Antiques & Collecting from Books & Bygones (Bargains)

Ariel Books, 1982. Paperback. Good. Very Good, owner's address gold label to inside front cover .

New York: Tudor, 1948. Hardcover. Good/Acceptable. Little aged, no inscriptions, dustwrapper well creased and rubbed, with some loss at spine.

Sotheby's, 1974. Paperback. Good. 357 pages Green Paper Cover with light damage to front (please ask for photo) light pen notations - includes paintings by Alfred Sisley, Odilon Redon, Edvard Munch, Henri Matisse, Emil Nolde, Maria Elena Vieria de Silva, Jean Dubuffet, and watercolours and drawings by Eugene Delacroix, Paul Cezanne, Vincent Van Gogh, Camille Pissarro, Pablo… Saber más sobre este artículo

Promotional Reprint Company, 1992. Hardcover. Very Good. No Inscriptions PRC (standing for Promotional Reprint Company written on title page.

Charles Letts, 1982. Revised. Hardcover. Good. Good Hardback with price-clipped and rubbed dustwrapper. No inscriptions.

Harpercollins, 1984. Hardcover. Good. 578g. Hardback with Dustwrapper. No Inscriptions. Dustwraper is lightly rolled and top with small nick at back top, otherwise Very Good

London: Guild Publishing, 1989. Laminated Hardback. Good. Bumped to corners and spine with small tear 0.5cm to front bottom spine edge.

Lyle Publications, 2000. First printing. Hardcover. Very Good/good. Very Good (almost as New) Hardback with priceclipped dustwrapper top edge curled and bumped at spine with some small tears and creasing otherwise Good. NOTE: Shipment of this item to U.K. only

Antique Collectors' Club. Laminated Hardback. Very Good, Almost as New Laminated Hardback without dustwrapper; only very light pin prick scuff to top spine edge. No inscriptions. Page cut edge pristine.

Lyle Publications, 1984. Paperback. Good. Paperback. Cover little faded, double ink line across bottom cut page edge. Light rubbing to edges and corner crease x2 to rear bottom cover. No inscriptions. NOTE: Shipment of this item to U.K.

Colour Library, 1979. Hardcover. Very Good/fair. Very Good Hardback in Dustwrapper, with some rubbing, small tear front top, larger tear back top, some loss of laminate to cover bottom rear corner. Book cover is sunned to ends of boards.

Lyle Publications, 1990., Undated (circa 1990). Hardcover. Good. Good Laminated Hardback with no dustwrapper. No inscriptions. Few small marks to last few pages and page edges lightly tanned, due to paper quality, bumped to bottom front and rear corners (assumed from being dropped).

London: Penguin Books, 1968. Reprint. Paperback. Good. Paperback, good square book, rubbed at sharp edges small diagonal crease to top corner. No inscription.

Macmillan, 1959. Ninth Printing. Hardcover. Good/fair. Good Hardback with slightly grubby tatty rubbed edge dustwrapper, with small loss to top edge. No inscriptions.

Apple Press, 1994 (copyright date). Hardcover. Good (Ex-Library)/Good (Ex-Library). Ex-Library (usual public library stickers). Sold for content rather than condition. in plastic Library sleeve. Hardback with Dustwrapper. No inscription.

Hamlyn, 1980. First edition. Hardcover. Fair/fine. Ex-library "Withdrawn" stamp and labels removed and reference stickers to spine. in grubby plastic protective cover (not removed). No other inscriptions, slightly cocked. Sold for contents only.

Corgi, 1970. Paperback. Fair. Paperback in fair condition. No inscriptions, light rubbing to cut edges, tanning to page edges. . NOTE: Non-European by SURFACE mail.

Spring Books, 1967. This edition. Hardcover. Good/fair. Good Hardback in tatty, rubbed with (some loss at spine and corners) dustwrapper. No inscriptions. NOTE: Non-European deliveries with be by SURFACE mail.

Country Life, 1975. Hardcover. Fair. Good Hardback without dustwrapper, some wear to edges and corners/spine ends. Unbound pages 71-74 (loose), light mark on front endpapers. No inscriptions.

Macdonald, 1968. Hardcover. Very Good/very good. Very Good Hardback in Good Dustwrapper. No inscriptions. Only some slight crinkling of first few end pages and f.e.p.s, due to printing or storage in a slightly damp environment. Light dusty foxing to cut top edge only. Shiny paper used for pages.