Resultados de búsqueda: Títulos que empiezan por W de Edward T. Pollack Fine Arts

Levine, David. W. H. AUDEN.Drawing, ink on paper, 1970. Signed "D. Levine 70, lower right, and inscribed on the verso, "Auden Look July 14, 1970," indicating that this caricature drawing was done for Look Magazine. Provenance: Davis & Langdale, NY. 5 1/2 x 6 inches (image), 9 7/8 x 9 1/2 inches (sheet). In excellent condition.

WADE'S TWINTEE TEAPOT SET. Made by Wade in England. Ceramic, Mid-20th Century. Tea Pot, Hot Water Pot, and Tray, in cobalt blue with gold trim decoration. 8 x 7 x 5 inches. In excellent condition, with the covers of both pots present, the gold trim still bright and complete, and without any chips or cracks. A beautiful and elegant set, scarce in this condition.

Ha Jin. (Ha Jin). WAITING by Ha Jin. Pantheon, NY, 1999 (6th Printing). 8vo., cloth, DJ, 308pp. Inscribed, Signed and dated by Ha Jin at the top of the Title page. This novel received the National Book Award for Fiction in 1999. Fine in Fine DJ.

1930. Bishop, Isabel. Bishop, Isabel. WAITING. Teller 11. Etching, 1930. 6 x 4 inches; 152 x 101 mm. Inscribed to the American surrealist painter Martin Barooshian, and signed in pencil. One of only a few lifetime proof impressions (there was a posthumous edition of 60 in 1989). A very good impression in excellent condition. Also annotated "Isabel Bishop's favorite model - MB," presumably by Martin Barooshian. A nice association copy. Scarce.

1942. Soyer, Raphael. Soyer, Raphael. WAITING. Drypoint, 1942. (Cole 59). AAA ed of 250. 7 1/8" x 9 1/8." Signed. Excellent condition, framed.

Rivoli, Mario. WAITING FOR COMPANY. Mixed media: xerograph of found photo, hand-coloring in spray paint, crayon, grease pencil, and metallic inks, 2004. Signed in silver ink within the matrix. 14 x 23 1/2 inches, framed to 26 x 38 inches. In excellent condition.

Gloeckner, Michiel. Gloeckner,Michiel (1915 - 1989). WAITING FOR THE SUMMER, MARCH 1971. Watercolor on paper, 1971. 3 3/4 x 4 5/8 inches centered on a sheet c. 8 x 10 inches. Handsomely framed with gold-leafed molding, gold-leaf fillet and a silk mat. The composition is of rows of square, oblong and triangular shapes in various colors. In very good condition. [Born Dresden, Germany; moved to NY after WWII. Also had a home and studio in West Cornwall, CT. He studied painting under Otto Dix and was also influenced by Paul Klee. Michiel Gloeckner exhibited in Dresden, Munich, Berlin, Geneva, Paris, Manhattan, Philadelphia and Hartford.

Soyer, Raphael. Soyer, Raphael. WAITRESSES. Lithograph, 1954. (Cole 71). AAA Ed of 250. 11 1/2" x 9 1/2", signed. Excellent condition, frmed.

Woronov, Mary. Woronov, Mary. WAKE FOR THE ANGELS - PAINTINGS AND STORIES. Journey Books, Boston, 1994 (First edition). 4to., cloth, DJ, 205pp., illustrated. Inscribed to Bob Crewe and signed by Woronov. Fine in Fine DJ.

Hirsch, Joseph. Hirsch, Joseph. WAKENING. Cole 62. Lithograph in two colors, 1969. Numbered 35/100 and signed in pencil. From the regular suite of the portfolio "Couples;" (there was a deluxe suite of thirty, numbered with Roman numerals, which included an extra suite of the plates in black and white.) WIth the orginal protective folder. In excellent condition.

Daglish, Eric. (Daglish, Eric)illus. WALDEN OR LIFE IN THE WOODS by Henry David Thoreau. Houghton Mifflin, Boston, 1927. Edition of 500 copies. 8vo., cloth-backed boards, 289 pp., 16 tipped-on wood-engraved illustrations. Boards lightly rubbed along edges, else a Fine copy.

