Resultados de búsqueda: Títulos que empiezan por K de Sims Reed Rare Books

Milan.: Galleria dell'Ariete., 1956.. Loose in original publisher's wrappers.. 8vo. (153 x 212 mm).. 3 reproduction drawings by Appel printed in monochrome. Published to accompany the exhibition of Karel Appel at Galleria d'Ariete (Milan) beginning 21 November 1956.With a brief biography, texts by W. J. H. B. Sandberg (director of the Stedelijk Museum Amsterdam) and Cornelis Doleman, and a list of 15 works exhibited to final leaf.Some spotting to cover, with 'Appel' written in blue to top corner.

Tokyo.: Idea-Shoin., 1924 (Tai Sho 13).. Original publisher's scarlet cloth with gilt vignettes after Kandinsky to front and rear boards, original card slipcase with illustration after Kandinsky to front cover and printed text in Japanese to spine and rear cover.. 4to. (258 x 198 mm).. Printed title in Japanese and Western characters on glossy paper, monochrome photographic portrait of Kandinsky with reproduction of his signature as frontispiece, Kandinsky's translated text in Japanese (with occasional insertions in Western characters) illustrated with 9 monochrome text vignettes, 3 'Tabelle' of colour theory and 57 plates on a variety of paper stocks (9 in colour and 48 in monochrome, several with multiple images on the same sheet, including the 'Abbildungen' at rear), final leaf with imprint verso; the illustration incorporates that for 'Uber das Geistige in der Kunst' as well as many from 'Klänge'. A very scarce edition of Kandinsky's Uber das Geistige in der Kunst published in Japan in 1924.… Leer más

Milan.: Galleria Falchi., 1970.. (19.5 x 13 cm).. Colour and black and white illustrations. Catalogue for exhibition, April 1970. Lists 11 works.

Cologne. : Galerie der Spiegel., 1980.. Printed paper (95 x 135 mm).. Invitation to the opening of the exhibition Karel Appel Farbige Lithographien 1957-77 at Galerie der Spiegel Cologne on the 11th of April 1980.

London.: Gimpel Fils., 1959, October.. Original publisher's red paper wrappers.. Oblong. (225 x 155 mm).. Illustrated with 4 monochrome reproductions of Appel works, 1 in colour. Published on the occasion of the Gimpel Fils exhibition of Appel's oils and gouache works, 1959.With a brief biographical list.

Cologne.: Josef Haubrich Kunsthalle., 1991.. 4to. Single sheet (298 x 210 mm).. Advertisement for the exhibition Karel Appel - Die Meisterwerke held at the Josef Haubrich Kunsthalle Cologne from the 12th of June to the 11th of August 1991. The sheet has been folded.

Florence.: Galleria del Leone., 1975.. Publishers wrappers with screen printed text and illustration to rear inside cover.. 8vo. (241 x 170 mm).. 4 black and white plates and one screen print to rear inside cover. Catalogue of the exhibition Karel Appel held at Gallerie del Leone Florence from the 11th of September to the 10th of October 1975. Introduction by Michael Tapié.

Amsterdam.: Stedelijk Museum., 1961. Original publisher's printed wrappers.. 4to. (270 x 200 mm).. Illustrated throughout in both colour and black and white on a variety of paper stocks, with some coloured lithographic images and glassine fold-out pages. Exhibition catalogue for Karel Appel at the Stedelijk Museum, 1961. The exhibition also travelled by the Gemeentesmuseum Den Haag later the same year.With a text (printed in Dutch) by Lucebert, 'appel's verflichaam leeft', and a text by Bert Schierbeek. An extensive biography of the artist is printed at the rear. Sheet with a list of works loose within.Typically elegant catalogue designed by Wim Crouwel, who was solely responsible for the Stedelijk's graphic output from the early 1960s.

Zurich.: Galerie Lelong., 1997.. Printed card (170 x 165 mm).. Invitation to the vernissage of the exhibition Karel Appel "Unintended Monuments" Sculptures & Drawings at Galerie Lelong Zurich on the 30th of May 1997. The exhibition ran from the 31st of May to the 31st of July 1997.

