Resultados de búsqueda: Títulos que empiezan por R de Goodbar Books

In lovely shape: tight, square spine; clean, unmarked interior. Only very light shelf-wear. Beautifully designed book, with lots of monochrome figures and illustrations, gilt top edge, and front board printed in three colors. 255 pp. Crafts/Skills/Trades.

Saddle-stitched binding remains sound. Former owner name and date to the inside front cover, but interior is else clean and unmarked. Very small former seller sticker to the front cover and a detailed quilting bibliography handwritten on the back cover. Influential counterculture publication founded by the Students for a Democratic Society. Includes an interview with Donald Duck and an analysis of Dirty Harry. Features B&W line drawings and plates. 96 pp. Scholarly/Journalism.

A few leafs of the perfect binding have come loose, but book remains complete. Former owner name to the title page, but interior is else clean and unmarked. There is creasing and soiling to the covers, as well as some heavy creasing to the spine. There is some subtle buckling to parts of the text block where it has sustained light water damage. Beautiful full-color plates, as well as B&W illustrations. 219 pp. Spirituality.

Inscribed by Geier to the front flyleaf: 'John F. Keefe/with Rama's best wishes and mine/Marguerite Geir'. Tight, square spine. Clean, unmarked interior. Metallic stamping to spine remains bright. Very little wear to the book. Light wear to the jacket, including a few small areas of toning, soiling, and chipping. 98 pp. Fiction.

Tight, square spine. Clean, unmarked interior. Bumped corners, including one heavily bumped at the head of the spine. Some areas of creasing to the covers. Incredible full-color art by Liberatore. 54 pp. Oversized.

Tight spine has been severely bumped at the head, but binding remains sound overall. Clean, unmarked interior. Some areas of creasing to the covers. Incredible full-color art by Liberatore. Oversized.

Clean, unmarked interior. Missing cover. Although saddle-stitched binding remains sound for the most part, there are small tears beginning to form near the staples in the title-page folio. Some other light shelf-wear to this outer folio. A three-inch by one-inch rectangle has been clipped out at the foot of the fore-edge on the final page. Very scarce Angels feature published, interestingly, 'With full cooperation from law enforcement officials and The Hell's Angels'. Chock full of B&W photos. Oversized.

Saddle-stitched binding remains sound. Unmarked interior. Former owner bookplate to inside front cover. Some very light foxing to the first and last leaves. Only very light shelf-wear. Includes a foldout chart and numerous B&W plates. 135 pp. History.

Cocina Indigena y Popular 16. Text in Spanish. Tight, square, uncreased spine. Clean, unmarked interior. Only very gentle wear. 87 pp. Crafts/Skills/Trades.

Former owner name to half-title, but interior is else clean and unmarked. Spine is heavily creased and has a curve. Some rubbing and sunning to the covers, as well as a very small former seller label to front cover. Sewn binding. Fantastic cover design by Janet Halverson. 956 pp. Fiction.

In lovely shape: tight, square, uncreased spine; interior is clean and unmarked; only very gentle wear. Intro by Barry Gifford. Founded in 1984 by Wild at Heart author Gifford, Black Lizard Press reprinted over 90 mid-century crime fiction titles during its existence, reviving interest in some of the grittier but neglected writers like Thompson. 'The French seem to appreciate best Thompson's brand of terror,' writes Gifford. '[He] fulfills the French notion of both noir and maudit, the accursed and self-destructive.' Cover illustrator Jim Kirwan, who like Thompson is a native Oklahoman, mocked up his moody concept art after being given only three lines from each Black Lizard title he was assigned. 177 pp.

Inscribed by Sacharov to the epigraph page: 'To Sherry, Good fortune to a beautiful redhead. Aunt Betsy said so! Al Sacharov'. Tight, square, uncreased spine. Clean, unmarked interior. The cover has been protected by a permanent laminate, which is beginning to yellow. A small crease to the front cover at the fore-edge foot, but no other notable wear. Includes index. Bibliography: pp. 145–49. 151 pp. Miscellaneous.

Tight, square spine. Clean, unmarked interior. Only very light wear. Includes B&W photos. Cover photo by Einar Moos. 128 pp. Fiction.

Inscribed by Zapffe to the half-title: 'To Ralph– A star in his own right– With love– Jessie'. In lovely shape: tight, square, uncreased spine; clean, unmarked interior; fairly sharp corners. No notable shelf-wear. 76 pp. Spirituality.

Tight, square, uncreased spine. Pages have some light toning, as well as a few pages which are affected by both underlining and dampstaining, but interior is else clean and unmarked. Light shelf-wear. Cover design by Bob Korn. A classic of radical lit, with a powerful protest sign–inspired cover design. 'The radical is that unique person who actually believes what he says,' writes Alinsky in this later edition of his first book. 235 pp. Politics & Philosophy.

Tight, square, uncreased spine. Clean, unmarked interior. A few small areas of light soiling/rubbing to the covers, but nice, clean copy overall. Cover by Steve Gilbert. Letterpress printed in a limited edition of 500. 49 pp. Poetry.

Inscribed by Navarro to the title page 'To Maria—/¡Sigue con la lucha!/Joe Navarro'. Saddle-stitched binding is sound. Interior is clean and unmarked. There is some soiling to the exterior of the covers. Cover art by Jack Avila. 34 pp. Poetry.

In lovely shape: Tight, square spine. Former owner name to the front flyleaf, but interior is else clean and unmarked. Gilt to spine remains bright. Mylar-protected jacket has only very minor wear. Fantastic jacket art by Herb Arnold. 291 pp. Fiction.

Saddle-stitched binding remains sound. One instance of underlining to the text and a former owner name (sculptor Paulette Beale) in pencil to the title page. Some foxing to the edges and front matter and areas of sunning, soiling, and edge-wear to the covers. Includes B&W plates. 35 pp. Art.

Spine is square and tight, but has some creasing. Interior is unmarked. There is a dampstain cosmetically affecting the bottom half-inch of the front cover and much of the text block. Else light to moderate shelf-wear. Generously illustrated. Cover painting by Randy Asplund-Faith. 270 pp. Spirituality/Esoterica.