Resultados de búsqueda: Títulos que empiezan por W de Michael R. Thompson, Booksellers, ABAA/ILAB

New York: Stone & Kimball, 1896 First edition of a scarce book of verse, with perhaps the only book cover design by the American impressionist painter, John Twachtman (1853-1902). Publisher's color pictorial paper over boards, with cover illustration by John Twachtman. . Twelvemo. Two full-page illustrations by C.E. Brock. Covers lightly soiled and a little worn. A very good copy. Kramer, 74.

Los Angeles: 1974 Paper-covered boards, with front cover and spine printed in gilt. Folio. Printed by Richard Hoffman and John Urabec on all-rag hand made paper. Small stain on front cover. Otherwise fine. Signed by Lawrence Clark Powell on the front free endpaper. Signed by John Urabec on the colophon. Spoken at the memorial service for William Wilcox Robinson at the Beverly Hills Community Presbyterian Church, September 6, 1972. Reprinted from 'Hoja Volante' for the members of the Zamorano & Roxburghe Clubs at their biennial renunion in Los Angeles, September 28-29, 1974.

San Francisco: The Book Club of California, 2005 One of 450 copies designed by Patrick Reagh and printed and bound by Yon Art Printing of South Korea. Black cloth over blue cloth boards, spine stamped in yellow and front cover in black. . Folio. Text illustrations (partly colored). Biographical dictionary and bibliography. A fine copy. A fine scholarly study of the WPA in California, one of the more memorable publications of the Book Club of California in recent years.

[Forest Park, Illinois:] Heimburger House Publishing Co., [c1984] Second edition. Boards. Quarto. Half-tone illustrations. Fine in fine d.j.

London: Harrap, [1951] First edition. Cloth. Octavo. Very good in lightly chipped, lightly soiled d.j. British gypsy life and lore.

Norman: University of Oklahoma Press, 1932 First edition. Cloth. Octavo. Plates, pictorial endpapers. Former owner's ink signature, edges lightly foxed. A very good copy in very good d.j. Jacket has some light fading, a little foxing, and a few small chips.

Garden City, New York: Doubleday, Doran, 1942 First edition, second binding. The first binding was pictorial boards, but the author objected to the binding, and most copies were destroyed. Rose-colored printed wrappers. Octavo. Some offsetting at gutter from the glue used in binding. Otherwise very good, with minor chipping to wrappers.

New York: Macmillan, [1975] First U.S. edition. Cloth. Quarto. With 150 illustrations, 24 in color. Fine in fined.j.

[Port Townsend, WA:] Copper Canyon Press, 1981 One of about 240 copies, signed by the author. . Clothbacked decorative boards. . Large octavo. Fine.

New York: Pantheon Books, [1984] First edition. Clothbacked boards. Octavo. Fine in fine d.j.

New York: NYU Press, 1964 First edition. Clothbacked baords. Octavo. Fine in very good dust jacket. Spine of d.j. faded.

New York: Macmillan, [1977] Boards. Octavo. Black and white illustrations throughout. Fine in fine d.j.

[Los Angeles: 1960] No limitation given, but a scarce item. One sheet, folded to make [4] pp. Large woodcut of the Ward Ritchie printer's device on the first page, one large initial in red. A couple of light marks on last blank page. Very good to fine.

New York: Knopf, 1989 Cloth. Octavo. With plates. Fine in fine d.j.

Cambridge: Printed for the Committee at the University Press and sold by Macmillan and Bowes, 1897 Finely bound by Elsé Hoffman for the Guild of Women Binders in full reddish-brown morocco, with gilt spine. Gilt single rules on both covers, with blindstamped leaf decorations. . Octavo. With Greek and English texts on facing pages. Spine lightly faded, some light discoloration to portions of covers. A very good copy. Later bookplate. Marian Titcombe mentions the work of Elsé Hoffman in Women Bookbinders 18801920 (pp. 29, 170-1, figure 129).

[New York:] Aperture, [1997] First edition. Boards. Oblong quarto. Color illustrations. Fine in fine d.j.

Seattle: Street of Crocodiles, 1992 One of a lettered edition of 26 copies. This copy is marked "proof copy. Faux emerald water serpent skin (paper) with paper label on front cover, accordion-style binding. . Small quarto. Five color woodcut illustrations. Illustrated, printed, and bound by the author. The linoleum blocks were printed on a Vandercook 4 and the text was printed on a C&P platen press. The paper used is Rives BFK. Corners slightly rubbed. Signed by the author on the colophon. A fine copy. Jules Remedios Faye (b. 1958) is an American author, editor, letterpress printmaker, bookbinder, teacher, and creator of artists' books. With husband Christopher Stern, now deceased, she established Stern & Faye Printers, a letterpress print shop and hand bookbindery located in Mt Vernon, WA. Faye teaches, curates and participates in bookarts exhibits and events throughout the Skagit Valley and Puget Sound area.

New York: Watson-Guptill, [1971] Second edition. Cloth. Folio. Twenty four-color and 32 two-color reproductions. Spine slightly cocked. Very good in very good dust jacket.

[London: Osgood, McIlvaine, 1897] First edition. Green cloth, gilt spine and gilt front cover vignette. Top edge gilt. Octavo. Engaved frontispiece with tissue guard, one map. Bottom corners lightly worn. Very good. Purdy, p. 92. Sadleir 1118. Sterling 457. Webb, p. 31.

Chicago: University of Chicago Press, [1975] First edition. Signed by the author on the title-page. Cloth. Octavo. Fine in fine d.j.