Resultados de búsqueda: Títulos que empiezan por Q de Dividing Line Books

Seattle: Wave Books, 2008. 1st Edition . Hardcover. Fine/Near Fine. Signed limited hardcover edition of Knox's sixth collection of poetry, and her first with Wave Books. First edition. No. 37 of 250 copies hand-numbered and signed on a limitation plate tipped onto rear endpaper. Octavo (6.25 x 9 in.); 69pp.; oatmeal cloth boards. A fine copy in near fine jacket with closed tear at head of rear panel. Wave Books 13.

Trumansburg, NY: The Crossing Press, 1982. 1st Edition . Hardcover. Very Good. 8vo. 111pp. Gluebound in red cloth boards. First edition. Inscribed by Grahn opposite the title page. A very good (+) copy, showing light wear at spine ends and tips, with some adhesive-related offsetting to pastedowns. Lacking the jacket, if issued with one.

Modesto, CA: Modesto Junior College, 2006. 1st Edition . Soft cover. Fine. 8vo. Perfect bound softcover in glossy printed wraps. Fine with a touch of laminate separation at top front corner. Apparently an ex-library copy; unused checkout slip in pocket on inside of rear cover (no other library indicators). Various contributors. This issue features the poetry of Wanda Coleman.

London: Rider & Company, 1951. 1st Edition . Hardcover. Near Fine/Very Good. London: Rider & Company, 1951. 100pp. Small 8vo; gray cloth boards; black spine titles; dust jacket. Minor vertical discoloration to front board; light toning to textblock; bookseller stamp (Samuel Weiser) to base of ffep. Near fine in a very good jacket, unclipped and complete, with moderate toning and soiling. An uncommon work dealing with spiritual healing, which the author believes "is part of the great Divine Scheme for the emancipation of mankind, not only from physical disease, but from the accumulated weight of sin and error which in her opinon is the root cause of all human maladies" (front flap). With an introduction by British composer Christopher Le Fleming.

Santa Fe: Burning Books, 2011. 1st Edition . Soft cover. Very Good. Santa Fe: Burning Books, 2011. First edition. 150pp; duodecimo; perfect-bound in illustrated wraps. Very good or better, with light edge and corner wear. A terse and hardboiled mystery novel by American composer and librettist Robert Ashley (1930-2014), notable in particular for Perfect Lives and his other experimental television operas. This work written as an opera libretto, per Ashley's introduction: "I thought that I would try to make an opera libretto from a mystery story, told verbatim. That meant I had to write a mystery novel."