Literatura del siglo XX

London: Chapman & Hall, 1930. First Edition. A fine copy in a very good dust jacket with some small chips, not affecting illustration or lettering and with very minor internal archival mends. An observant bibliographically inclined collector of our acquaintance, in comparing this example with another at hand, discovered subtle differences in the titles listed on the back panel. Both jackets were priced at the first edition’s issued price of 7/6 (in pre-paperback days, English publishers generally reduced prices quickly to 3/6), but one ends with Jeffery’s Second Choice, while this example lists Jeffery’s Miss Vell Intervenes and follows with Winder’s Sin-Offering. His research indicates that this would have logically followed the former. It can then be presumed that this is at least a second state of the dust jacket.

NY, Viking, 1939, first edition, first printing, dust jacket. Hardcover.. No book is more identified with John Steinbeck than this masterpiece which won the Pulitzer Prize for fiction and which was the source for the film version directed by John Ford that starred Henry Fonda as Tom Joad and which won Jane Darwell an Academy Award for her portrayal of Ma Joad, the book was also the source for the Tony Award-winning Broadway play, one of the true high spots of 20th Century literature, jacket designed by Elmer Hader, this is an incredibly scarce Review Copy with review slip from Viking, this is the only review copy seen by this bookseller in more than 50+ years of being involved in all things Steinbeck, see Goldstone & Payne A12a, see Morrow 107. Fine in a jacket with a couple of small tape ghosts from where the review slip was previously affixed, jacket is otherwise clean, bright, and fine.

NY, Robert M. McBride, 1929, first edition, dust jacket. Hardcover.. Author's First Book, first issue with top edge stained and with the final black leaf present, with the rare colorful pirate dust jacket illustrated by Mahlon Blaine, one of only 1,537 copies, published when Steinbeck was 27 years old and just two weeks before the 1929 stock market crash, a historical novel about the pirate Henry Morgan rendered in a purple prose manner quite unlike his realistic descriptive storytelling that followed, Goldstone & Payne A1a, Morrow 1. Very good book in a jacket with the usual spine color fade with chipping to top and bottom of spine, jacket with internal tape reinforcement.

n.p. (NY), n.p. (The Viking Press), n.d. (1944), first edition, wrappers. Softcover.. Advance copy, an uncorrected galley proof, bound in plain, unprinted tannish wrappers, printed on rectos only, a very scarce advanced state of this minor, or not so minor, Steinbeck masterpiece whose themes of death and loneliness are masked by its surface layer of humor, all the more rare in that this is an Author Presentation Copy, Inscribed by Steinbeck to the best man at his second marriage, Howard O. Hunter, who was the Works Progress Administration (WPA) commissioner in the early 1940s under the FDR administration, Steinbeck and his second wife, Gwen Conger, were married March 29, 1943, just 11 days after receiving his final divorce decree from his first wife, Carol, Steinbeck has Inscribed the first preliminary as follows, "For Howard/who really/belongs in/Cannery Row/John Steinbeck/last night in New York 1944," this galley lacks all the preliminaries found in the 1945 published version such as half titles,… Leer más

NY, Covici Friede, 1935, first edition, first printing, dust jacket. Hardcover.. His breakthrough novel that follows the antics of Monterey's paisanos, this surface story is an allegory based on the Knights of the Round Table, this is an unrecorded Review Copy with the Covici Friede review slip tipped to the front free endpaper which prints the publication date as May 28, 1935 and shows the published price as $2.50, very scarce thus, the trade edition was comprised of 4,000 copies, illustrated by Ruth Gannett, see Goldstone & Payne A4b, see Morrow 29, although not specifically indicated, this was M. B. Goldstone's copy, he was the brother and rival collector of Adrian Goldstone upon whose collection the Steinbeck bibliography is based. Very good.

