Resultados de búsqueda: Títulos que empiezan por B de Nudelman Rare Books

Syracuse: Just's Food Company, 1901. First edition. First edition. Scarce baby booklet profusely illustrated by Jessie Willcox Smith a wonderful, fine copy. Original card wrapper with superb embossed (in blind) cover illustration in relief. Illustrated endpapers and 24 pages of full-size, half-page and border illustrations in tint by Jessie Willcox Smith. Book is pristine and has never been used (most commonly found with the baby information filled-in).

London: Whittaker, Treacher & Co, 1830. First edition. First edition. Bound in full contemporary wavy grain calf with bold gilt vine and blossom pattern on both covers and spine, beautiful crimson wavy silk endsheets. Inscribed by the author to his son, William Badnall. A fascinating and vanishingly scarce book of poetry by Richard Badnall, silk, ribbon and button tycoon of the early 1800's in Leek, Staffordshire and a man whose riches to rags story could make an entertaining if not sad novel. Through bad investments, he lost his fortune and nearly landed in debtor's prison. Somehow, during this time he seemed to be able to write poetry, and this volume was received with some praise, though acclaim never landed Badnall reputation, much less remuneration from his writings. He also wrote a treatise on Silk Trade (1828), a book on politics (183) and another on Railroad Improvement (1833), all exceedingly rare. Besides our copy of Zelinda, no copies of any of these books were found at the time of… Leer más

London: Chapman and Hall, 1858. First edition. First edition. Original tan blind-stamped cloth with gilt lettering on spine, yellow endpapers. 208pp. James Philip Bailey was a member of the so-called "Spasmodic Poets," or poetry heavily favoring drama in verse, the protagonist often of which is a poet, characterized by unwieldy soliloquies and considered egotistical and somewhat inferior. An interesting and uncommon title by Bailey (whose best work was "Festus"), a satire in poetic form with the chief characters being "critic," "young author," and "mutual friend." Slight wear to sides of spine, else a near fine copy. Most scarce.

Offered here is a nice octavo size gouache watercolor of classic woman looking at herself in a tambourine-shaped mirror, measuring 10 x 8 inches and executed on brown card paper, signed lower left, G. Barbier. Attractive composition with Barbier's popular flowing garment designs, delicate line and subtle coloration. Provenance: Drouot Auction House, Purchased from Original Art France. Fine.

New York: Charles Scribner's Sons, 1900. First edition. First edition. Brown linen weave cloth, cover with attractive leaf and berry design in green and red, gilt and black device, by Margaret Armstrong. Gilt lettering on cover and spine. Eleven full-page black and white illustrations by Bernard Partridge. Corners slightly bumped, near fine. Gullans & Espey, #19.

New York: Charles Scribner's Sons, 1900. Brown cloth with superb cover design stamped in light green and gilt by Margaret Armstrong. Very good.

Cambridge: J. Baskerville, 1762. Contemporary 18th Century polished black calf with embossed central oval pattern and concentric floral ruling, marbled endsheets. Wear to covers, some internal wear, minimal paper damage, overall well-preserved.

Ca. turn of the century. A set of four separate proof illustrations printed on light proof paper by Franz von Bayros, 1886-1924, Austrian commercial artist and illustrator.

4 1/2 x 7 inches. Famous lithograph image of "La Dame aux Camelias," by Aubrey Beardsley. A framed and matted original printer's proof with remnants of Heritage Gallery on verso verifying as Printer's Proof from a representative of the British Museum. As well, stated at lower right of image, "there you will note penciled marks of the publisher's [directions to] printer. One of Beardsley's more celebrated images, the drawing was first published in the journal St Paul's on 2 April 1894, and at the time it was one of Beardsley's most popular works. Six months later it was illustrated with the present title in Volume Three of The Yellow Book, an avant-garde journal of which Beardsley was art editor. Very light toning to margins, very good. A most scare and desirable Beardsley proof.

Hannover: Druck von A. Molling, 1919. First edition. First edition. Original pictorial paper covered boards with superb cover illustration by Aubrey Beardsley. Full-page frontispiece illustration, also Beardsley. Bookseller's catalog (Hans Kaiser), Germany, printed in German. 24pp. Near fine. Scarce.

London: J.M. Dent & Sons, 1927. First Edition. First Edition. Original publisher's stiff vellum heavily gilt with Beardsley's stunning design consisting of stylized irises with broad interlocking stem and leaf motif on front cover; spine with publisher's tan calf bearing gilt lettering. Limited to 300 numbered copies, of which this is #203. Fourteen superb black and white wood-engraved illustrations, including one mounted, ornamental initials, borders, etc, by Beardsley. Frontispiece portrait of Beardsley. A wonderful copy of a beautiful book.

