Resultados de búsqueda: Títulos que empiezan por L de Moe's Books

Silas Finch, 2014. Hardcover. Fine/No jacket. BR. Signed by the photographer. Metal covers. As new, still in original shrinkwrap.

Simon Finch, 2014. Hardcover. Fine/No jacket. Signed by the photographer. Metal covers. As new, still in original wrappers.

Silas Finch, 2014. 1st Edition. Hardcover. As New/No Jacket.

Silas Finch, 2014. hardcover. fine/no jacket. Like new.

University of California Press, 1981. Hard cover. Very good/Fair. Jacket is worn and creased along edges. One inch tear from top edge of jacket back cover near spine. One inch tear from bottom edge of jacket front cover. Top corners of front and back covers are bumped. Bottom edge of spine is lightly bumped, but binding is tight. Pages are clean and unmarked.

Pasadena: Foggy Notion Books/Pasadena Museum of California Art, 2012. Hardcover. Good/no jacket. Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. L.A. Raw is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac.

L'Ecole Des Loisirs, 1990. Soft Cover. Fine/No Jacket.

SBL Press, 2018. Soft cover. Good/No jacket. Cover is rubbed and is worn along bottom edge. Binding is tight and inside is clean and unmarked.

Presses Universitaires De Liege, 2014. Soft Cover. Very Good/No Jacket. In French.

Swann Galleries, 1978. Soft Cover. Good/No jacket. Front cover and half-title page are lightly rippled as if from water damage, but no staining. Top of spine is bumped, but binding is tight. Inside is clean and unmarked.

Pacific Book Auction Galleries, 2000. Soft cover. Very good/No jacket. Auction catalog. Includes a printout of what seems to be the final auction prices of the items in the catalog. Cover and inside pages are clean and unmarked.

U.S.A.: Gosudarstvennyi muzei L.N. Tolstogo, 2000. Soft Cover. Very Good/No Jacket. 1Still in plastic wrap; comes in cardboard slipcase.

U.S.A.: Gosudarstvennyi muzei L.N. Tolstogo, 2000. Soft Cover. Very Good/No Jacket.

Les Editions de Minuit, 1956. Hard cover. Very good/No jacket. French edition. Rebound in half-leather. Spine is lightly sunned, but text is legible. Spine is slightly shaken, but binding is tight. Pages are lightly tanned, but otherwise clean and unmarked.

Edizioni Comunita, 1986. Cloth. Very Good/No Jacket. 2Full, contemporary calf, 32 cm, [8], xii, [16], 588, 88, [26] pages. Raised bands, spine label. Fair though joints splitting but still attahced by cords. Old stain in lower gutt of preliminary leaves / old repair to preliminary leaves' gutter. Text block nice and clean.

U.S.A.: Editions Galilee, 2002. Soft Cover. Very Good/No Jacket. Inscribed by the illustrator Maurice Sendak on front endpaper. Very nice copy.

Archivo Lafuente, 2014. Soft Cover. Fine/No Jacket.

FAYARD, 1998. Soft Cover. Very Good/No Jacket. Front cover slightly creased.

HAZAN, 1997. Soft cover. Very Good/No Jacket. Some edgewear.

LGF, 2003. Paperback. Very Good/No Jacket. In French.