Salt Lake City, University of Utah, n.d. (1935), first edition, wrappers. Softcover.. Author's First Book, a legendary rarity, the text is followed by a bibliography of Dutton's writing, the text is a condensation of Stegner's thesis at the State University of Iowa in 1935 (that titled Clarence Edward Dutton, Geologist and Man of Letters), Colberg A1, Colberg indicates two copies found - one belonging to Stegner and one at the Library of Congress, Stegner himself indicated to this bookseller that he owned three copies, one of which went to a noted Stegner collector, one of which his widow, Mary, retained for the family, and one that she gave to a Bay Area bookseller well-associated with the Stegners, Sylvia Asendorf, to whom Mrs. Stegner Inscribed this copy ("Sylvia, thank you for all/your help./Fondly/Mary Stegner"). Minor age to wrappers and two small paper scrapes to rear wrapper, else fine.

NY, Harper & Row, 1970, first edition, first printing.. This is the ultimate copy of Author's First Book, it is an Inscribed Presentation/Association Copy of the highest order, inscribed by Hillerman to Navajo artist Ernest Franklin who went on to create a cottage industry wherein he illustrated many of Hillerman's titles in an after-market situation where individuals brought him copies of Hillerman's books for Franklin to illustrate, the vast majority of such books include just one illustration by Franklin, this one has 30 (!) illustrations by Franklin in addition to Hillerman's doubly signed inscription ("with my thanks to/Ernie Franklin/for showing me/what Leaphorn/looks like/TH"), the inscription is on the title page, Hillerman has additionally signed his full name under his printed signature on the title page, Joe Leaphorn is the Navajo tribal policeman created by Hillerman with this book (and who appears in many of his subsequent books) who solves the mysteries that Hillerman created, there is… Leer más

Paris: Meynial, 1925. First Edition. George Barbier. A complete and excellent set of the five annual issues illustrated with a total of sixty beautiful pochoir plates, complete with decorated pochoir title pages. 'Falbalas and Franfreluches' (Frippery and Finery: Fashion Diaries) represents a literary and artistic collaboration of unusual elegance and sophistication. French illustrator, George Barbier (1882 - 1932) spared no effort in the making of this beautiful collection, using the finest pigments and up to thirty stencils per print to create images of the highest quality reflecting fashionable themes of the day. The plates portray romance amidst exotic lands and ages past, including a native American idyll on the Missouri, a languid mistress cocooned in a hammock in the tropical Antilles, high baroque debauchery, and, of course, a myriad of lovers depicted in Paris at the height of the chic 1920s. Each annual includes twelve pages of fine writing by Barbier's contemporaries in the Parisian scene… Leer más

New York: Charles Scribner's Sons, 1926. First Edition. Fine/Fine. First edition, first printing with no damage to type on pages 38, 90 and 248; in a first state dust jacket with lips unbattered. Bound in publisher's green cloth with titles in blind on the upper board, and stamped in gilt on the spine. Fine, almost appearing as new, with bright and sharp gilt lettering. Faint wear at corners and bumping to bottom corner of lower board, creating a tiny, corresponding chip to the dust jacket. A breathtaking copy, one would be hard-pressed to find one nicer.

New York: Jonathan Cape & Harrison Smith, 1929. First Edition. Near Fine/Very Good. First edition, first printing. Bound in publisher's black and white Art Deco style boards over white cloth spine lettered in black. Near Fine with toning to pages and top and bottom edges of covers. In a Very Good first issue dust jacket with Humanity Uprooted priced at $3.00 on the rear panel; toning to spine with fading to red print there, light edge wear, light soiling, and erased pencil notation to rear flap corner. A fantastic copy in the scarce first issue dust jacket.

