Resultados de búsqueda: Títulos que empiezan por Q de Sims Reed Rare Books

Hannover.: Published by the artist., 1968.. Original publisher's black stapled wrappers, with printed typewriter keyboard printed motif to front and rear covers.. 4to. (303 x 212 mm).. Mimeographed typed text recto only throughout, inserted leaves of glossy paper with monochrome illustration, leaves with works by Ulrichs, inserted printed ephemera A compendium of original printed work by Ulrichs - typed works, posters, exhibition promotional material, letters, stamps, stickers, collages.Complete with the signed works: - 'Malvorlagen 'Farbkasten'', the printed sheet with hand-coloured orange sample, signed by Ulrichs in blue ink. - 'signierte signatur (stempel-schriftbild)', the print of ulrichs' signature, signed by Ulrichs in black ink.Other works - unsigned - are also included.

Brussels.: L'Association pour la Diffusion Artistique et Culturelle., 1956, Mai – 1966.. Original publisher's printed colour wrappers with titles and illustration, each issue with a cover designed by a different artist (see below), issues loose in paper portfolios, cloth chemises and slipcases with leather labels to spines with gilt titles and issue numbers.. 20 issues. 4to. (268 x 210 mm).. Printed text and profuse illustration in colour and monochrome throughout on glossy paper with inserted sections of better paper to each issue with reproductions of works by various artists, occasional tipped-in or folding plates, inserted errata slips as applicable; issue 12 with index for issues 1 - 12. An excellent complete set of Quadrum in the original wrappers.Seen as the successor to 'Cahiers d'Art' and 'Séléction', Quadrum was an ambitious, multilingual art review, noted for its international scope and the high quality of its contributors and contributions. Each issue, with a cover designed by an… Leer más

Glasgow, Edinburgh and London.: William Mackenzie., 1862 - 1863.. Original full red morocco by Leighton, boards with elaborate decorative tooling in blind surrounding a central lozenge with the Royal monogram (VR) with coronet and gilt decorative tools, banded spines with titles gilt and decorative tools in eight compartments, boards with brass edges, mounts and clasps, dentelles with elaborate gilt decorative tooling, marbled endpapers, a.e.g.. 2 vols. Large folio. (480 x 370 mm).. Half-title, title with vignette Royal arms to each volume, Royal privilege to vol. I title verso, leaf with dedication to the Queen, leaf with dedication to James I, 'The Translators to the Readers', two leaves 'Family Register' with pictorial head-piece and decorative rules bound between the Old and New Testaments, title to the New Testament, text and 57 wet collodion albumen prints each mounted to larger sheets of card, each with printed caption and reference to the text. The magnificent 'Queen's Bible' illustrated… Leer más

Paris.: Artiste Editions / Georges Crès et Cie., (1919).. Original publisher's printed wrappers with titles to front cover in black.. 4to. (269 x 202 mm).. Illustrated with 15 vignette woodcuts by Ludovic Rodo Pissarro, each printed in brown. A very fine unsophisticated copy of this scarce work by Ludovic Rodo Pissarro.This charming work is illustrated by Camille Pissarro's fourth son, Ludovic Rodo Pissarro (1878 - 1952) and was issued by the art magazine L'Artiste.From the edition limited to 200 copies on papier vergé à la forme de Greenfield.'Il n'a pas été tiré d'exemplaires dits de luxe.' (From the justification).

Darmstadt & Neuwied.: Luchterhand Verlag., 1973.. Original publisher's yellow printed wrappers.. 4to. (266 x 212 mm).. A very good copy signed by Achleitner.Part of the 'Neue Texte' series edited by Heimrad Bäcker.Signed by Achleitner on the title page.

Amsterdam.: Stedelijk Museum., 1963.. Original publisher's lithographic printed wrappers.. 4to.(258 x 190 mm).. Illustrated throughout with monochome reproduction drawings. Exhibition catalogue of Alechinsky's drawings, shown at the Stedelijk Museum, 1963.Contains an interview (in Dutch) between Alechinsky and Jaques Putman, and a list of works exhibited at rear, along with a very brief biography.Elegantly produced, as with all the Stedelijk catalogues from this period, designed by Wim Crouwel.