Cantatas from Serenissima Music, Inc.

Hiawatha's Wedding Feast was the first major success enjoyed by Coleridge-Taylor. It was commissioned by the London publisher Novello after Edward Elgar recommended the young Afro-English composer to them following the premiere of his Ballade in A minor at the Three Choirs Festival in Birmingham. The new work was completed fast and the vocal score was in print months before… Saber más sobre este artículo

An interesting case of self-borrowing. Bach took music from his own Mass in B-minor (BWV 191/1 corresponds to the Gloria in excelsis Deo, BWV 191/2 to the Domine Deus, BWV 191/3 to the Cum Sancto Spiritu) for use in this latin cantata written to celebrate the Peace of Dresden which marked the end of the 2nd Silesian war. It was… Saber más sobre este artículo

This exceptional cantata was probably first heard at the Thomaskirche in Leipzig on June 16, 1726, though scholars cannot rule out it being composed for a festival later that year or early in 1727. The new digitally-enhanced vocal score presented here is reproduced from the series first issued to coincide with the monumental Bach Gesellschaft Ausgabe by Breitkopf und Hartel… Saber más sobre este artículo

An interesting case of self-borrowing. Bach took music from his own Mass in B-minor (BWV 191/1 corresponds to the Gloria in excelsis Deo, BWV 191/2 to the Domine Deus, BWV 191/3 to the Cum sancto spiritu) for use in this latin cantata written to celebrate the Peace of Dresden (which ended the 2nd Silesian war). It was first performed on… Saber más sobre este artículo

Composed for an Easter Sunday performance in 1715 during Bach's tenure as court composer at Weimar, this cantata has long been a favorite among the more than 250 he wrote. Unabridged electronically enhanced reissue of the vocal score first published by C. F. Peters in ca.1880 based on the Bach Gesellschft volume which first appeared in 1857. Sonata Coro: Der Himmel lacht,… Saber más sobre este artículo

For this beloved Cantata, the classic vocal score arranged by Bernhard Todt as a companion to the renowned Bach Gesellschaft Ausgabe was re-engraved by G. Schirmer in the early part of the 20th century with Henry Drinker's English translation added beneath the original German text. Now available in an easy-to-use, convenient size designed to fit comfortably in choral folders. Sinfonia Versus I:… Saber más sobre este artículo

Parker's first Christmas cantata was composed in 1893 just before his departure from New York to his new post as organist for Trinity Church in Boston. The text was written after scriptural accounts by the composer's mother Isabella Graham Parker (1839-1904). This new vocal score is a digitally-enhanced reproduction of the one first issued in 1893 by G. Schirmer, New… Saber más sobre este artículo

A newly engraved vocal score carefully edited and revised from Berhard Todt's reduction issued in conjunction with Bach Gesellschaft edition. One of Bach's earliest extant works (dated 1708 or 1709), this cantata was likely influenced by the those of Dietrich Buxtehude.The opening string sinfonia is follwed by a short opening chorus in motet style. After a brief attractive aria (for… Saber más sobre este artículo

This is an unabridged digitally enhanced reprint of the vocal score originally issued ca. 1925 by G. Schirmer in New York, with an English translation by Henry S. Drinker. The Cantata Wachet auf, ruft uns die Stimme is one of Bach's most widely performed choral works. It was premiered in Leipzig at the Thomaskirche on November 25, 1731 under the… Saber más sobre este artículo

Composed for Reformation Day (October 31) in 1725, this cantata was re-scored for a performance given five years later. With its colorful orchestration and musical allusions to Luther's nailing of the 98 theses to the back door of the Schlosskirche in Wittenberg, the cantata has remained a popular one ever since its first publication in 1870. This new vocal score is… Saber más sobre este artículo