ISTOGRAMMI D'ARCHITETTURA con riferimento a un reticolo in aree o scale diverse par l'edificazione di una natura serena e immobile in cui riconoscersi de SUPERSTUDIO Adolfo Natalini, architetto, Cristiano Toraldo di Francia, architetto, Piero Frassinelli, architetto, Roberto Magris, industrial designer - 1969

Roma: Dai torchj di Carlo Mordacchini, 1821. Second Edition. Hardcover. Second enlarged edition. xxiv, ciii, [4], 107pp + 54 plates. Contemporary quarter vellum over marbled boards, red label lettered in gold affixed to the spine. All edges uncut. Engraved title, thirteen large engraved vignettes, fifty-four plates (three of which are large foldouts) with a total of eighty copper engravings of various archeological works. Eight tiny worm holes to the spine panel, old inscription on the front pastedown endpaper.Internally extremely clean with some sporadic foxing. An appealing copy with large margins. In the Italian language. Brunet V.463. Graesse VII.461. ; Folio.

Paris: Librairie Victor Lecoffre / J. Gabalda, Éditeur, 1926. First Edition (in French). 1/8th pigskin over boards. Good +. Quartos (11 1/4" H x 8 7/8" W); 5 Volumes (in "Fascicules") published over a 14-year period. These consist of "Jerusalem Antique" in Volume I & "Jerusalem Nouvelle" in Volumes II, III, & IV, plus Volume V, "Planches" [Plates] covering all volumes. 1/8th whitened pigskin over B&W textured boards; Preface by M. le Marquis de Vogüé; Profusely illustrated with B&W line drawings (with occasional red-delineation), schematics, and B&W photographs (especially in Vol. IV "Planches"): Vol. I, Part I. Topographie, xii + 196pp. ; Vol. II., Parts I & II. Aelia Capitolina, Le Saint-Sepulcre et Le Mont des Oliviers, xi + 419pp.; Vol. II, Part III. La Sainte-Sion et Les Sanctuaires de Second Ordre, 421-668pp.; Part IV. Sainte-Ane et Les Sanctuaires Hors de la Ville Histoire Monumentale de 31… Leer más

MODENA: PRESSO LA SOCIETA TIPOGRAFICA, 1784. In folio. cm. 38,5x27. Pp. XIX+526+(4). Splendida opera del 1784, la storia della Badia di Nonantola scritta da Girolamo Tiraboschi (1731-1794). L'opera era composta da due tomi, siamo purtroppo in possesso solo del primo tomo contenente tutte le incisioni e pagine ma mancante della carta.<BR>L'opera descrive i beni e le proprietà della Badia includendo quindi i territori di Modena, Bologna, Avellana, Solara, Frignano, Cremona, Pavia, Milano, Mantova, Piacenza, Parma, Ferrara, Valfabbrica nella diocesi di Assisi, Nocera Umbra, Sassoferrato. Una parte dedicata allo stato di Modena a partire dal XII secolo, Vescovi di Modena, storia della Badia di Nonantola dalla sua fondazione fino al presente (tra cui descrizione della biblioteca), Delle chiese e dei beni che il Monastero di Nonantola avea in diverse parti d'Italia. Alla fine del volume lista dei vescovi di Modena, Abati del Monastero di Nonantola, abati, vicari. Il testo è… Leer más

New York: Monacelli Press, 1995. Signed on the title page by Rem Koolhaas. First edition / First printing. Black and yellow ink over metallic cloth. Light wear, near fine. Rem Koolhaas is the Pritzker Prize Winner for 2000.

This beautiful engraving depicts the Pyramid of Cestius (Caio Cestio) near the non-Catholic cemetery and the Porta San Paolo in Rome on the Via Ostiense.
Engraved and published by Giovanni-Battista Piranesi, a famous Italian engraver and architect. He was born in Morano di Mestre on 4 October 1720 and died in Rome on 9 November 1778. Piranesi was known by the nickname "Rembrandt of architecture". The artist not only reproduced the ancient vestiges of the power of Rome but was also one of the most authoritative archaeologists of his time. Despite a great reputation and magnificent fame, Piranesi never got rich because of the very low prices of his works. He was a member of the Order of Christ and the London Antiques Society. Extremely rare collector's example from Piranesi's first and most important work "Antichita Romane"
***
Dimensions: 509 x 309 mm; 12 x 20 inches (approx)
Year: 1756
Engraver: Giovanni Battista Piranesi
Technique: Copperplate
Condition: Line of folding, minor foxing, cut corners.… Leer más