LAWRENCE, David Herbert (1885-1930)
Autograph letter signed "DH Lawrence" to George ConwayHôtel Beau Rivage, Bandol, 29th December 1928, 2 p. in-8°, with envelopeSome tiny ink stains, old paperclip mark on top left margin
Great letter from DH Lawrence about his scandalous book Lady Chatterley's Lover
"Dear Conway,I am most distressed to learn that your copies of Lady Chatterley's Lover have not turned up. They were sent by registered book post long ago – and surely the Mexican govt. would not confiscate them, as the U.S.A. customs do! I will ask Orioli to send you the registration counterfoil, to see if you can trace them. If not you must have others, if any remain. Orioli has very few, I know – they may be all ordered. But one at least I'll rescue for you. But we must find out what became of the others. The book is selling at $50. in USA- and anything over £5. here in Europe – so you see it is quite a loss.Your Christmas card came this morning too – and how pretty it is! – and I had a… Leer más

Original exceedingly rare Russian Language 1st (Pirate) Edition of Doctor Zhivago by Boris Pasternak. Meets all the issue points for the true 1st Edition - "Roman" to title page, 634 pages, publishers imprint in cyrillic, and 2 page introduction (lacking from later Russian editions). Unusually tight, bright, Very Good condition, with no inscriptions and only light toning to closed page edges. Several gatherings are unevenly browned as usual, due to differing paper stocks used in printing. Issued without a dust-jacket.The publication of the Russian text of Doctor Zhivago was attended by odd circumstances. It first appeared in a 'pirated' (or possibly semi-authorised) edition, a short time before Feltrinelli's official edition came out in Milan. The 'pirated' version, however, bore Feltrinelli's imprint and were produced by Mouton, the reputable firm of Dutch printers with whom he was negotiating, and to whom he had sent the manuscript. Declassified documents reveal that the CIA sought to embarrass the… Leer más

New York: Alfred A. Knopf, 1943. First edition / First printing. Green cloth. Fine in a near fine dust jacket. No restoration, a remarkable copy. Chandler's fourth book. $2.00 Net Price present on front jacket flap.

Churchtown, Dundrum: Cuala Press, 1920. First edition, first printing. One of only 400 printed. Octavo. Original blue paper boards with buff linen spine. All edges untrimmed. In the original plain tan dust jacket, preserved in glassine wrap, with chipping to dust jacket (particularly to spine). Preserved in a custom clamshell box. A brilliant first printing of this monumental work in the exceedingly rare original dust jacket.. A remarkably bright first printing-in the scarce original dust jacket-of one of W.B. Yeats's (1865-1939) most important poetry collections. One of only 400 printed. Michael Robartes and the Dancer includes the first book printing of some of Yeats's most famous poems, including "The Second Coming," "Easter, 1916," and "A Prayer for My Daughter." The book was printed and published by Yeats's sister, Elizabeth Corbet Yeats, and, according to its colophon, was completed on All Soul's Day (November 1st) 1920-although Wade (a Yeats editor and bibliographer) claims the book was not… Leer más

Amsterdam: Uitgeveij Contact, 25 juni 1947. Anne.Frank; 'Het Achterhuis, Dagboekbrieven van 14 Juni 1942 - 1 Augustus 1944'. Hard cover, pp 253. FIRST EDITION, FIRST PRINT, no dust jacket. First edition of the diary of Anne Frank in the original Dutch language. Small Octavo. One of 3000 booklets printed 75 YEARS AGO ON JUNE 25th 1947. Original white and red paper-covered boards. Illustration with 3 photo's of the hiding place ('Het Achterhuis'), 1 groundfloor-plan and 2 examples (facsimile) of the handwriting of Anne Frank. Introduction by Annie Romein-Verschoor.Title on the front board and the spine. A very good copy, some wear to the frontboard. Pages are slightly tanned after 75 years. No inscriptions.Anne began her diary on her 13th birthday, 12 June 1942 during the Nazi occupation of the Netherlands. The diary was found in the hiding place by Miep Gies, after Anne Frank, her Jewish family and other Jews were taken away to the concentration-camps. Miep Gies was one of the helpers during their time… Leer más