Libros raros de Alta-Glamour Inc.

Seattle, WA, 2004. TAB 04.6. 32" x 37.5". Oil on canvas.. Brooks received an art education in Canada at the Vancouver School of Art (Vancouver, BC), the Nova Scotia School of Art and Design (Halifax, NS) and the Shepy International School of Art (Edmonton, AL). Portraiture and seascape have been enduring interests in his work. Recently he is exploring sexual identities by blurring gender and incorporating mythic imagery.

Seattle, WA, 1994. TAB94.4. 36" x 36". Oil on canvas.. Brooks' received an art education in Canada at the Vancouver School of Art (Vancouver, BC), the Nova Scotia School of Art and Design (Halifax, NS) and the Shepy International School of Art (Edmonton, AL). Portraiture and seascape have been enduring interests in his work. Recently he is exploring sexual identities by blurring gender and incorporating mythic imagery.

Seattle, WA, 2004. TAB 0407. 38" x 39.5". Oil on canvas.. Brooks' received an art education in Canada at the Vancouver School of Art (Vancouver, BC), the Nova Scotia School of Art and Design (Halifax, NS) and the Shepy International School of Art (Edmonton, AL). Portraiture and seascape have been enduring interests in his work. Recently he is exploring sexual identities by blurring gender and incorporating mythic imagery.

Seattle, WA, 2005. TAB05.1. 32" x 50.5". Oil on canvas.. Brooks' received an art education in Canada at the Vancouver School of Art (Vancouver, BC), the Nova Scotia School of Art and Design (Halifax, NS) and the Shepy International School of Art (Edmonton, AL). Portraiture and seascape have been enduring interests in his work. Recently he is exploring sexual identities by blurring gender and incorporating mythic imagery.

1980. Some extraneous surface soiling, else both in excellent condition. (Price does not include shipping). Composed of two boxed, stretched canvas' approximately 85 x 25 x 3 1/4" (each). Acrylic, gilt applique and lacquer. Respectively, back and front views of fantasy female nudes, each stood against a walled backdrop, with surrounding vegetation. The subject is depicted with red hair and greenish-yellow skin. Elaborate unique companion pieces by the artist.

Los Angeles: Hustler Magazine, Inc, 1980. Saddle-stapled magazine. Light shelfwear. Very Good. 114pp., including covers, glossy, erotic mens magazine featuring the best of its pictorials, humor, fiction, articles and reviews. Features: scenes from Sylvester Stallone's porn film ("Party at Kitty and Studs," rereleased as "The Italian Stallion"); Angie Dickinson nude shots; "Great Moments in Hustler 1974-1979" (the mag's most controversial pictures); "The Rape of Justice" pictorial featuring a black-caped, masked Darth Vader-type villain chaining and raping a blindfolded ivory beauty; "Lolita" pictorial; "In Search of a Necrophiliac" by Richard Milner; "Vegas Folly" pictorial featuring backstage action between stripper and hermaphrodite; "Knotty Lady" pictorial (she ties her labia in knots [Veri Knotty?]; Candy Samples in scene with young male partner; etc.

1930. Wear along the edges to the cover and panel 1, with closed tears and slight chipping along the right side, some soiling; all five have thumbtack markings to the corners. Overall Very Good. Five original pen and ink drawings: four numbered panels measuring 8.5 x 11" and what appears to be the cover illustration, measuring 9.5 x 11". A take off on the George McManus Jiggs and Maggie characters; here "Jiggs" is renamed "Giggs". Panel one begins with Maggie listening to a "romantic" radio program, "How Romantic, I Wish Giggs was that way"; panel two, Maggie reacted to Giggs' advances and gasping in shock, "Giggs! You Brute!", as he mounts her; panel three has the static from the radio throwing Maggie off Giggs; and the last panel is a picture of Giggs in a blizzard of dishes, with his quirky ending, by saying: "I hear the angels flapping their wings now." (a standard McManus ending) All five drawings have the name "Joe Scanavino" in pen on the back. While only consisting of 4 pages, unlike an 8… Leer más

