Resultados de búsqueda: Títulos que empiezan por X de Common Crow Books

Milan: Mousse Publishing, 2010. Paperback. Near Fine. Paperback, 2010, octavo, 168pp., illustrated in color and b&w. Book near fine with mild wear to spine ends, binding tight, text clean and unmarked. No DJ. WORTH IT JUST FOR PIC OF MICHAEL STIPE GRABBING SLAB OF MEAT!

London: Longmans, Green and Co, 1923. Fourth edition. Hardcover. Very Good+. Fourth edition, 1923, hardcover with red cloth boards, octavo, 320pp., illustrated in b&w. Book VG+ with sun to spine foot, rubbing and mild shelfwear to boards, binding tight, previous owner's signature to front flyleaf, otherwise text clean and unmarked, with creasing and toning to last few pages. No DJ.

London: Longmans, Green and Co, 1923. Fourth edition. Hardcover. Good+. Fourth edition, 1923, hardcover with red cloth boards, octavo, 320pp., illustrated in b&w. Book good+ with soil and rubbing to boards and spine, binding mostly tight, removed plate to front pastedown, text clean and unmarked but toned throughout. No DJ.

Cambridge: Harvard University Press, 1940. First edition. Hardcover. Near Fine/Poor. Presumed first edition, 1940, hardcover with maroon cloth boards in dust jacket, octavo, 216pp., not illustrated. Book near fine with mild wear to corners and spine ends, tiny bit of DJ stuck to rear board near foredge, binding tight, text clean and unmarked with mild toning throughout. DJ poor with chipping to spine, rear flyleaf nearly removed but holding on at bottom of hinge, front flap price-clipped, tape to spine ends on verso side of wrap, now in archival mylar wrap.

Redondo Beach, CA: Mindset Press, 1991. Third edition. Paperback. Near Fine. Printed paper wrap, quarto, 42pp., sparsely illustrated in b&w. Book near fine with mild wear to spine ends, binding tight, text clean and unmarked. No DJ.

Redondo Beach, CA: Mindset Press, 1991. Third edition. Paperback. Near Fine. Printed paper wrap, quarto, 46pp., sparsely illustrated in b&w. Book near fine with faint crease to rear panel, binding tight, text clean and unmarked. No DJ.

Cambridge: Maurizio Martino, no date. Reprint. Hardcover. Near Fine. Two volume complete set, reprint, no date, hardcovers with maroon cloth boards, quartos, 398pp.and 195pp., illustrated in b&w. Books near fine with mild rubbing to boards, bindings tight, texts clean and unmarked. No DJs.

Venezia: Electa Editrice, 1986. First edition. Paperback. Very Good. First Edition. c.1986. Softcover. 4to. 399pp. Text in English. Very Good. Light general shelfwear, spine creased, rubbing to spine-ends.

Gruppo Editoriale Fabbri, 1990. First edition. Hardcover. Very Good. First Edition. c.1990. Softcover. 4to. Illus. Very Good. Light general shelfwear, sunning and light creasing to spine, light soiling to wraps.

Sao Paulo: Fundacao Bienal de Sao Paulo, 1997. Hardcover. Near Fine. Hardcover with paper boards, 1997, quarto, 51pp., illustrated in color. Book near fine with mild shelfwear to boards, mild wear to spine ends, binding tight, text clean bright and unmarked. No DJ. Text in Portuguese and English.

Venice: La Biennale di Venezia, 1997. Paperback. Very Good. Printed paper wraps, quarto, illustrated in color. Book has creasing and sun to spine, mild wear to corners, binding tight, text clean and unmarked. Text in English. Exhibition catalog.

New York: Alternative Museum, 1993. First edition. Paperback. Near fine. Printed paper wraps with stapled binding, quarto [8.5" x 11"], 16pp., illustrated in b&w. Book has mild edgewear to wraps, stapled binding tight, text clean and unmarked. Exhibition catalog.

New York: Alternative Museum, 1993. First edition. Paperback. Near fine. Printed paper wraps with stapled binding, quarto [8.5" x 11"], 16pp., illustrated in b&w. Book has mild edgewear to wraps, stapled binding tight, text clean and unmarked. Exhibition catalog.

London: Henry Frowde, 1912. First edition. Hardcover. Good. Presumed first edition, 1912, hardcover with gilt stamped maroon cloth boards, octavo, 147pp., illustrated in b&w. Book good with mild edgewear and rubbing to boards and spine, binding tight, previous owner Olgierd Lindan's signature to front flyleaf and initials to edges of text block, as well as another POs signature to front flyleaf, text has toning and foxing throughout, as well as a mild mildewy odor. No DJ. From Lindan's famous collection of quackery.

Philadelphia: Lea & Febiger, 1927. Second edition. Hardcover. Very Good. Second edition, 1927, hardcover with maroon cloth boards, octavo, 788pp., illustrated in b&w. Book VG with rubbing and mild edgewear to boards, binding tender with inner hinges repaired, previous owner's inscription to front flyleaf, previous owner Olgierd Lindan's signature to front flyleaf and initials to edges of text block, text clean and unmarked with toning throughout. No DJ. From Lindan's famous collection of quackery.

Pittsburgh: Sisyphus Editions, 1976. First printing. Very Good. Chapbook, limited to 400 copies, 17 poems.

Pittsburgh: Sisyphus Editions, 1976. First printing. Paperback. Very Good+. Signed by Heyen! This one of 26 lettered copies, this one T. Printed paper wrap with tied binding, octavo, 17pp., not illustrated. Book has mild toning and rubbing to wrap, binding tight, text clean and unmarked. No DJ.

Pittsburgh: Sisyphus Editions, 1976. First printing. Paperback. Very Good+. Signed by Heyen! This one of 26 lettered copies, this one R. Printed paper wrap with tied binding, octavo, 17pp., not illustrated. Book has mild toning and rubbing to wrap, binding tight, text clean and unmarked. No DJ.

Pittsburgh: Sisyphus, 1976. Paperback. Fine. 17 pp. A fine copy. Softcover, sewn-wraps. All contents bright and unmarked. One of 60 paperback copies signed by the author.

London: Chapman and Hall, printed at the Curwen Press, 1928. Hardcover. Very Good. Printed at the Curwen Press, 1925-1928, 12 vols, each limited to 1000 numbered copies (various numbers), cloth backed decorated boards, each volume Very good plus, no dust jackets, crisp corners, gilt fairly bright on spines, contents very good, handsome printings, light offsetting to endpapers and each with old bookplate (S. Gluckstein), light darkening or soil to top of spines and 'Angola' with very minor dent to tops of boards. Complete in twelve volumes, reprinting a number of now-obscure works in the French libertine tradition.