Resultados de búsqueda: Títulos que empiezan por E de Dividing Line Books

San Francisco: ETC, 1965. 1st Edition . Soft cover. Very Good. San Francisco: ETC, 1965. 12mo; signature-bound in printed wraps. Pp. 389-528. Wear to corners and hinges; moderate spine twist; one crease to spine. A good to very good copy of this important issue dedicated to scholarly discussions of psychedelics, particularly with regard to linguistic concerns. Notable for including the only print appearance of Timothy Leary's "Languages: Energy Systems Sent and Received," where he introduces his theory of "re-imprinting." With contributions also from Robert E. Mogar, Richard P. Marsh, Humphry Osmond, Edward Dalton, et al.

USA: Prime Books, 2009. Hardcover. Fine/Fine. 8vo. 408pp. [vol. 1]; 287pp [vol.2]. Presumed first editions (no statement of printing). Bound in matching red cloth with gilt spine titles. Edited and introduced by Gregg Rickman. Volume 1 bears a small dent to the top of the textblock, and about six leaves have small crimps/creases at the bottom corner. Otherwise both volumes fine in fine, unclipped jackets. A handsome and well-bound collectible quality set.

London: Dobson, 1979. 1st Edition . Hardcover. Near Fine/Near Fine. 8vo. 204pp. First British edition (and only hardcover edition). Black textured paper boards with silver spine titles. Light bumping to spine ends and bottom corners, else very near fine in a near fine, unclipped jacket very lightly worn around the perimeter and a touch of soiling at base of rear panel. Jacket design by Richard Weaver.

NY: Pelham Press, 1985. 1st Edition . Soft cover. Very Good. NY: Pelham Press, 1985. 4to. Perfect-bound in red illustrated wraps. [144]pp.; illus. Very good, with surface scratches along fore-edge of front cover. Cover drawing by Mark Kostabi. A heavily illustrated guide to the mid-80s avant-art scene in New York's East Village. With five essays elucidating various aspects of the scene, a section of headshots of notable figures, and (the bulk of the book) full-page profiles of the neighborhood's many art galleries, including lists of their represented artists and a map at rear of their locations. Panned by the Village Voice on its release as a "high school yearbook with pictures of the cool kids," Hagenberg's guide now offers a revealing window into a vibrant cultural moment in the city's history. A second guide followed in 1986-apparently the only two produced. Scarce; OCLC locates only six holdings, including at SFMOMA and The Tate, though we also find holdings at MOMA… Leer más

Buffalo, NY: Hallwalls / Top Stories, 1981. 1st Edition . Soft cover. Very Good. An early artist's book by the American neo-conceptualist Holzer, pairing her cryptic and often somewhat ominous sentences with illustrations of abstractly rendered body parts by Nadin. The same body of work formed the basis of the 1982 "Eating Friends" installation at Artists Space in New York. A very good (+) copy, with light toning along the spine and some minor creasing and wear. Saddle-stapled in wraps. 8.5 x 5.5 in. Unpaginated (~20pp.). Printed in metallic copper ink. No. 7 in Anne Turyn's serial publication of experimental prose and art, Top Stories.

NY: The Dial Press, 1948. 1st Edition . Hardcover. Very Good/Very Good. 8vo. 256pp. First edition. Grey textured paper boards, black spine titles. Very light bumping to spine ends & rear corners, a few minor spots of soiling to boards. Former owner's name stamp on textblock top & title page. Else very good (+) in a very good unclipped "$2.50" jacket with wear and a few small areas of loss at spine ends, light soiling to rear panel.

Paradise, CA: Dustbooks, 1975. 1st Edition . Soft cover. Very Good. Paradise, CA: Dustbooks, 1975. 8vo. Perfect-bound in printed wraps. 224pp. Light edgewear; rubbing to wraps; light bump to top fore-corner. Poems and prose by members of the Folsom Creative Writers' Workshop, with brief author bios at rear. No. 3 in the publisher's American Dust series. Uncommon in the trade; no other copies located at time of cataloging.

