Resultados de búsqueda: Títulos que empiezan por F de Blue Sky Rare Books

Paris: Figaro, 1893. First Edition. Hardcover. Very good. Complete run for 1893, quarter leather binding (not ex lib). Contents fresh, soundly bound but the gutters are starting to crack from weight. 1/4 green leather over green cloth. This is a very heavy book and ships media in the USA only.

The Harvard College Library, 1990. First Edition. Paperback. Fine. paperback, fine.

London: George G. Harrap, 1932. First Edition. Hardcover. Very Good+. First printing of the trade edition. Red cloth with gilt titles. Book is very clean. Original prospectus for this title, with a specimen page, laid in (previously folded). No markings of any kind inside, no foxing, all tissue guards present. Red cloth boards are complete free of tears and have just a couple of minor discolorations, a strong VG+.

Munchen / Munich: Julius Schroder Verlag, 1921. First edition. Hardcover. Very Good +/very good-. Sepp Frank. #19 of 25 copies printed on fine Holland paper and a beautiful production overall., contents completely free of foxing. This is the deluxe edition of a book that is extravagant in the regular edition of 190 copies. In this edition artist Sepp Frank has signed the limitation page (as in the regular edition) and (only in this edition) each of the 25 full-page intaglio prints (signed on the print, not in the plate). In addition, the actual copper intaglio plate for one of the images is built into the slipcase itself. There are 25 images in the book and this edition is limited to 25 copies because each slipcase has an original Sepp copper intaglio plate embedded in the slipcase. There is an additional small intaglio image that is not signed in either edition. The images (black and gray aquatint etchings) are very Munich-1920 in their intensity This is a massive folio edition: 16.75" tall x 13"… Leer más

Oxford, 2006. First Edition. Hardcover. Near Fine/Near Fine. Book and DJ near fine, price sticker on back cover. Nice book.

The Typophiles and Oxford University Press, 1951. First edition. Hardcover. Near Fine. 4 3/4 inches x 7 1/4 in., title-page with device in red; 49+pp. + printer's colophon page. "A Note on this Edition", by Paul A. Bennett. Reproduces type faces, printing specimens, including woodcut initials, type flowers and music type of the 17th & 18th centuries. This is the full cloth binding found only on the copies for The Typophiles Book is near fine, just a little darkening to the end blanks. Nice copy. No DJ, as issued.

Joseph Tafur, 2017. First Edition. Paperback. Very good. Very good, signed by the author on the half-title. Free of all markings, couple of pager corner-folds, minor roll.

Oxford University Press, 1995. First Edition. Hardcover. Fine/fine. Book and jacket fine, free of all markings. Jacket in protetive mylar sleeve, review slip laid in. Lovely book.

Barcelona, Spain: Elies Plana, 2015. First edition. Hardcover. Near Fine/fine. Beautiful edition on hand-made paper specially watermarked for this edition by Museu Moli Paperer de Capellades. 70pp (small folio size) plus green endpapers in white boards, in a green floth slipcase in the original cardboard mailer. Complete as new, fine.

London: Published by Printing Historical Society [and] Oxford Bibliographical Society, 2016. First edition. Hardcover. Fine. Fine without DJ, as issued. Oxford Bibliographical Society Publications, Third Series Volume VIII; Printing Historical Society Publication No. 18.

Chicago: Lakeside Press (Privately Printed), 1914. First Edition. Hardcover. Very Good +. Chicago: Lakeside Press (Privately Printed), 1914. First Edition. Very Good +. Signed by Author Christmas gift inscription from the author. A wonderful little narrative about childhood in Carolina. Solid VG+, a little wear to the head of the spine, otherwise very nice. Binding is solid. Full blue cloth with gilt edge. All gilt letter in fine condition. Nicely illustrated. Very rare.

London and Cambridge: Curwen Press and Cambridge University Press, 1923-1930. First edition. Hardcover. Very Good +. London and Cambridge: Curwen Press and Cambridge University Press, 1923-1930. A complete run of arguably the greatest English typographical and fine press journal, all deluxe edition copies, Vols 1-4 on Batchelor Kelmscott handmade paper, 5-7 on deluxe paper. The paper in these editions is wonderful, all volumes here completely free of foxing. Volumes 1-4 were edited by Oliver Simon, volumes 5-7 by Stanley Morison. This is an uncomplicated set lacking only the dust jackets for volumes 5-7. All bindings VG+ or better throughout (see photos). Volume 7 spine a touch faded as always. Vol 1-4 TEG. Deckled paper edges of all 7 volumes in very nice condition. No bumps or splits to any volumes, no gutter splits inside or out. All bindings tight, Volume 1 just a touch more wear. Contents of all volumes completely and uniformly fine, no tears, no spotting, no folds, no bookplates. All extras… Leer más

Wright Aeronautical Corporation, 1928. Hardcover. Near Fine. Frank Lemon. First edition, number 427 of only 500 copies of this complete collection of seven prints commemorating milestones in aviation, each signed by the pilot. Very rare thus. All prints fresh and attractive, each in a colored metal frame. A stunning set. Each print approximately 16 x 13.5 inches visible (each print is matted, framed, and glazed in frames of various colors). Each print bears the Currier Press embossed stamp. Prints are bright and fine (very minor marginal creasing and a small closed marginal tear to the Wright print, not affecting image). Previously sold by Baumann Books and coming with their descriptive sheet. Also included is the plain brown portfolio that originally housed the prints. Please note that this set is very heavy in the metal frames.

Library Of Congress, 1953. First Edition. Hardcover. Near fine. Near fine copy free of all markings, in a protective mylar wrap. Bernard M. Rosenthal's copy (former president of the ABAA) -- tiny ex libris on the inside pastedown. Nice book.

Published by the author, 1938. First Edition. Hardcover. Very good. Strong VG -- some darkening to the spine and a few scuffs to the spine, else, near fine book, in original slipcase, worn but free of split. Solid, clean, working copy of this essential reference.

Hartford: The American Publishing Company, 1897. First Edition. Hardcover. Near fine. Tight clean copy, minor wear only. Signature number 11 on page 161 indicating a true first. Near fine or strong VG+. No bumps or cloth tears, hinges fresh, binding rock solid.

London: Cecil & Amelia Woolf, 1968. first edition. Hardcover. Fine. 8vo (6 x 9 tall). One of twelve copies printed on J. Barcham Green's Charles the First hand-made paper. This is number 9 of 12 signed by Brocard Sewell. Available only to subscribers. This copy is in true fine, top edge gilt, all other edges uncut. All leaves also uncut -- an unopened copy on very elegant paper. Brown quarter leather with gilt stamping over a light gray-green cloth (matching the Barcham Green paper), purple silk book marker sewn in. All fine. Gatherings hand-sewn. All fine. No wear to the leather or boards. John Gray was said to be the model for the main character in Oscar Wilde's novel "The Picture of Dorian Gray. The trade edition of this book is scarce and I have never seen a copy of the limited edition of 12. A lovely book.

Verso, 2008. Paperback. Very good. Second edition, paperback free of all markings, handling wear or a paperback crease only.

Windhover Press, 1971. First Edition. Hardcover. Near Fine. Boards are beautifully printed. Only defect is foxing to the blank pasted endsheets, probablty a result of the printer, Merkel, not drying these properly. In any event, no foxing to the contents.

Dos Madres Press, 2012. First Edition. Hardcover. Fine/fine. One of 200 numbered copies. This copy also inscribed by Keith and Jim Holyoak. Book fine, jacket near fine.