Resultados de búsqueda: Títulos que empiezan por O de Captain Ahab's Rare Books

Corte Madera: Ginko Press, Inc, 2008. First Edition. First Printing. Tall quarto; patterned paper over boards, quarterbound in green cloth with titles stamped in gilt on spine; 145pp; illus. Fine and unread copy without dustjacket, as issued. A profusely illustrated monograph featuring artwork from Fairey's 2007 exhibit at the Jonathan LeVine Gallery.

London: Grant Richards Limited, 1916. First Separate Edition. Shortly after the publication of Inclinations, Firbank decided to reprint Odette D'Antrevernes. "In June or July he revised the text of Odette, working directly on a copy of the 1905 version...The effect of all the changes, as Firbank later told Carl Van Vechten, was to make this Odette "less naif" than the 1905 version" (Benkovitz, pp.148-49). Benkovitz A4. One of 2,000 copies. Slim octavo (21cm); original stiff beige pictorial wrappers; publisher's original beige unprinted paper dustjacket; [44]pp, with four illustrations by Albert Buhrer. Base of spine gently nudged, trivial wear along lower edge, with very subtle toning to wrappers; a fresh, very Near Fine copy. Dustjacket is edgeworn, sunned at spine and extremities, with a few tiny nicks and tears; Very Good+.

London: Elkin Mathews, 1905. First Edition. A sharp copy of Firbank's first book, the publication of which he financed himself. "Odette is a pastiche from Firbank's reading of Francis Jammes, a tale of the power of an innocent, believing child who, in her search for the "Holy Mary," saves a harlot from suicide. Its setting is a saccharine version of St. Symphorien, all flowers and birdsong, a romantic château, and the distant towers of the cathedral...purple in the setting sun" (Benkovitz, p.52). In A Study in Temperament, he tells of "an attempted seduction which has less importance to the lady involved than the color of her hair. She lives, as do all the characters sketched in this story, within her own consciousness" (ibid., p.44-45). An exemplary copy of the author's debut, scarce in dustjacket. Benkovitz A1a. Regular issue, one of 500 copies. Slim octavo (19.5cm); variant bound in original sea green wrappers, with titles stamped in gilt on front cover; publisher's original beige unprinted… Leer más

Chicago: S.i., 1959. First Edition. Slim octavo (22cm); original pictorial card wrappers, stapled; 40,[2]pp. With a holograph notation by editor R.R. Cuscaden on the title leaf, which corresponds to a brief holograph correction in text: "Note p.5 / We need poems!! / R.R.C." Modest external wear, subtle toning and dust-soil to wrappers, with tanning to text, a brief editorial correction to Bukowski's poem on p.20, and some shallow nicks to right edge of terminal leaf; Very Good+. Contains the first appearance of two Bukowski poems - "I Live Too Near The Slaughterhouse" and "When Hugo Wolf Went Mad" (the latter published later that year in EPOS). Missed by Dorbin.

New York: William Morrow & Company, 1950. First Edition. Goodis's fifth novel, his last one in hardcover before churning out a dozen of the finest paperback originals ever written. Basis for the 1956 Pierre Chenal film 'Section des Disparus' starring Guillermo Battaglia and Amalia Bernabé. Hubin, p.173. First Printing. Octavo; black paper-covered boards, with titles stamped in red on spine; dustjacket; 186pp. Some pinpoint wear to spine ends, else Fine. Dustjacket is unclipped (priced $2.50) and unfaded, lightly edgeworn, with a few tiny nicks and short tears and one small skinned area at crown; an attractive, Very Good+ example.

New York: Atlantic Monthly Press, 2002. First Edition. First Printing. Octavo (23.5cm); tan paper-covered boards, with titles stamped in gilt on spine; dustjacket; [vi],313pp. Fine in a Near Fine dustjacket, unclipped (priced $25.00), with light wear to crown. A memoir by the literary giant, which Publishers Weekly called "a worthy capstone to a fascinating career." Orr and Torrey A40.d.

[Houston: National Aeronautics and Space Administration, 1960. A handsome photographic portrait of the late U.S. Marine Corps aviator and astronaut, wearing his signature bowtie, with Project Mercury pin on his lapel. Original silver gelatin photograph, measuring 7 5/8" x 10". Inscribed by Glenn in blue ball-point pen: "Best regards to Donna Cunningham / J.H. Glenn Jr." Seven-digit serial number printed along upper right margin, with corresponding numbers typed on verso, directly above the following statement: "Project Mercury Astronaut. John H. Glenn, Jr. Official NASA Photograph [...]. Trivial surface wear, tiny pin-hole to lower margin, with some mild toning along the edges on verso; Very Good+ to Near Fine.

