Resultados de búsqueda: Títulos que empiezan por D de Robert Frew Ltd

Madrid 19 Noviembre [November]1882. Double-page chromolithographed illustration. Overall dimensions 55.5 x 38.5 cm, illustration dimensions 48 x 31 cm. N�m. 47

[London: William Heinemann, 1898].. Original lithograph after hand coloured woodcut (overall 31 x 24.5 cm, image size c.25 x 20 cm).

London: L. Reeve & Co. 5 Henrietta Street, Covent Garden. [c.1880]. (31 x 25 cm). Original hand-coloured print drawn and lithographed by Fitch for the Floral Magazine, New Series. Numbered LXI in ms top left corner.

London: L. Reeve & Co. 5 Henrietta Street, Covent Garden, [c.1880].. Original hand-coloured print (31 x 25 cm) drawn and lithographed by Fitch for the Floral Magazine, New Series.

Vanity Fair, Aug 24, 1899. Drawn by Spy. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 35 x 19cm. Library stamp to verso, image unaffected. Minor tear to text leaf. With original leaf of biographical text.

Vanity Fair, March 22, 1873. Drawn by Spy. Original chromolithograph. Page size approx. 35.5 x 23cm. Image size approx. 31.5 x 19cm. With original leaf of biographical text.

London: F.G. Moon. 1842-9. c. 28 x 34 cm. Original tinted lithograph with later hand colouring. Half page. Roberts was the first independent, professional British artist to travel so extensively in the Near East. His tour in 1838-9 produced 272 sketches, a panorama of Cairo and three full sketchbooks, enough material to "serve me for the rest of my life" (Roberts, eastern journal, 28 Jan 1839). Over the next decade he made "a series of intire new drawings" for the large coloured lithographs executed by Louis Haghe for The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, which was originally published by subscription, 1842-9. No publication before this had presented so comprehensive a series of views of the monuments, landscape, and people of the Near East. "Robert's Holy Land was one of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph" (Abbey, Travel). These lithographs were originally published in twenty parts, most… Leer más

[Chicago and New York: Published by George F. Cram, 1896].. Two original colour-printed maps printed recto-verso (37 x 29 cm) on one sheet. Light marginal toning, map generally very good.

[Basel: Henricpetri, 1628].. Original double-page woodblock view of present day Zadar, Croatia. Print dimensions 12 x 15 cm, overall sheet dimensions 36 x 22 cm. Uncoloured. Additional text and a small woodcut to verso. A bit tanned overall, generally very good.

Vanity Fair, April 13, 1878. Drawn by Spy. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 31 x 18.5cm. With original leaf of biographical text.

Vanity Fair, Jan. 14, 1888. Drawn by Spy. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.

Vanity Fair, Jan. 14, 1888. Drawn by Spy. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.

[Paris: Garnier Fr�res. 1848]. 29.5 x 22.1 cm. Original outline colour. Single page map of Denmark. Good condition.

London: S. O. Beeton, 1863.. FIRST EDITION. 8vo. (21.5 x 13.5 cm). pp. xxii + 249. Bound in publisher's original maroon cloth, gilt heraldic decoration and lettering to upper cover, spine lettered and decorated in gilt, all edges gilt. 147 vignette illustrations throughout. Ink inscription to preliminaries, ' Masr. J. Wilson / Dec 15, 1863 / 3rd Class Prize J.L.' Some fading to spine, corners slightly rubbed and bumped. Contents clean and crisp. Overall a good example.

Vanity Fair, June 23, 1898. Drawn by Spy. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. Light spotting to upper margin. With original leaf of biographical text.

Vanity Fair, September 10, 1903. Drawn by Ape. Original chromolithograph. Page size approx. 38 x 26.5cm. Image size approx. 32 x 19cm. With original leaf of biographical text.

Luzern: Faksimile Verlag 2005.. Facsimile of Thomas Phillips ms. 10298. Limited Edition 458/900. 40 x 30 cm. Vellum backed blue cloth with embroidered silver fleur de lys. Original acrylic case. 128 leaves, 87 framed scenes, 126 large format initials Without commentary volume. Superb facsimile.

[Hildburghausen: Bibliographisches Institut.] 1851. 19.6 x 25.3 cm. Original outline colour. Single page map of Schleswig. Good condition.

Wien [Vienna]: Internationaler Psychoanalytischer Verlag, 1930.. FIRST EDITION. 8vo. (20 x 14 cm). pp.136. Original yellow paper wrappers with brown lettering printed to covers and spine, top edge cut, others untrimmed. Old ownership inscription to title. Some light wear, a few passages neatly underlined in red crayon, generally a very good copy. Written in the decade before his death and first published in German in 1930, Civilisation and Its Discontents is one of the last of Freud's books. In it he broadly argues that the development of civilisation recapitulates the development of the individual; that civilisation's central purpose of repressing the aggressive instinct exacts unbearable suffering; and that the individual is torn between the desire to live (Eros) and the wish to die (Thanatos). The book is one of Freud's most important and widely read works, and was described in 1989 by historian Peter Gay as one of the most influential and studied books in the field of modern psychology

[Amsterdam: Jansson. 1634]. 14 x 18.3 cm. Uncoloured. Single page map of eastern Switzerland. Latin text on verso. Some very light show through text, otherwise in very good condition.