussow on title page: "For Mel Gussow / With all good wishes / Sam Beckett / 24.6.83." Publisher's original white wrappers, front wrapper and spine lettered in blue and black. About fine, with just some light toning to spine and edges.… Saber más sobre este artículo

London: Ellis and Whit, 1876 First edition. From the library of Dorothy L. Sayers, signed by Sayers on the front free endpaper, with her marginalia to pages. Bound in 20th century brick-red cloth, with spine lettered and ruled in gilt. Near fine, with light toning to spine, a touch of dimming to gilt, light rubbing to spine ends and corners,… Saber más sobre este artículo

New York: Grove Press, [1957] (originally published in 1931), 1981 First American edition. One of 250 copies signed and numbered by Beckett on the limitation page, this being number 76. Publisher's brown cloth-backed white patterned paper-covered boards, with front board and spine lettered in gilt. Near fine, with light toning to spine and upper edges of boards, and just a… Saber más sobre este artículo

London: The Crime Club by Collins, 1958 First edition, first printing. Publisher's red cloth, titles in black to spine; in its original orange, white, blue and black dust jacket. Very good or better book, with light spotting to text block edges and endpapers; good price-clipped dust jacket, with some spotting, a light circular cup stain to front panel, light wear… Saber más sobre este artículo

London: Robert Riviére & Son, [ca. 1934], 1898 Six titles bound in five volumes. Finely bound by Riviére, with half blue calf, blue marbled paper-covered boards, five raised bands to spines with compartments lettered and decorated in gilt, marbled endpapers, top edge gilt, and tissue-guarded frontispieces to all volumes (Sense and Sensibility with frontispiece portrait of Austen, other volumes with… Saber más sobre este artículo

London: Faber and Faber [orig. published 1956], 1981 Later edition. Presentation copy, signed and inscribed by Beckett on title page: "For Mel / With all good wishes / from Sam / Paris / 29.8.84." Publisher's white wrappers, with a drawing of a tree and hand by Sidney Nolan on front wrapper, printed in black. About fine, with just a hint… Saber más sobre este artículo

London: John Calder, 1983 First edition, first printing. Presentation copy, signed and inscribed by Beckett to American theater critic Mel Gussow on title page: "For / Mel Gussow / With all best wishes / Sam Beckett / Paris / 24.6.83." Publisher's green cloth, with titles in gilt to spine; in its original white and green dust jacket, printed in black… Saber más sobre este artículo

London: Macmillan and Co., 1894 Illustrated by John Lockwood Kipling, William Henry Drake, and Paul Frenzeny. First edition, first printing. Publisher's blue boards, spines lettered in gilt, pictorial jungle images based on artwork by the author's father John Lockwood Kipling stamped to the front boards in gilt, all edges gilt, green coated endpapers. Near fine, with a touch of toning… Saber más sobre este artículo

London: The Hogarth Press, 1922 First edition, first printing with 14 pages of press opinions. One of 1200 copies. Publisher's crocus-yellow cloth, cream label with titles printed in black to spine, fore and bottom edges untrimmed; in its original cream dust jacket printed in cinnamon and black, designed by Vanessa Bell. Near fine or better book, with light soiling to… Saber más sobre este artículo

London: Chapman & Hall, 1839 Illustrations by Hablot K. Browne ("Phiz"). First edition, mixed state with "sister" and "letter" in the corrected state, many other points first state and uncorrected. Bound in contemporary three-quarter green calf, with five raised bands ruled in gilt, spine lettered in gilt, marbled paper-covered boards, and red sprinkled edges. Very good, with light marks to… Saber más sobre este artículo

London: The Hogarth Press, 1933 With four Original Drawings by Vanessa Bell and six other Illustrations. First edition, first printing, with "Large Paper Edition" printed on the dust jacket. Demy 8vo. Publisher's pale buff cloth, with spine lettered in gilt; in its original cream dust jacket with illustration of dog to front panel. Very good book, with light soiling to… Saber más sobre este artículo

London: T. Fisher Unwin, 1899 Illustrated with black and white photographs and drawings. First edition, first printing. Publisher's red cloth, lettered in gilt, with Gryphon and White Rabbit to front board in gilt. Near fine, with light toning to spine, light rubbing to spine ends, a couple of gentle bumps to board edges, mild offsetting to endpapers, a bit of… Saber más sobre este artículo

New York: Alfred A. Knopf, 1964 Illustrated by Joseph Schindelman. First edition, second state, with five-line colophon. Publisher's red cloth, with the title in blind to the front board, spine lettered in gilt, black topstain; in the original first issue dust jacket designed by Schindelman, lacking the ISBN number to the rear panel, with illustration of a chocolate candy bar,… Saber más sobre este artículo

London: Published by Leonard and Virginia Woolf at the Hogarth Press, 1925 First edition, first printing. One of 2000 copies. Publisher's deep rust cloth, gilt lettering to spine; in its original cream-colored dust jacket, printed in black and white, and designed by Vanessa Bell. Fine book, with just some light offsetting to endpapers, and novelist Dennis Wheatley's bookplate to front… Saber más sobre este artículo

London: Macmillan and Co., 1922 London: Macmillan and Co., 1922 [originally published in 1872]. With fifty illustrations by John Tenniel. Later printing ("Sixty-Seventh Thousand"). Publisher's red cloth, borders of front and rear boards triple-ruled in gilt, boards illustrated with the Queens in gilt, spine lettered in gilt, and all edges gilt. Near fine, with light toning to spine and right… Saber más sobre este artículo

London: Kelmscott Press, 1892 Preface by William Morris. First edition thus. One of 500 copies printed in "golden" type. Bound in contemporary vellum, with titles in gilt to spine. Near fine, with light soiling to vellum, light toning to page edges, lacking ties, and some rippling to pages. Overall, a beautiful copy. The Nature of Gothic is a… Saber más sobre este artículo

London: Printed by J. M. for John Starkey at the Mitre in Fleetstreet, near Temple-Bar, 1671 First edition, second issue, with "loah" corrected to "loth" on p. 67 of Paradise Regain'd; complete with licensing and errata leaves. Bound in contemporary brown calf, with five raised bands to spine, boards and spine ruled in blind. Very good, with some wear and… Saber más sobre este artículo

London: Printed by Adam Islip, 1602 Edited by Thomas Speght and revised with the help of Francis Thynne. Illustrated with two title pages, John Speed's full-page portrait of Chaucer with genealogical border, woodcut initials, ornaments, and head-and-tail pieces throughout, and knight and lance woodcut to Fol. 1. Folio. Second Speght edition (Seventh collected edition overall), with errata leaf. Finely bound… Saber más sobre este artículo