Washington, D.C.: Some of Us Press, 1973. 1st Edition . Soft cover. Very Good. Washington, DC: Some of Us Press, 1973. [32]pp. 8vo. Saddle-stapled in printed wraps. Rubbing and toning to wraps. Very good or better.This copy from the library of New York School poet, librettist, and publisher Kenward Elmslie (1929-2022), and inscribed to him on the title page: "For Kenward- very best. Bruce 3-15-74." His first book.

NY: The Seabury Press, 1973. 1st Edition . Hardcover. Near Fine/Very Good. Scarce first English-language edition of two important works of educational theory by the Brazilian philosopher, author most notably of Pedagogy of the Oppressed (1970). "Education as the Practice of Freedom" translated and edited by Myra Bergman Ramos; "Extension or Communication" translated by Louise Bigwood and Margaret Marshall. With an introduction by Denis Goulet. NY: The Seabury Press, 1973. First American edition. Octavo, 8-1/2 x 5-3/4 in. Brick-red cloth; black spine titles; dust jacket. Xiv, 164pp. Bumping to spine ends, light shelf wear. Near fine in a very good (+), unclipped "$5.95" jacket with a few tiny chips at spine ends, moderate overall toning.

NY: Carlton Press, 1961. 1st Edition . Hardcover. Near Fine/Very Good. Scarce work of Black pedagogy, originally written as Caldwell's master's thesis at Columbia University, in which she argues that the prevailing modes of education fail to meet the needs of Black students. Instead, while acknowledging the distastefulness of the position, she contends that segregated schools remain the best hope for Black self-advancement, and the "best means to the end of segregation and the achievement of group solidarity and world brotherhood." First edition. Octavo, 8.25 x 5.5 in. 51pp., with bibliography. Black cloth boards, silver spine titles; in dust jacket. Off-setting to endpapers where it appears a piece of newsprint was once laid in. Unclipped ("$2.00") jacket moderately toned, with a shallow band of loss at crown of spine, and several closed edge tears. A near fine copy in an about very good jacket.

NY: Hill & Wang, 1979. 1st Edition . Hardcover. Near Fine/Very Good. First edition. Octavo; 151pp.; burgundy cloth, gilt spine titles, in dust jacket. Neat pencil underlining and marginalia to about a dozen pages near beginning of volume; off-setting to gutters of endpapers; else near fine. In a very good unclipped jacket with browning and a few splash marks to spine panel. A companion volume to Barthes' earlier "Mythologies," containing 30 short-format essays analyzing various aspects of the modern world. Translated from the French by Richard Howard.

NY: Ace Books, 1967. 1st Edition . Soft cover. Very Good. First edition. Signed, dated, and inscribed by Delany on the title page. Mass-market paperback (6.5 x 4.25 in.), 142pp. A very good (+) copy, with a slight spine twist and a few light creases to the spine and front cover hinge (binding remains strong and secure). A retelling of sorts of the myth of Orpheus and Eurydice, in which a member of an alien race now residing on Earth searches for lost love while attempting to parse the cultural legacy of the long-extinct human beings. Winner of the 1967 Nebula Award for Best Novel and a finalist for the 1968 Hugo Award. Cover art by Jack Gaughan.

NY: Alfred A. Knopf, 2000. 1st Edition . Hardcover. Near Fine/Fine. First American edition of Houellebecq's best-selling novel, as translated from the French by Frank Wynne. NY: Alfred A. Knopf, 2000. First edition. Octavo, 9-1/2 x 6-1/2 in. Blue and gray papered boards; metallic green spine titles; dust jacket. Light bumping to spine ends and bottom front board corner. Else near fine in a fine, unclipped jacket showing mild rubbing.

