Resultados de búsqueda: Títulos que empiezan por V de Bagatelle Books, IOBA

New Haven, CT: Yale University Press, 1967. First Edition, First Printing. Hardcover. Very Good/Very Good. Octavo. 5.75 x 8.75 in. xiv, 287 pp. Very good in original blue cloth, mild general foxing and very good pictorial dust jacket, light rubbing.

New York: Random House, 1952. First Edition, First Printing. Hardcover. Very good/Very good. Small octavo. 5.25 x 7.75 in. 245 pp. Very good in original cloth boards, gilt titling on spine remains bright, with slight lean to spine, and very good pictorial dust jacket with general age-related edgewear and rubbing. Signed on half-title page.

Albany, NY: State University of New York, 1993. Later Printing. Paperback. Fine. Octavo. 6 x 9 in. xii, 768 pp. Fine in original pictorial wrappers.

Oxford: Oxford University Press, 2022. Third Printing. Hardcover. Fine/Fine. Octavo. 6.25 x 9.5 in. 339 pp. Fine in original paper-covered boards and fine pictorial dust jacket.

London: Octagon Press, 1991. Fourth Printing. Hardcover. Fine in original paper-covered boards with gold lettering on spine and fine lettered dust jacket. Duodecimo. 5 x 7.5 in. 103 pp.

Barn Dream Press, 1971. First Edition, First Printing. Paperback. Very good in original illustrated wrappers, with a slight bow to the front cover from previous reading.. Octavo. 5.25 x 8.25 in. Unpaginated. This is one of a limited printing of 500 copies, of which the first 100 were signed and numbered by Wright. Though this copy is not numbered, it is inscribed on the front free end paper to David Madden, an NC-based author and historian: "For David Madden, from Charles Wright, in Red Stick, LA Feb. 7, 1975." Red Stick is a toungue-in-cheek name for Baton Rouge. The inscription appears around Madden's name, which is written in the book in his own hand. The back cover features a black-and-wight portrait of Wright taken by fellow poet James Tate.

Belo, Brazil: Premio de Literatura, 1974. First Edition, First Printing. Paperback. Very good. Octavo. 6.25 x 9 in. 116 pp. Very good in original pictorial wrappers. Inscribed by Motta on title page. Text in Portuguese.

Winston-Salem, NC: Wake Forest University, 2017. First Edition, First Printing. Paperback. Fine. Octavo. 6 x 8.5 in. 87 pp. Fully illustrated with black & white and color reproductions of photographs. Fine in original pictorial wrappers. Signed by Pavlovic on the title page. Published in correlation with the exhibition at Hanes Art Gallery, Wake Forest University, November 4-December 11, 2016 and January 3-22, 2017.

New York: Knopf, 1989. First Edition, First Printing. Hardcover. Near fine in original wine red cloth with lettering and design in gilt, remainder mark to foot of volume 2 & 3 and very good lettered dust jackets, mild edgewear.. Large octavo. 6.5 x 9.5 in. xii, 741; xi, 671; xi, 864 pp. Jacket design by Gun Larson. Due to being a set, if shipped beyond domestic media rate, extra shipping will apply.

Chicago: William Lewis & Son, 1960. First Edition, First Printing. Hardcover. Very good/Good. Quarto. 9.5 x 12 in. 128 pp. Illustrated with hundred of plates from photographs, including 319 plates of instruments, 619 labels, and one folding map. Very good in original light blue cloth stamped in gold, with some sun fading to extremities, in good dust jacket with several blemishes and chips and tears to edges. This book, which is the sequel to the author's famous work on the great craftsmen of the Italian violin, deals with the makers of bowed and plucked instruments who lived in what was (at the time of publication) Czechoslovakia.

Berlin: Bruno Gmunder, 2008. First Edition, First Printing. Hardcover. Near fine. Quarto. 8.5 x 111.25 in. 171 pp. Fully illustrated with black & white and color reproductions of photographs. Near fine in original pictorial paper-covered boards, head of spine lightly bumped.

London: Peter Russell, 1952. First English Language Edition. Paperback. Very good in original lettered stapled wrappers.. Thin octavo. 5.5 x 8.5 in. 38 pp. Translated from the Italian by John Drummond. Originally published as "Carta da Visita" in 1942.

New York: St. Martin's Press, 1998. First Edition, First Printing. Hardcover. Fine/Fine. Octavo. 6.5 x 9.5 in. 189 pp. Occasionally illustrated with color reproductions of drawings. Fine in original paper-covered boards and fine pictorial dust jacket. Inscribed on title page with typed-in letter (TLS) from Gardner that mentions a potential reading with Douglas Hofstadter and himself.

Hopewell, NJ: Ecco, 1999. First Edition, First Printing. Hardcover. Fine/Very good. Octavo. 6.25 x 9.25 in. 51 pp. Fine in original paper-covered boards and very good in original pictorial dust jacket with slight sunning to spine.

New York: Scribner's, 1910. First Edition, First Printing. Hardcover. Very good. Octavo. 6 x 9 in. xvi, 330 pp. Very good in the original hunter green cloth boards with bright gilt titling and gentle rubbing and wear along the corners and lower edges. The front hinge is cracked but the binding remains firm and the pages are clean and free of foxing. An early century expose complete with illustrations and photographs by Ward.

Santa Barbara, CA: Noel Young, 1955. First Edition, First Printing. Hardcover. Very good, some mottling to spine with foxing to edge of text block and end sheets. Lacks clear acetate dust jacket.. Octavo. 6.25 x 9.5 in. 96 pp. From a limited edition of 500 copies. Inscribed on front free endpaper by D'Orge to fellow poet and publisher Jonathan Williams.

James Merrill, 1988. First Edition, First Printing. Paperback. Fine in original stapled wrappers.. Thin octavo. 5.5 x 8.5 in. 48 pp. Inscribed to the poet Judson Crews by Merrill: "For Judson from his fan, the author ...

New York: Macmillan, 1925. First Edition, First Printing. Hardcover. Good. Duodecimo. 5.25 x 7.5 in. vii, 61 pp. Good in the original navy cloth boards that have a few stray marks on the front cover and some rubbing isolated to the rear exterior hinge. The former owner's stamp is adhered to the interior front board, and that same owner appears to have made sporadic notations on a few interior pages and the rear endpaper. Signed by Russell in neat black ink beneath his name on the the title page.

Paris: La Boîte à Documents, 1997. 1997 Printing. Paperback. Fine in original pictorial wrappers.. Octavo. 5 x 8.5 in. 216 pp. Text in French. Cover illustration by Eugene Delacroix.