Paris.: Galerie De France., 1988.. Folded card (170 x 227 mm).. 5 colour illustrations. Invitation to the vernissage of the exhibition Karel Appel Portraits at Galerie De France Paris on the 14th of June 1988. The exhibition ran until the 30th of July 1988. Annotated on back with artists name.

Zurich.: gimpel & hanover galerie., (1963).. Original publisher's lithographic printed wrappers; later protective glassine wrapper.. 4to. (190 x 260 mm).. Illustrated throughout in colour and black and white with text pages on a variety of paper stocks. Published on the occasion of three Karel Appel exhibitions - in Zurich (1963), Paris and London (both 1964).With texts printed on brown fibrous paper stock entitled 'a propos des nues de karel appel' ('on appel's nudes'), by bert schierbeek, printed in English, French and German. A list of works and a biography is listed at the rear.Also inserted loose is an exhibition invitation card to Karel Appel 'Nus' at Galerie Europe (Paris), November 1963 - January 1964.

Düsseldorf.: Galerie Schmela., 1969.. (14.7 x 21 cm).. Two black and white illustrations. Exhibition announcement, May - June 1969.

London.: Kasmin Gallery., 1973.. Leporello (170 x 115 mm, folded) with punched hole tab at top. . Monochrome image to cover plus thirteen colour images printed recto only reproducing works by Darby Bannard, Buckley, Caro, Davis, Hockney, Hodgkin, Louis, Noland, Olitski, Poons, Smith, Stella and a South Indian 18th century tapestry. Iconic piece of Kasmin Gallery ephemera, published on the occasion of the gallery's move to 10 Clifford Street (1973).The cover shows a monochrome image of John Kasmin (Kas) with his friend Sheridan Dufferin, the 'well-off young lord' whose financial help Kasmin enlisted in starting his gallery.The leporello illustrates the following works: 'Siberian' (W Darby Bannard, 1972), 'Mandolin' (Stephen Buckley, 1973), 'Rouge' (Anthony Caro, 1972–73), 'Deep | Beam' (Ron Davis, undated), 'Mo reading' (David Hockney, August 1973), 'Mr and Mrs E.J.P.' (Howard Hodkin, 1972–73), 'Beth Taf' (Morris Louis, 1968), '2-1964' (Kenneth Noland), 'Mother of Night-13' (Jules Oliski,… Leer más

Hammersmith.: Doves Press., 1914.. Full scarlet crushed morocco by Frieda Thiersch with her signature gilt, boards with double gilt rules, banded spine with elaborate tooled decoration with title 'KEATS / 1815 - 1820' and dated 'MCMXIV' in six compartments, large turn-ins with gilt tools and rules to surround vellum doublures, board edges ruled in gilt, morocco-edged wool-lined marbled board slipcase.. Large 8vo. (234 x 168 mm).. Title, leaf with explanation, verso and following leaves with contents, leaf with title in red and sonnet 'Bright star!' verso and Keats' verse, two leaves with 'Table of Years', final leaf with colophon recto. Printed text in red and black throughout, sheet size: 230 x 162 mm. [PROVENANCE: From the collection of scholar and bibliophile Dr. Ernst Kyriss (1881 - 1974), with his discreet oval stamp to front free endpaper; Achilles Foundation, the collection of Edith and Barbara Achilles]. A very scarce copy of the vellum issue of the Doves Press' Keats in a highly… Leer más

(Richmond, N. Yorks.?).: Saint Paulinus Press., 2013.. Loose as issued in original publisher's black cloth backed burgundy portfolio with ribbon tie, title and vignette in black to central paper label to front board.. Folio. (515 x 380 mm). Leaf with title, 5 leaves with printed letterpress silhouettes of kebabs each with title in red beneath, each with guardleaf and signed and numbered by Coventry in pencil, final leaf with justification; sheet size: 520 x 378 mm. Keith Coventry's 'Kebab' portfolio. From the edition limited to 36 numbered copies on Somerset Satin, with each print signed and numbered by the artist in pencil.Depicting the archetypal British post-pub foodstuff, a confection of meat (of uncertain origin) on a skewer grilled vertically, Coventry's prints, each diminishing from the initial whole until only the skewer and support remain, are titled as follows: 'Fat Kebab,' 'Medium Kebab', 'Skinny Kebab,' 'Super Skinny Kebab' and 'Armature'.

