Resultados de búsqueda: Títulos que empiezan por D de Sims Reed Rare Books

New York / Stuttgart.: Edition Domberger., 1969.. Bound in stiff white card wrappers with black dust-jacket with title printed in white, housed in magenta cloth drop-back box with white silkscreen title, white perspex sides and lined with cream paper, additional colophon printed on interior recto and numbered in pencil, matching slipcase.. Folio. (431 x 340 mm). . Contents: Title with additional silkscreen colour, 23 leaves of text illuminated with colour silkscreens, colophon. From the standard edition limited to 130 copies, signed in pencil on the colophon by the artist and author.

New York / Stuttgart.: Edition Domberger., 1969.. Loose as issued in original silver wrappers with title printed in white, housed in claret corduroy covered book box with white perspex sides and lined with cream paper, colophon printed on interior recto and numbered in pencil, housed in plexiglas slipcase with title printed in white.. Folio. (431 x 340 mm). . Contents: Title with additional silkscreen colour, 23 leaves of text illuminated with colour silkscreens, colophon. From the deluxe edition limited to 80 copies, signed and numbered in pencil on the verso of each folded sheet by the artist.

Zurich., 1919, 15 mai.. Original publisher's printed wrappers with woodcuts by Arp (front) and Janco (rear wrapper).. 4to.. Illustrated with tipped-in reproductions and original woodcuts, printed on various coloured paper stock. Illustrations by Arp, Hausmann, Janco & Richter, including 2 lithographs by Eggeling. Texts by Arp, Breton, Picabia, Richter, Serner, Tzara. Original edition of this rare and celebrated number of 'Dada' magazine, the last Issue of Dada to be published in Zurich. [PROVENANCE: With the stamp of Professor Haeusler, Archiv, Wien].Directed by Tzara and produced as a bilingual issue (French and German) the issue reunited Paris, Zurich and Berlin Dada, with contributions by Huelsenbeck, Richter, Hausmann, Arp, Picabia, Aragon, Breton, Radiguet, Cocteau, Soupault, Albert-Birot, Hardekopf, Serner, Ribemont-Dessaigne, etc.

Basel.: Panderma Verlag Carl Laszlo., 1960.. Wrappers; lacking front cover. . 4to. (201 x 282 mm).. Monochrome illustrations by Platschek. Single issue of Dadalus-Reihe, from the edition limited to 400 copies (this is no. 131). Issue no.2 (not included here) was 'Arnulf Rainer. La croix et la nuit / Kreuz und Nacht' - together these comprise all that was published.

New York.: Paula Cooper., 1999.. Postcard (106 x 151 mm).. Postcard announcing the exhibition Dan Flavin Sculptures & Sculptors' Drawings at Paula Cooper New York from the 11th of December 1999 to the 29th of January 2000. The postcard has been stamped and sent.

Fort Worth.: The Fort Worth Museum of Art, 1977.. Original wrappers, adhesive tape marks to inner front cover and rear cover.. Oblong 4to.. Colour and black and white illustrations. Exhibition catalogue with a presentation and original signed drawing by Flavin.Flavin's original drawing, a profile study - typical of Flavin's work during this period in his career - is also inscribed beneath the drawing: ' "Big Maz" / my very best regards / to y'all, Dan F. / January 28, 1978'.Exhibition catalogue includes many reproductions of the artist's "light" sculpture many of which are reproduced in colour, and of his sketches.The American minimalist artist Dan Flavin (1933 - 1996) was famous for creating sculptural objects and installations from commercially-available fluorescent light fixtures. He did also, sporadically throughout the mid-1970's, produce deft portrait studies.'Still another type of drawing in this exhibition is the artist's observations of nature. Whether they are penned portraits of… Leer más

London.: Printed by The Ballantyne Press ... [for] Hacon & Ricketts ... And [for] John Lane, 1903.. Original publisher's full vellum pierced for thongs, spine with gilt rules to form six compartments with title gilt at head.. 8vo. (237 x 151 mm).. Leaf with half-title and publication note verso, leaf with dedication 'Affectionately dedicated to C[harles]. H[azelwood]. S[hannon].' recto, verso and following recto with 'The Story' in red, verso with title and Moore's verse recto and verso with running title, side-notes and pagination in red throughout and illustrated with three full-page hors-texte woodcut plates by Ricketts, final leaf with colophon recto; in the present copy gathering 'b' is discoloured. [PROVENANCE: Bookplate of Laurence Hodson, printed at the Kelmscott Press, to front pastedown]. Laurence Hodson's copy on vellum of 'Danaë', the last book sold by Hacon & Ricketts.From the edition limited to 240 copies with this one of 10 printed on vellum.Thomas Sturge Moore (1870 - 1944), he… Leer más

