Old Master Prints from L'Estampe Originale

Engraving. SIZE. DATE:1596.

c. 1870. size: Created to be viewed in a perspective kind of box, like a view finder.

Hand colored Mezzotint. 1550.

1742. Engraving. Firmin-Didot p. 110, 359, ii/ii with letters. Image: 474 x 342, 18 5/8 x 13 3/8. Margins: 525 x 398, 20 ¾ x 15 5/8. A fine impression printed on heavy laid paper.

1658. Etching. From the set Four Landscapes. Hollstein 11 ii/ii. Watermark: Foolscap. Prov: S. Coster (Lugt 462). 4¾ x 6. Trimmed just outside the platemark.

1759. Etching and engraving. P.206, only state. 11 x 14 . From a set of prints sold by the artist's widow before 1775.

c. 1600. Engraving. After Coninxloo. Holl. 23; Le Blanc 13. 13 x 19½. Trimmed to platemark.

Etching and Engraving. 1758-1764. P. 205 v/vi. Image:12 1/4 x 8 3/8. Margins: 16 x 11 1/8. Hogarth was working on this plate the day that he died. It was pub. posthumously by his widow.

1658. Etching. H12 II(2). Sopher 30. Provenance: S. Coster (Lugt 462). Image: 5 x 6 . Trimmed to the platemark.

Engraving. Hollstein 280 iii. Watermark: Late Amsterdam Seal (18th Century), see Dutuit. 6 x 8¼. Trimmed to the platemark.

1511. Woodcut. One of the plates from the set of 16 illustrations of the Apocalypse of Saint John. Fine impression of the only state with the latin text on the verso. 1511. With 1/4" margins 390 x 279 (15 3/8 x 11) Meder 175, B. 74, Pan.294, K. 117, T. 137,Schoch, Mende, Scherbaum 123. Watermark: Flower with a triangle… Saber más sobre este artículo

Etching and engraving. Paulson 128 iii. Image: 13½ x 18 . Margins: 17¾ x 24¼. With the Wm. Hogarth Invt, Pinxt & Sculpt. in middle of lower margin. From a set of prints sold by the artist's widow before 1775. A RARE lifetime impression. A Midnight Modern Conversation is one of Hogarth's most famous prints. The scene takes place in… Saber más sobre este artículo

Le Blond, 1636. Etching. A good impression on paper without a watermark. Trimmed just showing the platemark all around. 259mm x 324mm. G.D. 1080, Blum 154, only state, Paris/Tours 2004, No. 128

17th century engraving. Hollstein 30, vol. III. 15 x 20 . Trimmed. Very fine impression.

1770. Boucher 34. Engraving After the painting by Pierre-Antoine Baudouin. Image: 18¼ x 13½. Trimmed to the platemark . A Momsieur de Comte de Stroganoff. Conseler Prive, Chambellan Actuel de La Majeste Imp.de toutes Russies les Chevalier des Ordres de l'Aigle Blanc de St. Stanislav and de Ste. Anne. Boucher 34. Engraving. After the painting by Pierre-Antoine Baudouin. Image: 18¼ x 13½.… Saber más sobre este artículo

Engraving. c. Early 17th c. From the series published by H. Cock. Image: 8 x 4¾. Margins: 12 x 7½.

1642. Etching and engraving. Duplessis 1386; Blum 204, only state. Image: 10 x 12, with small margins. Foxing, traces of old fold in the legend.

1749. Engraving. Paulson 180ii/ii. Image: 13¾ x 17¼. With large margins. Hogarth appears on the left with sketchbook in hand. A satirical view of the English Gate at Calais, lampooning the French for their devotion to fashion and the Roman Catholic Faith. Hogarth had visited Calais in 1748,

Etching and engraving. D.1385, Blum 203. Image: 10 x 12½. Margins: 10½ x 14.

PORTRAIT OF BARTOLOMEO RAMENGHI (D. 1542) LASINIO, CARLO (1759-1838) Hand-colored mezzotint. From the rare series of artists' self-portraits. Thieme-Becker XXII, 404. Image: 6¼ x 5¼. Margins: 7 x 6¼. Engraver, b. Treviso in 1759, to Florence by 1779, died Pisa. Trained by Gautier-d'Agoty in colour printing in 1782/3. 1790 set of artists' self-portraits from the series… Saber más sobre este artículo