Tokyo.: Genshisha., 1927.. Original publisher's patterned boards, maroon Russian titles in relief to front board, Japanese title to spine, publisher's circular relief to rear cover, original card dust-jacket with elaborate decorative design in yellow and black with Japanese titles over covers and spine.. 8vo. (192 x 135 mm).. Printed title with vignette by Fernand Léger, introduction and Ehrenburg's text with 6 monochrome plates after Léger recto only and illustrated with 8 leaves of glossy paper with 16 hors-texte monochrome illustrations recto and verso, index, leaf with publication details and booksellers pasted-in label, final leaves with advertisements. The very scarce Japanese edition of Ehrenburg's treatise on the avant garde and defence of Constructivism.This Japanese edition of Ehrenburg's work retains the illustration by Fernad Léger for the first Russian edition (the illustration for the front wrapper is here reproduced on the title in reduced format) and reproduces work by Tatlin,… Leer más

New York.: Granary Books., 1997.. Publisher's cloth.. 8vo.. 8 illustrations by Rothenberg after drawings. Edition limited to 150 copies, signed by the author and the artist.Anne Waldman’s text was written in response to Susan Rothenberg’s drawings of people and animals in pairs. Pages fold out to reveal text flanking the images which have been printed letterpress in several runs effectively reproducing the artist’s original drawing in craypo. Designed and printed by Philip Gallo at the Hermetic Press. Bound in cloth by Jill Jevne.

Emden.: Kunsthalle., 2006.. 8vo. (210 x 105 mm).. Leaflet accompanying the exhibition Kirkeby Prototypen Der Natur at the Kunsthalle in Emdenwhich ran from the 8th of April to the 25th of June 2006.

Tokyo.: Privately published., 1972 – 1973.. Original publisher's glossy printed wrappers (nos. 1 – 4) or paper wrappers (no. 5) stapled as issued.. 4to. 5 issues. (296 x 207 mm),. Illustrated throughout with photographs by Moriyama. The rarest of Moriyama Daido photo journals.First edition of each issue, each from the edition limited to 300 copies. 'It was back in 1972, that I came out with the self-published photo journal 'Kiroku'. At the time, I was busy with all sorts of work for magazines. Partly because of a daily feeling inside that I shouldn't let myself get carried away by it all, I came up with the idea of a small, self-published personal photo journal. Without any ties to work or any fixed topic, I just wanted to continue publishing a 16-page booklet with an arbitrary selection of favourite photos among the pictures I snapped from day to day. By nature, it was directed first and foremost to myself rather than other people. I wanted a simple, basic title, so I called it 'Kiroku'… Leer más

(Düsseldorf)., 1970.. (110 x 160 x 120 mm).. Book object / multiple using pages excised from a book cut into the shape of a butterfly and mounted via a screw to a wooden base. An early book object / multiple by Hubertus Gojowczyk. From the edition limited to 10 copies, each signed, dated and numbered by Gojowczyk in black ink.To create his book object, Gojowcyk has removed pages 85 - 110 from volume III of William Neumann's 'Die Componisten der Neueren Zeit' (Cassel, Ernst Balde, 1856) - the text may or very well may not be of significance - which he has cut into the shape of a butterfly (hence Gojowczyk's title) with outspread wings (the work is signed on the left-hand wing and dated on the right-hand wing), the leaves pasted to a card backing (the work is numbered on this backing) and secured by a screw through the thorax of the insect to the wooden base below.Hubertus Gojowczyk (born 1943) completed his studies in Düsseldorf (where this work was likely produced) at the Kunstakademie after… Leer más