NY: John Perreault, 1965. 1st Edition . Soft cover. Good. NY: John Perreault, 1965. [36] leaves, mimeographed recto only. 8vo. Saddle-stapled in self-wrappers. A good copy, covers quite delicate with chips out at bottom front and head of spine, pulling to staples and a chip mid-spine. Last two leaves with penciled scores for games of rummy (it would appear) between Joe [Brainard] and KGE [Elmslie]. Rear cover with additional score-keeping in pen-a three-way game of Pounce being our guess. First issue of three total of Perreault's little magazine of poetry, with contributions from Ted Berrigan, Gerard Malanga, Aram Saroyan, Andy Warhol, Sotere Torregian, et al. This copy from the library of New York School poet, librettist, and publisher Kenward Elmslie (1929-2022).

Harvill, 1996. 1st Edition . Hardcover. Fine/Fine. 8vo. 237pp. First edtion. Translated from the German by Michael Hulse. Blue textured paper boards with gilt spine titles. A very fine copy in like jacket, unclipped. A pristine, collectible copy of Sebald's second novel, and his first to appear in English translation.

NY: The Overlook Press, 1984. 1st Edition . Hardcover. Fine/Near Fine. First English language edition of the Austrian Jewish writer's final novel, originally published in 1938, a sequel of sorts to his earlier "Radetzky March." Translated by John Hoare. Octavo (8.25 x 5.75 in.); 157pp.; blue papered boards backed with dark blue cloth, in dust jacket. Light sunning along top edge of boards, former owner's seal blind-embossed on title page. Else fine in a near fine, unclipped jacket showing moderate uniform toning and some fading to the spine panel.

Middletown, CT: Wesleyan University Press, 1979. 1st Edition . Hardcover. Very Good/Very Good. Inscribed first edition of this 1979 collection of essays, mesostics, and other procedurally generated writings by the avant-garde American composer. The title work is a text-score in which chance operations are used to systematically deconstruct the journals of Henry David Thoreau--a tactic born of Cage's interest in "demilitarizing" language by making it less understandable. Other pieces include a long anecdotal poem relating to Cage's macrobiotic diet, and the "The Future of Music," which was essentially the last of Cage's nonfiction works written in a traditional essay format. Quarto (8.25 x 9.5 in.); ix, 187pp.; black cloth boards, white spine titles, in dust jacket. Neatly signed and inscribed ("For Jo") by Cage, in red felt-tip pen, on the half-title page. Light foxing to edges of textblock and sporadically to interior; boards lightly shelfworn; mild musty… Leer más

NY: Doubleday, 1965. Hardcover. Very Good/Very Good. NY: Doubleday, 1965. Reprint. 8vo. Brown cloth; blue spine titles; dust jacket. 185pp. Mild forward cocking to spine; light toning to textblock edges. Very good or better in a very good jacket, unclipped ("$3.95"), showing light rubbing and a few small chips at spine ends. Uncommon 1965 trade reprint (G44 gutter code on p.184) issued ten years after the first edition and featuring a new jacket design by Miriam and Sam Smith.

NY: Farrar, Straus and Giroux, 1998. 1st Edition . Hardcover. Fine/Fine. An immaculate, signed copy of the noted Hungarian writer's first novel, originally published in 1977 and here translated for the first time into English by Imre Goldstein. First edition. Signed by Nádas on the title page. Octavo (8.5 x 5.75 in.); 245pp.; yellow-brown papered boards, black quarter cloth, in dust jacket. Fine in a fine, unclipped jacket. Nádas' signature quite uncommon in English-language versions of his books.

Budapest: Corvina, 2008. 1st Edition . Soft cover. Very Good. 8vo. 115pp. Perfect-bound in French-fold printed wraps. Presumed first. A bilingual selection of poems by the Hungarian-born British author and translator. English text on verso, Hungarian translations (by various hands) on recto. A very good copy of this uncommon collection, with light general wear to the perimeter.