London: Leonard Smithers, 1896. First Edition. First Edition. Eight volumes. Quartos. The complete run of the famous Savoy, an Illustrated Quarterly numbers 1-8, (all published), edited by Arthur Symons with a plethora of plates and illustrations by Aubrey Beardsley, and others, numbers 1 and 2 in original pink boards and 3-8 in original green wrappers. Cover illustrations to each volume by Aubrey Beardsley, with further illustrations by some of the great artists of the 1890s including James Abbott McNeill Whistler, Dante Gabriel Rossetti and Walter Sickert. Smithers, Symons and Aubrey Beardsley, designed The Savoy to follow up in more graphic detail the earlier successful Yellow Book, but had fallen in popularity. Appearing in the Savoy are work by Max Beerbohm, Joseph Conrad, Ford Maddox Hueffer, Ernest Dowson, George Bernard Shaw, W. B. Yeats, William Blake, Dante Gabriel Rossetti, W. Rothenstein, and others. The final issue is devoted entirely to the art of Aubrey Beardsley. A nicely preserved… Leer más

A nice grouping of five specimen leaves of Beardsley prints, printed on Japan Vellum, all measuring 8 x 11" and not representing any one group of printed portfolios that we are aware of, no signature marks or glue remnants. Near fine.

London: Privately Printed by Frederick Evans, 1913. First Edition. First Edition. Folio, 12 1/4 x 9 inches. Extremely rare (no other copies located in the marketplace). ONLY 10 COPIES PRINTED. 12 PLATINOTYPES OF BEARDSLEY DRAWINGS FROM EVANSí PERSONAL COLLECTION, INSCRIBED BY EVANS. WITH AN IMPORTANT HOLOGRAPH INSCRIPTION BY EVANS: ìThis issue is limited to 10 sets, Frederick H. Evans,î written on the verso of the title-page. Contents laid into publisherís folder, as issued. Title-page consisting of one double page folded (i.e. four pages) as follows: ìGrotesques, by Aubrey Beardsley, Enlarged Facsimiles in Platinotype by Frederick H. Evans. (From the original drawings in his collection). Privately Printed, MCMXII.î Frederick H. Evans (1853-1943) was a prominent figure in the late 19th Century, becoming at one point a leading name in photography, and is known for his close friendship and early guidance of Aubrey Beardsley. In the early 1890s Evansís shop was a haunt for… Leer más

London: J. M. Dent; Aldine House, 1894. First Edition Thus. First Edition Thus. Two Volumes, thick quartos. Exquisite publisher's full cream cloth over beveled boards, lettered and decorated with bold gilt-blocked and elaborate art-nouveau design by Beardsley on front covers and spines, rear covers with publisher's imprint in gold. TEG, others uncut. 990 pp [paginated continuously], Glossary & Index to rear of Vol. Two. Magnificently illustrated throughout on India paper, featuring 18 full-page wood engravings with tissue guards (5 double-page) by Beardsely, as well as numerous text illustrations and approximately 350 designs for chapter headings and borders, all by Beardsley. A very good copy, with foxing occurring to front and rear fly of Vol. 1, but not Vol. 2. Wear to edge of spine head of Vol. 1, with about 1 cm nick. Covers with usual discoloration and some smudging, and slight rubbing to gilt. The inner hinges are completely in tact, rare for this size of book (two inches thick!). Commissioned… Leer más

London: J. M. Dent, 1893. First Edition Thus. First Edition Thus. Twelve original parts. In original printed pictorial green wrappers. Woodcut illustrations as plates, illustrations and decorations throughout by Aubrey Beardsley, one his most celebrated group of illustrations to appear in book form. 1500 copies were printed, seldom seen as a complete set of individual numbers in the original wrappers. Numbers 2 and 4 with spines darkened and chipped including some loss, overall age toning and edge wear to wrappers; contents generally quite clean; housed in three separate quarter calf folders within matching slipcases. Malory's reworking of existing tales about King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table. A truly remarkable set, Beardsley's output amounted to 360 full and double-page drawings, borders, chapter headings, and ornaments of detailed illustration, and a net total of over 1,000 decorations.

London: Privately printed by Truslove & Hanson, 1913. First edition. First edition. .Original beige wrappers, color printed frontispiece of Pre-Raphaelite style painting and line drawing at end by Maud Bennington [1895-1922], British painter. Her paintings, later on, were exhibited in same galleries at Rossetti's, Bennington was a great admirer of the Pre-Raphaelites as well as collector, donating to Tate Gallery and other institutions. Scarce and sought-after Pre-Raphaelite circle. No copies located on the marketplace. Fine.

New York: Charles Scribner's Sons, 1896. First edition. First edition. 12mo. Brown cloth with famed cover design by Margaret Armstrong consisting of stylized butterflies/bow-ties, gold lamps and vines stamped in bright gold and white. Superb copy without the usual foxing almost always found with this title. Cover gilt is bold and bright, very slight rubbing of gilt on spine. Gullan & Espey, #22.

London: Heinemann, 1922. First edition. First edition. In original printed dust wrapper. Blue cloth, gilt lettering. 22 color illustrations by Beerbohm tipped onto card stock art paper. A fine copy in near fine dust wrapper. Some extraneous ephemera and letters concerning Rossetti's Cheyne Walk house laid in as well as a prospectus 'Catalogue" denoting illustrations in book.

New York: Harper & Brothers, 1893. First edition. First edition. Blue-gray cloth with wonderful design of cupid holding a heart with cat, teapot and cup stamped in bold silver, lettering in gilt on cover and spine. A scarce Armstrong title. A very good copy, with slight rubbing to margins of inner spine. Gullans and Espey, #23.