Resultados de búsqueda: Títulos que empiezan por E de Nudelman Rare Books

One page letter on one face (lacks blank rear) in third person, by the celebrated furniture designer and innovator, Charles Eastlake, to F. Fitzroy. "Sir Chas. Eastlake presents his compliments to Mr. Gye (sp?) and is exceedingly obliged to him for the favour of the box from the performance of the Prophite this evening."

Hammersmith: Hammersmith Publishing Society, 1902. Not paginated. (Small 4to) original vellum-backed boards, spine lettered in black. One of a handful of copies in vellum and boards (instead of plain blue boards with glassine dust wrapper) of the first publication of the Hammersmith Publishing Society, done in the manner of the Kelmscott press, with expressive text by one of the leading British practitioners of the Arts and Crafts movement. Printed at the Chiswick Press by Charles Wittingham & Co. Light wear and soiling to binding; internally fine.

London: J. Johnson, 1812. First Edition. First Edition. Six matching volumes. 6 3/4 x 4 in. Bound uniformly in contemporary diced Russia calf, with flat spines tooled in gilt, some fr. covers either detached or split (see below). All first editions. Tales include: Ennui, Almeria, Madame de Fleury, The Dun, Manoeuvring, Vivian, Emilie de Coulanges, and The Absentee. "[Edgeworth's] copious works move uneasily between an enthusiastic espousal of a progressive paternalist social model and a more radical ideology that embraced change. She referred to herself as 'little i' in letters to her father and aunt but was described by Sir Walter Scott as 'the Great Maria.' She was the most highly acclaimed author of her day and an established member of the international literati, but until recent years her place in the British canon--or even the canons of Irish or women writers--has been as a precursor to Jane Austen or Sir Walter Scott. [New scholarship] move[s] beyond the binary categorizations of 'radical' and… Leer más

London: J. Johnson, 1799. Second Edition. Second Edition. 7 x 4 1/2 inches. Full contemporary calf (cover neatly detached). The second edition, though still very rare (Revised & Enlarged Edition), and the title is scarce and and a witty defense of female education. A wonderful Presentation Copy, inscribed by Maria to her father on the title page, "Rich[ar]d Lovell Edgeworth from his partner. Mary [?], June 1817," also dated "Jan. 1804," in a lighter ink in same place. With R.L. Edgeworth's engraved armorial bookplate pasted inside front board, and the later bookplate of Percival & Elisabeth Merritt, American author Member visiting committee department of English, Harvard, Boston Public Library.on ffep. R.L. Edgeworth, Maria father, was also (as indicated in this inscription) her partner in literary pursuits. The author likely inscribed this copy to her father close to the time of his death on 13 June 1817. Light scraping to the leather at edges of boards, the front cover being detached. Internally… Leer más

Boston: Houghton Mifflin and Company, 1908. First Edition. First Edition. 12mo. Decorated brown paper covered boards. Inscribed by noted American illustrator, George Wharton Edwards, to his niece, in pencil, on the front free fly. Near fine.

London: W. S. Hodginson & Sons, 1934. First edition. First edition. Original full tree calf, gilt borders, as issued. 250 Copies only, specially bound by Birdsall and printed by Frank E. Seary on copper from the original un-faced plates (13) on hand made paper by Hodkinson & Sons. A fine copy with very minimal board bowing (as found), internally extremely fine and unopened. A scarce and beautiful production. With bookplate of Basil Truscott Hargrave.

London: SPCK, 1906. First edition. First edition. Original light green paper covered boards with red stamped border design and lettering on cover. Hand-colored and artfully illustrated on nearly every page by Edwards with interpretive scenes and activities of children at play in a style reminiscent of Walter Crane illustrations on nearly every page, several of which with attractive A & C border designs. Some edge wear and rubbing to covers, pages lightly browned. ìMary Ellen Edwards ( 9 November 1838 ñ 22 December 1934), also known as MEE, was an English artist who contributed to many Victorian newspapers and journals, as well being a prolific illustrator of childrenís books. Ö Outside of her nearly-annual submissions to the Royal Academy, she exhibited four works at the Royal Society of British Artists, one work at the Royal Scottish Academy, eight works at the Royal Glasgow Institute, two works at the British Institution, and nine works at the Society of Women Artists. She contributed… Leer más

M¸nchen: Georg-Verlag, 1922. First German Edition. First German Edition. 4to. Original full vellum over boards with gold lettering on spine. With nine full-page hand-colored original woodcuts and one colored woodcut initial by Eduard Ege. 29 x 19 cm. First German edition. One of 300 numbered copies, on handmade, uncut laid paper. Eduard Ege lived in Munich ca. 1898, and was a student of Julius Diez at the Munich School of Applied Arts. He worked as an illustrator for the Georg M¸ller publishing house and the Drei Masken Verlag. A wonderful production. Scarce.