Roma: Dai torchj di Carlo Mordacchini, 1821. Second Edition. Hardcover. Second enlarged edition. xxiv, ciii, [4], 107pp + 54 plates. Contemporary quarter vellum over marbled boards, red label lettered in gold affixed to the spine. All edges uncut. Engraved title, thirteen large engraved vignettes, fifty-four plates (three of which are large foldouts) with a total of eighty copper engravings of various archeological works. Eight tiny worm holes to the spine panel, old inscription on the front pastedown endpaper.Internally extremely clean with some sporadic foxing. An appealing copy with large margins. In the Italian language. Brunet V.463. Graesse VII.461. ; Folio.

MODENA: PRESSO LA SOCIETA TIPOGRAFICA, 1784. In folio. cm. 38,5x27. Pp. XIX+526+(4). Splendida opera del 1784, la storia della Badia di Nonantola scritta da Girolamo Tiraboschi (1731-1794). L'opera era composta da due tomi, siamo purtroppo in possesso solo del primo tomo contenente tutte le incisioni e pagine ma mancante della carta.<BR>L'opera descrive i beni e le proprietà della Badia includendo quindi i territori di Modena, Bologna, Avellana, Solara, Frignano, Cremona, Pavia, Milano, Mantova, Piacenza, Parma, Ferrara, Valfabbrica nella diocesi di Assisi, Nocera Umbra, Sassoferrato. Una parte dedicata allo stato di Modena a partire dal XII secolo, Vescovi di Modena, storia della Badia di Nonantola dalla sua fondazione fino al presente (tra cui descrizione della biblioteca), Delle chiese e dei beni che il Monastero di Nonantola avea in diverse parti d'Italia. Alla fine del volume lista dei vescovi di Modena, Abati del Monastero di Nonantola, abati, vicari. Il testo è… Leer más

1640 Alexandro Francini Italian Architecture Gardens Fountains Arch Engineering

Alessandro Francini was an early 17th-century Italian architect who is best known for his illustrations of garden plans and exquisite fountains. He contributed impressive illustrations of arches, gates, and columns for the 1631 book 'Livre d'Architecture', or simply 'Book of Architecture'.
Item number: #9325
Price: $1500
FRANCINI, Alexandro
Livre d'architecture : contenant plusievrs portiques de differentes inventions sur les cinq ordres de colomnes
A Paris : Chez Melchior Tavernier ..., 1640.

Details:
·
Collation: Complete with all pages
o 40 engraved plates
·
Language: French
·
Binding: Vellum
·
Size: ~15.25in X 11in (38.5cm x 28cm)
·
VERY RARE and desirable
Our Guarantee:
Very Fast. Very Safe. Free Shipping Worldwide.
Customer satisfaction is our priority! Notify us with 7 days of receiving, and we will offer a full refund without reservation!

9325Photos available upon request.

Moscow, Knebel', 1909-1915. . First edition, 4 vols; 4to (29.5 x 22.5 cm); illustrated with 17 plates, 4 of which are coloured and tippped in, photographic illustrations throughout; original publisher's calf backed cloth, covers blocked in gilt, spines gilt, lightly rubbed to extremities, volume 6 is in bad condition but overall a fine set.4 volumes out of 5

This beautiful engraving depicts the Pyramid of Cestius (Caio Cestio) near the non-Catholic cemetery and the Porta San Paolo in Rome on the Via Ostiense.
Engraved and published by Giovanni-Battista Piranesi, a famous Italian engraver and architect. He was born in Morano di Mestre on 4 October 1720 and died in Rome on 9 November 1778. Piranesi was known by the nickname "Rembrandt of architecture". The artist not only reproduced the ancient vestiges of the power of Rome but was also one of the most authoritative archaeologists of his time. Despite a great reputation and magnificent fame, Piranesi never got rich because of the very low prices of his works. He was a member of the Order of Christ and the London Antiques Society. Extremely rare collector's example from Piranesi's first and most important work "Antichita Romane"
***
Dimensions: 509 x 309 mm; 12 x 20 inches (approx)
Year: 1756
Engraver: Giovanni Battista Piranesi
Technique: Copperplate
Condition: Line of folding, minor foxing, cut corners.… Leer más