Mönchengladbach.: Städtisches Museum Mönchengladbach., 1975.. Yellow card box, printed titles in black to side.. Card box. (202 x 158 x 26 mm).. Card box contains 1 colophon, 1 exhibition guide in wrappers, 2 artist"s books, and 1 essay. Books in wrappers. Text: D. Buren and J. Cladders. The second of Daniel Buren's Mönchengladbach exhibition boxes.From the edition limited to 660 numbered copies.[Rennert / Titz 28; Künstler Bücher I, Krefelder Kunstmuseen 1993, p. 46, no.10].

(Paris).: Mercure de France., 1961.. Original publisher's printed wrappers with titles and publisher's vignette to front cover and titles to spine in black.. 8vo. (206 x 144 mm).. Half-title, leaf with Giacometti's signed original etching as frontispiece verso, printed title with justification and copyright verso, section title and du Bouchet's verse in seven sections, leaf with 'Table' and final leaf with achevé d'imprimer and printer's credit verso. An excellent copy of André du Bouchet's verse collection with Giacometti's signed portrait of the poet as frontispiece.From the edition limited to 520 numbered copies with this one of the first 70 on vergé d'Auvergne à la main du moulin Richard-de-Bas with Giacometti's signed original etching as frontispiece.Giacometti's original etching, signed in pencil at lower right, is a portrait of the poet André du Bouchet.Giacometti had provided an etching for du Bouchet's earlier 'Le Moteur Blanc' (GLM, 1956) appearing to show the poet's desk or the… Leer más

(Düsseldorf.)., (1969).. Original card boards with white paper label with manuscript title in black ink to front cover, white paper label with with signature and date to rear inner cover, boards with shrink wrap covering (as issued?).. Square 4to. (242 x 222 mm).. Leaves of folded wove paper each with drawing in black ink and / or collage elements throughout (see below). The unique artist book / maquette of scatological drawings and collage by Jan Voss.The pages depict an individual, from the drawings clearly a male, who approaches and sits on a toilet and appears to excrete a black bird. The bird then takes flight and, in a serious of collages of colour paper pasted direct to the doubled sheets of wove paper with clear tape, extrudes its own excretions over water before flying off.Voss later used these images as the basis for a section of his 1971 artist book, 'Piss Buch: 4 Gedichten von Young [sic] Voss'. The final section, as here, is titled 'Das Kanalisationsproblemlösungsbuch'. Jan Voss… Leer más

Vienna., 1979.. Poster. (608 x 420 mm).. Monochrome printed illustration and text recto only in black; previously folded. The announcement poster for the Aktionist performance held at Nitsch's Schloss Prinzendorf on June 3rd, 1979.The poster for Nitsch's 'Das Orgien Mysterien Theater' presents the '65. aktion': ' ... gang durch die kellergassen und weingärten. einkehr in verschiedene weinkeller von prinzendorf und umgebung ... unsere prozession wird von schrammelmusik begleitet (freier weinausschank)'. The poster also promotes an exhibition of the project's drawings held at Galerie Heike Curtze, Vienna.

Berlin & Neuwied.: Hermann Luchterhand Verlag., 1970.. Original publisher's printed wrappers.. 8vo. (180 x 116 mm).. Published in the Sammlung Luchterhand series, vol. nr. 3.