[Glendale, CA: Roy A. Squires, 1971. First Edition. Distinguished copy of this Melville-inspired poem, inscribed to Bradbury's long-time editor and literary agent Don Congdon. Bradbury was one of Congdon's first clients, after he left his job at Simon & Schuster in 1947 to set up his own agency. It was Congdon to whom Bradbury dedicated Fahrenheit 451, and who negotiated the publication of some of Bradbury's best-known works. A superb association. First Printing, trade issue, one of 485 copies (this being copy no.102). Slim octavo (25cm); letterpress printed string-tied wrappers, a variant tied with goldenrod string and title printed in dark brown on front wrapper; [16]pp. Inscribed by the author on the first blank page: "Don - This first copy which came to me today - printed by a friend in Glendale here - lovely, eh? / With friendship from Ray Bradbury / July 23, Apollo Year Three!" Faint splash mark to lower left corner of front wrapper, else Near Fine, lacking the original envelope.

Santa Barbara: Capricorn Press, 1972. First Edition. First Printing, cloth issue, one of 100 copies signed by the author and illustrator. Octavo (22.5cm); pictorial paper-covered boards and brown cloth backstrip, with title label mounted to spine; publisher's original acetate dustjacket; [8],9-94,[4]pp; illus. Hint of sunning at crown, else Fine in a lightly rubbed, Near Fine dustjacket. Third book by the Oregon poet and author, dedicated to Jack Kerouac. While not explicitely stated, this copy comes from the collection of Earle and Larry Gray, owners of the Earle Gray Book Binding Company.

New York: Harcourt, Brace and Company, 1939. Early printing, lacking the requisite "first American edition" statement on the copyright page. Octavo (22cm); light gray cloth, with titles stamped in black on spine; dustjacket; [10],11-46,[2]pp. Spine gently sunned, some faint, scattered foxing to upper board edges and spine, and dust-soil to upper edge of textblock; Very Good+. Dustjacket is unclipped (priced $1.25), gently sunned and lightly dust-soiled, with modest wear to extremities, a few faint stains, a chip to lower left corner of rear panel, and an attendant tear (tape-mended on verso); Very Good. Eliot's much-reprinted book of poems on the psychology and social lives of cats, basis for Andrew Lloyd Weber's 1981 musical of the same name. Ref.Gallup A34b.

Los Angeles: Black Sparrow Press, 1971. First Edition. Limited Issue, one of 5 copies specially bound and designated for the publisher and a few members within the inner circle of the press, this one marked "Binder's Copy" and signed by the author on the colophon. Octavo (21cm); pictorial paper-covered boards and patterned cloth backstrip; publisher's original acetate dustjacket; [12]pp. Fine in a lightly rubbed, Near Fine dustjacket. Beautifully bound poem, this edition was distributed gratis to friends of the press.

Los Angeles: Black Sparrow Press, 1970. First Edition. Limited Issue, one of four copies specially bound and designated for use by the author, publisher, and members within the inner circle of the press, this one marked "Binder's Copy" and signed by the author on the colophon. Octavo (23.5cm); printed paper-covered boards and red cloth backstrip, with title label mounted to spine; publisher's original acetate dustjacket; [8],9-29,[3]pp. Fine in a lightly rubbed, Near Fine dustjacket. Purdy's third collection published by the press. Morrow & Cooney 78a.

Santa Barbara: Black Sparrow Press, 1977. First Edition. Deluxe Issue, one of 3 copies specially bound and signed by the author, each marked "Presentation Copy," this being copy no.3. Octavo (23.75cm); printed paper-covered boards and patterned cloth backstrip, with title label applied to spine; publisher's original acetate dustjacket; 127,[5]pp. Upper board edges slightly dusty, else very Near Fine in a lightly rubbed, Near Fine dustjacket. Morrow & Cooney 261c.

New York: Random House, 1983. First Edition. The third of Capote's well-loved holiday stories, portions of which first appeared in Ladies' Home Journal. A common book, but seldom-seen as a review copy. First Printing, a Review Copy with the publisher's slip laid in. Slim octavo; full maroon cloth, with titling and rule stamped in gilt on spine and covers; publisher's brick red paper-covered slipcase, with pictorial title label applied to left side; 41pp, [2]. Fine in a Fine slipcase, with a few pinpoint soiled spots at the upper edge of the photographic title label.