New York City: The New York Seed Company / The New York Feed Company, 1969. Tabloid newspapers, 11 x 18 in. Overall a very good set; light shelfwear. Mild creasing to top of No. 3. A few thumbprints to interior of #7. Some light foxing to cover of #15 and wrinkle at bottom corner of cover at spine. Small closed tears to top edge of cover and one page tip missing from #18. Very good. Fourteen issues, 16-28 pp. each. Published by S. Edwards and Steven Heller, edited by D. Melmoth. Originally an offshoot of the New York Free Press, the NYRS&P featured photography, art, and fiction of a sexual nature, plus news and politics. Illustrated from b/w photos and artwork, with some color and duotone. One of the classiest sex papers, featuring contributions from D. Melmoth, Steven Heller, Gregory Battcock, Mario Jorrin, Ray Schultz, Brad Holland, Robert Igriega, Rick Meyerowitz, John Chamberlain, Mel Ramos, Camille Gordon, Edward Field, Frank Newman, Peter Hujar, Angelo d'Arcangelo, Charles Bukowski, Stanley… Leer más

Berkeley: Himalayan Watershed Properties, Inc, 1971. Tabloid newspaper format magazine, 11.5 x 17 in. Light wear; soft horizontal folds, as issued; all copies have been stored flat. Mild age-toning to newsprint; white paper still bright. Small closed tear to bottom of last few pages of last issue. A Very good+ set.. All nine issues. 36 pp. each. Approx. 8.5 x 11.5"; folds out to 11.5 x 17. White paper covers, newsprint interiors. Published by Christopher Weills. An exemplary counterculture tabloid, every issue filled with interviews, politics and culture, comics, photos, fiction, erotica, the occult, drugs, reviews, et al. Highlights include: The Cockettes Play the Palace. A Conversation with Allen Ginsberg. Fetishphile column, with Tomi Ungerer illo. Suds Smut, comic by S. Clay Wilson. The Tarot: Shut Up and Deal, by Maggie Anthony. Truckin' Towards Taos with Tootsie, by Jon Stewart. The Unreal History of Snatch Comix, by Gerard van der Leun. Little Johnny Fuckerfaster, by R. Crumb. A Much Wilder… Leer más

Berkeley, CA: Peter Koch, 1992. Fine condition. Together three prints, a complete suite for the Peter Koch edition of "Unsought Intimacies, Poems of 1991" ; these are Artist proofs hand numbered AP #4; printed on handmade laid paper (by Brian Shure) with Peter Koch's watermark; and signed by Theophilus Brown, dated 1992. Rare.

Santa Barbara: Black Sparrow Press, 1975. Limited Edition. Hardcover in mylar jacket. Light fading along the top edge, else a Near Fine copy. 8vo. 205pp. One of 75 signed and numbered case bound copies, with an original watercolor; this being #2. Green papered covered boards with red cloth backstrip and paper spine label.

Sylmar, CA: Archives Szukalski, 1989. 2nd edition. Trade paperback. Light shelfwear, some fading to the spine. Very good. Folio (11 x 12.25") 96pp.,with yellow printed cardstock covers, and b/w illustrations throughout.

Fine. 22.5 x 30" sheet of Arches Aquarelle paper with color print featuring the playbills and advertisements for early Annie Sprinkle pornographic features. A really nice piece, signed in the lower right. No note of limitation, or title. The print comes framed. Please note: Oversized item: this print will require additional shipping for destinations outside the US; we will ship at cost.

Betty Dodson, 1968. In Fine condition. 27 x 40" Original lithograph on mould made paper (watermark states England 1952), airbrushed in red, yellow and orange. From the Love Picture Exhibition in 1968. #6.

Verona: Lido, 2011. 1st Edition. Photo illustrated laminated boards. Light shelfwear. Very Good. Folio (10.75 x 15"). [400]pp. A collection of photographs by Belgian contemporary fashion photographer Mark Lagrange. Please note: Oversized volume: this book will require additional shipping for destinations outside the US; we will ship at cost.