Berlin: Herbert Stuffer, 1924. Original color pictorial paper covered boards, green cloth spine. IN ORIGINAL COLOR PICTORIAL DUST JACKET (very good with one tear). With 10 superb and expressive full-page color illustrations by Ehmke in what is now considered to be a groundbreaking new style termed, "The New Objectivity," (Neue Sachlichkeit) which emerged as a style in Germany in the 1920s as a challenge to Expressionism. As its name suggests, it offered a return to unsentimental reality and a focus on the objective world, as opposed to the more abstract, romantic, or idealistic tendencies of Expressionism 1 9.5x19.5cm. This is the second children's book by the illustrator Ehmcke (1906-1982), with motifs from the world of children's toys: teddy bears, merry-go-round, wooden horses, sailing dinghy, etc. "The 'Steglitz Workshop' was created in 1900 by G. Belwe, F. H. Ehmcke and F. W. Kleukens in protest against the formal exuberance of Art Nouveau for commercial art and book art, and rather introducing… Leer más

London: Macmillan and Co, 1906. First Edition. First Edition. Original publishers dark green cloth with superb all-over cover design by Hugh Thomas of shepherd and dog and 22 sheep, with flowers interspersed, spine with similar motif and lettering. An rare, fine copy of a beautiful book, replete with 16 color plates and text illustrations throughout, by Hugh Thomson.

London: Faber and Faber, 1939. First Edition. First Edition. 8vo. Original gray cloth, lettered in red on spine. In the original unrestored unclipped dust jacket printed in teal and red border. Half-title. PRESENTATION COPY, INSCRIBED BY ELIOT on title page: "Inscribed for Mrs. B. ?Idding? Bell by T. S. Eliot Holy Saturday 1939." The Family Reunion was first performed in March,1939 at the Westminster Theatre in London. Slight wear to spine and edges, wrapper near fine with a few creases.

London: Faber & Faber; La Jolla Playhouse, 1951. First Editions. First Editions. Offered here is the original book, and the program for the play which premiered in 1951 (a year after the book), and starring Vincent Price. ìThe Cocktail Party.î 8vo. London: Faber & Faber, 1950. First Edition. Original lime green cloth, gilt lettering on spine. In original color printed dust wrapper. First edition, first issue with "here" uncorrected ["her] on p. 29. An uncommon Eliot title. Book near fine with very slight discoloration on lower margins of covers, wrapper very good with some chipping esp. front cover, tape repairs on inside. ìProgram for the Cocktail Party.î Presented by the La Jolla Playhouse and starring Vincent Price and Marsha Hunt. 4to. Original color pictorial paper wrappers, 12pp. Illustrated with photographs of the actors posed, and in scenes. With scarce original folding playbill. Near fine. A wonderful pairing.

London: Faber & Faber, 1930. First Edition. First Edition. First trade edition. Green cloth, gilt spine. In original light green dust wrapper with maroon lettering.

London: Faber & Faber; Faber and Gwyer; Faber & Faber, 1964. First Editions. First Editions. Offered here are three books by T. S. Eliot: "For Lancelot Andrewes, Essays on Style and Order," 1928, Faber & Gwyer, blue cloth, VG dust wrapper; "Ash Wednesday," 1930, Faber and Faber, brown gilt cloth, VG dust wrapper with unclipped price of 3s. 6d. net; and "Knowledge and Experience," 1964, Faber & Faber, blue cloth, VG dust wrapper.

London: Faber and Faber, 1939. First Edition. First Edition. Original yellow cloth pictorial vignette on cover stamped in red, spine with red lettering. In the unrestored and unclipped yellow dust jacket with enchanting cover illustration of cats climbing a ladder. A FINE ASSOCIATION COPY, Stephen Spender's Copy, noted novelist and essayist whose work focused on social injustice and class struggle. With his bookplate. Book is fine, wrapper near fine. Eliot published four of Spender's poems in†T1930 (in the Criterion, and later, Spender's first standalone work,†Poems, in 1933) Spender recalled: "At our first luncheon [T.S. Eliot] asked me what I wanted to do. I said: 'Be a poet.' 'I can understand you wanting to write poems, but I don't quite know what you mean by "being a poet,"' he objected."†A FINE ASSOCIATION COPY.†.

London: Faber & Faber, 1932. First Edition. First Edition. Original light blue paper covered boards, red lettering on spine. In original yellow dust wrapper with bold lettering on front cover and spine, back cover list of "Faber Library." First issue binding and wrapper with "2. 6d. net." An uncommon title, book and wrapper are near fine.

London & Philadelphia: Elkin Mathews & John Lane; J. B. Lippincott, 1894. First edition. First edition. Light green wavy grain silk cloth, gilt lettering on spine. Superb illustrated border designs on title page by C.W.F. Scarce.

London: Elkin Mathews, 1893. First edition. First edition. 12mo. Original publisher's full vellum over boards, gilt design on both covers. 150 Copies on Handmade Paper. Superb woodcut half-title and title page by J. Illingworth Kay. Uncut, unopened and fine. Scarce thus.

London: Elkin Mathews and John Lane, 1894. First edition. First edition. 4to. Original drab paper-covered boards, paper label on spine. Limited to 100 Copies on Handmade Paper. Corners bumped, spine a little worn, flies foxed, else near fine internally, clean and bright. Very scarce Elkin Mathews imprint.

London: C. Elkin Mathews, 1889. First printing. First printing. Original blue paper covered boards, cream colored spine with lettering in black. Association Copy: Inscribed by the famous San Francisco publisher to Dewitt Miller, acclaimed educator, journalist and book collector: (on front free fly) "To Mr. Dewitt Miller from Wm. Doxey San Francisco, July 8, 1899." As well, Miller has signed the book in four lines on the rear pastedown. An excellent copy of this scarce first trade title for Elkin Mathews, and the first to bear the "Bodley Head," imprint. Near fine with corner wear and usual 'point' browning due to acidic nature of paper.