Ryohei, Tanaka (Japanese, 1933-2019). WALL #4. Etching, 1984. Edition of 100. Numbered 62/100, signed, and dated in pencil.18 1/8 x 13 1/4 inches (plate), plus full margins. Framed to 21 1/4 x 19 3/8 inches. In Excelelnt condition.

Bishop, Isabel (American 1902-1988). THE WALL AT UNION SQUARE Drawing, pencil on paper, not dated. Signed in pencil, lower right. 4 x 5 inches (main image), 7 7/8 x 7 1/2 inches (sheet). There are additional sketches in the margin, all related to the main subject. A few small spots in the margin, well away from the images, else in very good condition.

1931. Marsh, Reginald. Marsh, Reginald. WALL STREET (SKYLINE FROM LAURENTS) Etching with touches of engraving, 1931. S. 118. 6 x 4 inches; 151 x 102 mm. 3rd (final) state, dated in the plate, and signed "Reginald Marsh (F.M)" by the artist's widow. One of about 16 impressions printed by Marsh, this would have been left in his estate at his death, and sold later by Mrs. Marsh, with her signature. Although this print was included in the set published by the Whitney Museum in 1969, lifetime impressions such as this are very rare. A fine impression.

1902. Wallace Collection. Temple, A. G. THE WALLACE COLLECTION (PAINTINGS) AT HERTFORD HOUSE. Goupil & Co., London, 1902. 4 vols., folio, 3/4 morocco gilt over cloth, by Ratchards, Picadilly. Edition of 250 copies. 94pp. text, 100 reproductions, most in two states, including mounted india-proof photogravures. Fine. A beautifully bound set.

Harrison, Gabriel. Hollyer, Samuel. WALT WHITMAN. Steel engraving after a daguuerrotype by Gabriel Harrison, 1854. c. 3 1/4 x 2 inches on a sheet of heavy paper 8 1/2 x 6 1/4 inches. This is another printing of the image used as the frontispiece of the 1855 edition of Leaves of Grass. Very Good.

Williams, Walter. WALTER WILLIAMS - DIBUJOS, OLEOS Y GRABADOS. Exhibition Poster. Offset print on paper, 1963. 15 3/4 x 25 inches. In very good condition.

Selassie, Haile. Anonymous. WANTED POUR GENOCIDE. Screenprinted poster, c. 1972-74. 25 3/8 x 19 1/4 inches. Revolutionary poster accusing the Emperor of genocide in the deaths of 100,000 as a result of the famine in Northeastern Ethiopia in 1972-74. The famine helped to destabilize Haile Selassie's regime, which was overthrown by revolution in 1974. The full message, in mixed English and French, reads: "Wanted/ Pour Genocide/ Ethiopie:/ 100,000 morts de Faim; 5 millions en Peril/ Haile Sealssie Refoule Toute Aide Internationale!" Printed on fragile paper, in black and purple, with two holes in or near the matrix of the image, some small paper losses at the edges of the sheet, and uneven printing of some of the lettering. Despite it flaws this is a powerful image, and a document of the twilight days of the reign of one of the most extraordinary figures of the twentienth century, a reign which has been tragically followed by decades of war and instability.

Cheever, John. THE WAPSHOT CHRONICLE. Harper & Brothers, NY, 1957 (1st edition stated, and with "B-G" printing date denoting first printing). 8vo., DJ, with $3.50 price, black-cloth backed green boards, 307 pages. Book near Fine, DJ with small losses at the top and bottom of the spine, and rubbed along the folds.

1899. Bradley, Will. (Bradley, Will)illus. WAR IS KIND by Stephen Crane. (Artists of the Book in Boston 1890-1910, #54). Frederick Stokes, NY 1899 (1st Ed). Paper covered boards, 96pp., cover, title page, six full page illustrations and numerous vignettes by Bradley, who also printed the book. Although criticised as "weird" at the time of its publication, War Is Kind is now recognized as a Bradley masterpiece, and one of the most beautiful books of the Art Nouveau movement in America. Very Good, with a Reference Library stamp on the front pastedown, and the spine showing light wear, including a small chip at its top. With a pencilled inventory number from Heritage Book Shop, LA, on the rear free endpaper.