New York: The Viking Press, 1962. First Edition. Kesey's first published novel, one of the defining works of the 1960's, set in an Oregon psychiatric ward. Basis for Miloš Forman's Oscar-winning 1975 film, starring Jack Nicholson and Louise Fletcher. First Printing, with the textual errors on pages 9 and 85-86. Octavo (20.75cm); emerald green cloth, with titles stamped in yellow on spine; orange topstain; dustjacket; [viii],[2],3-311,[1]pp. Gentle sunnning to spine and upper board edges, topstain a little dulled, but fresh internally; Near Fine. In the first state dustjacket, with the Kerouac quote at lower front flap; unclipped (priced $4.95), a bit spine-sunned and lightly edgeworn, with a few tiny nicks and tears to extremities, and a 1.5cm tear at base of spine neatly tape-mended on verso; Very Good+.

New York: Alfred A. Knopf, 1963. First Edition. A distinguished copy of Coxe's fiftieth novel, a story of murder, indiscretion, and blackmail set in Trinidad. Inscribed to fellow crime fiction author Frederick Lewis Nebel (1903-1967), who, like Coxe, was one of Joseph T. Shaw's "Black Mask Boys." Their combined prodigious output of hard-boiled fiction spanned more than five decades. Hubin, p.96. First Printing. Octavo (21.75cm); black cloth, with titling and decorations stamped in gilt and in blind on spine and front cover; yellow-orange topstain; dustjacket; [viii],[3],4-182,[2]pp. Warmly inscribed by the author to Frederick Nebel on the front endpaper: "Dear Fred - Certainly not the best one but the 50th nevertheless. Thanks again for your good advice nearly 30 years ago. Best always, George / Old Lyme, 9/16/63." Some production creasing to cloth on rear cover, else Near Fine. Dustjacket is unclipped (priced $3.95), lightly edgeworn, with a few faint creases at mid-spine and rear panel; Very Good+.… Leer más

New York: Harper & Row, Publishers, 1970. First American Edition. A superlative copy of the Nobel Prize winner's masterpiece, and likely the most widely-read Spanish language novel aside from 'Don Quixote.' The present example is a review copy, with the publisher's typed slip laid in; the slip differs from other Harper & Row review slips from the same period, in that in states "IMPORTANT: please note that this is UNCORRECTED PROOF." Also laid into this copy is a brief, one page typed letter from Harper & Row publisher Cass Canfield, Jr. to Dr. Howard B. Gotlieb, former Director of Special Collections at Boston University. The letter is dated 21 October, 1969 - some four months prior to publication of the book - and mentions the enclosure of an advance proof of 'One Hundred Years of Solitude.' It isn't lost on us that the copy these materials came to us in is not an uncorrected proof (of which we presently know of exactly 2 copies). We can only surmise that these proof materials were placed into this… Leer más

Sepulveda: Sepulveda Unitarian-Universalist Society, 1975. First Edition. First (and likely only) issue of this poetry magazine published by The Unitarian Universalist Society, perhaps better known as 'The Onion Church.' The Onion was a Unitarian church where the first Los Angeles acid trip was held in 1966 - free LSD, The Grateful Dead, Neal Cassady, Wavy Gravy, and the Merry Pranksters (minus Ken Kesey). Although he wasn't present for the occasion, Tom Wolfe immortalized the scene in The Electric Kool-Aid Acid Test. The Onion was otherwise a place of historical significance in Los Angeles, serving as the hub for a number of anti-war protests. A valuable piece of hippie history containing poetry by various contributors, including African American activist Kika Epstein Warfield and poet Herb Grade, et al. The volume also features superb artwork by Israeli artist Yuval Golan, a prolific political protest artist of the period. While the rear panel mentions issues II - VI in preparation, we have been… Leer más

Santa Rosa: Black Sparrow Press, 2000. First Edition. Sharp copy of the penultimate volume of Bukowski's posthumously-published poems issued by Black Sparrow Press. Deluxe Issue, one of 26 lettered copies specially bound with an original silkscreend print tipped in, this being copy 'E'. Octavo (23.5cm); printed paper-covered boards and patterned cloth backstrip, with title label applied to spine; publisher's original acetate dustjacket; 361,[7]pp. Fine in a Fine dustjacket. Though not called for, laid in is a Fine copy of Remembering Hank On His 80th Birthday, a photo-illustrated pamphlet issued on the occasion of Bukowski's 80th birthday, containing the poem "Magical Mystery Tour."

Santa Rosa: Black Sparrow Press, 2000. First Edition. Limited Issue, one of 400 numbered copies bound with an original serigraph print, this being copy no.23. Octavo (23.5cm); pictorial paper-covered boards and royal blue cloth backstrip, with title label mounted to spine; publisher's original acetate dustjacket; [16],17-361,[7]pp. HInt of finger-soil to lower edge of textblock, else Fine in a lightly rubbed, Near Fine dustjacket. Sharp copy of the penultimate volume of Bukowski's posthumously-published poems issued by Black Sparrow Press.