Munchen-Weimar.: Bauhaus-Verlag., 1923.. Loose as issued in publisher's vellum-backed patterned paper board portfolio with printed titles to front cover in black.. Small folio. (356 x 295 mm).. Bifolium with printed title, list of plates and verse and 10 original woodcuts by Gerhard Marcks, each mounted to a larger sheet of card as issued and initialled and dated in pencil; the colophon is pasted to the interior of the portfolio. Gerhard Marcks' scarce Nordic-inspired Bauhaus portfolio.From the edition limited to 110 numbered copies, with each print initialled, dated and numbered by Marcks in pencil..It wasn't until after World War I that Marcks' initial interest in classicism gave way to the influence of Expressionism and of the Sturm artists, as part of a search for a new spirituality. Maintaining this sense of spirituality in his work, Marcks was to establish, in 1919, under the guidance of Walter Gropius, the Bauhaus ceramics workshop in the village of Dornburg near Weimar. With his students… Leer más

Darmstadt & Neuwied.: Hermann Luchterhand Verlag., 1985.. Original publisher's yellow printed wrappers.. 8vo. (180 x 115 mm).. (Sammlung Luchterhand 567).

London.: Kasmin Limited., 1965.. Folded card with die-cut section (210 x 148 mm).. Printed in black and gold, reproducing 'Picture of Hollywood Swimming Pool' (1964). Playful invitation card to an early Hockney exhibition at Kasmin Gallery London. A charming piece of David Hockney ephemera.

London / 118 New Bond Street.: Kasmin Gallery., 1968.. Single sheet of glossy paper, (210 x 148 mm).. Illustrated in monochrome; text printed verso. David Hockney invitation to an exhibition of 'Personal drawings' at Kasmin Gallery.The card shows a monochrome photograph of Hockney's desk.The exhibition ran from 18 September 1968.

London / 118 New Bond Street.: Kasmin Gallery., 1972.. Single sheet of glossy paper, (210 x 148 mm).. Illustrated in colour; text printed verso. David Hockney invitation card reproducing his painting 'Two Deck Chairs, Calvi' (1972).The exhibition ran from 6 December 1972. The painting was purchased by the Museum Boijmans Van Beuningen, Rotterdam.

London.: Art For All. (Self-published)., 1971.. Original publisher's stapled wrappers with printed title and justification to rear cover with edition number written in black ink.. 8vo. (204 x 126 mm).. Printed text on cream paper and illustrated with 4 pages of black and white photographs on glossy paper bound in the centre. A very fine copy of Gilbert & George's self-titled 'Third Booklet.' 'A Day in the Life...' was issued in an edition of 1000 copies, each hand-numbered on the rear cover, and with the stamped red 'GG' emblem on the final page of text.'Down on paper suggestions of forms, shapes and patterns suggestive of our artisticness ... '. (From the artist's preface).[(Eindhoven) - Gilbert & George 1968 - 1980, pg.98; Die Sammlung Marzona in der Kunstbibliothek pg.120].

London.: Art For All. (Self-published)., 1971.. Original wrappers with printed titles to front cover.. 8vo. (202 x 126 mm).. Printed text on cream paper and illustrated with 4 pages of black and white photographs on glossy paper bound in the centre. A very good copy of Gilbert & George's self-titled 'Third Booklet'.Issued in an edition of 1,000 copies, each hand-numbered on the rear cover, and with the stamped red 'GG' emblem on the final page of text.'Down on paper suggestions of forms, shapes and patterns suggestive of our artisticness ... '. (From the artists' preface to this, their own discussion of a typical day in the life of G&G).[(Eindhoven) - Gilbert & George 1968-1980, pg. 98; Die Sammlung Marzona in der Kunstbibliothek pg.120].

London.: Art For All. (Self-published)., 1971.. Original wrappers with printed titles to front cover in original unopened envelope with stamp to front.. 8vo. (132 x 208 mm).. Printed text on cream paper and illustrated with 4 pages of black and white photographs on glossy paper bound in the centre. Gilbert & George's self-titled 'Third Booklet' in the original envelope.Issued in an edition of 1,000 copies, each hand-numbered on the rear cover, and with the stamped red 'GG' emblem on the final page of text.'Down on paper suggestions of forms, shapes and patterns suggestive of our artisticness ... '. (From the artists' preface to this, their own discussion of a typical day in the life of G&G).In the original envelope with black ink stamp 'Carrying on / Sculpting / G / G' to front of envelope;the envelope remains sealed and has never been opened. A fine copy, rarely found in unopened envelope.[(Eindhoven) - Gilbert & George 1968 - 1980, pg.98; Die Sammlung Marzona in der Kunstbibliothek pg.120].