RubáIyáT Of Omar KhayyáM

London: Siegle, Hill & Co. [1910]. First deluxe edition. First deluxe edition. Number 80 of 550 copies, printed on handmade paper and signed by Sangorski and Sutcliffe. Publisher's original full vellum with intricate gilt decoration to the upper board and spine, titles on an brown morocco label to the spine. Top edge gilt, others untrimmed. Colour decorated endpapers.… Saber más sobre este artículo

London: Adam and Charles Black,, 1909. A visually and textually interesting edition, handsomely presented First edition of this iteration of James's visual interpretation of the Rubáiyát, much enhanced by Nicholson's scholarly apparatus, and here finely bound. Liverpool-born Gilbert Penrose James (1865-1941) was a self-taught artist-illustrator who worked mainly in an "art nouveau style, [employing] strong contrasts and very mannered… Saber más sobre este artículo

The Rubáiyát of Omar Khayyám translated by Edward Fitzgerald (Methuen & Co. Ltd, second edition 1923). The illustrated edition by Edmund J. Sullivan was originally published in 1913, this copy being the 1923 second edition. Hardback. Publisher's red cloth with title and decoration in gilt to spine, with title and rules blindstamped to front board; top edge of page-block stained… Saber más sobre este artículo

London: Macmillan & Co., Ltd, 1899. Leather Bound. Very good/Very good. London: Macmillan & Co., Ltd., 1899. Leather Bound. H: 8 1/4", D: 6". W: 3/4" 1 Volume. Edward Fitzgerald, Rubáiyát of Omar Khayyám. Bound in full brown morocco with the cover displaying floral gilt-tooled detailing.....

London: Macmillan & Co., Ltd, 1899. First Edition. Leather Bound. Very good/Very good. London: Macmillan & Co., Ltd., 1899. First Edition. Leather Bound. H: 8 1/4", D: 5 3/4", W: 1 1/4" 2 Volumes. Edward Fitzgerald, Rubáiyát of Omar Khayyám. First Edition. Bound by Pagnant in full brown.....

London: A. & C. Black, 1961. reprint. hardback. Very good, with unclipped d/j (good but with bumping and tearing at head and verso base);cream clothbound boards, with light & dark blue design and pressed titling on cover & spine, good; text block firm, pages unmarked and crisp. Owner's neat inscription on front pastedown.. 12mo (190 x 130 /… Saber más sobre este artículo

London: Riccardi Press, 1913. Full Leather. Near Fine. Bound in dark blue leather with gilt lettering to cover and spine. Five raised bands. Signed Sangorski & Sutcliff binding. Printed on handmade Riccardi Press paper. Limited to 1000 copies for Great Britain. Unspecified number. Very light toning to edges of endpapers. Slight scuff at top edge of spine. … Saber más sobre este artículo

New York: George H. Doran Company, 1925. Hardcover. Good. Small quarto. 191 pages. Illustrated with tipped-in color plates by Edmund Dulac. Publisher's decorative green cloth stamped in gold and in blind, designed and signed by Frank Hazenplug. Lacking front free endpaper, one loose gathering at front, back hinge is partially split (holding snug), lacking one plate (Quatrain XI,… Saber más sobre este artículo

London: George G. Harrap & Co, ca 1920. hardback. Fine, full leatherbound boards with gold & turquoise, stamped decorations and titling on cover and spine. Printed on uncut papers in turquoise and black, with 16 full colour illustrations. Protected by supplied box. 8vo (230 x 150 / 9"" x 6""). Beautiful edition of the famous translation by Fitzgerald… Saber más sobre este artículo

London: George G. Harrap & Co. Ltd,, 1940. First edition thus, number 61 of 125 copies, all signed by the illustrator and specially bound. The text reprints FitzGerald's first published version of the Rubáiyát (1859), afterwards substantially revised by the translator four times. Each of the five versions has its champions - the original text was the favourite… Saber más sobre este artículo

New York: Thomas Y. Crowell Company, 1930. Leather Bound. Very good/Very good. Willy Pagány. Willy Pagány. Leather Bound. H: 10 1/2", D: 8 1/2". W: 1" 1 Volume. Edward Fitzgerald, Rubáiyát of Omar Khayyám. Bound in full blue morocco with the cover displaying a central floral crest in gilt-tooling and multi-color inlay. The spine displays raised bands and… Saber más sobre este artículo

2009. London; The Folio Society. 2009. Folio. Finely hand-bound in half cream vellum, with vellum corner tips over dark blue boards, the upper cover pictorially and lavishly blocked in metallic golds and copper to a design of peacocks, the spine exquisitely hand-lettered in Islamic script in 22-carat gold by Stephen Raw, top edges gilt, others uncut, with pictorial… Saber más sobre este artículo

George G. Harrap & Co, 1940. Hardcover. Good. 1940. 61 pages. No dust jacket. Green leather with gilt lettering. Pages are lightly tanned and thumbed at the edges, with light foxing. Binding has remained firm. Boards are a little rub worn with slight shelf wear to corners, spine and edges. Corners are a little bumped. Spine ends are… Saber más sobre este artículo

London: George G. Harrap & Co., 1930. Hardback, original decorated cloth. 25.5 x 19.5cm. 171pp, [3]. 12 tipped-in colour plates by Pogany and numberous gold and black block illustrations. Binding rather rubbed and grubby. Previous owner's bookplate on front pastedown. Contents clean.. Hard Cover. Good.

London: George G. Harrap & Co., 1920. Hardcover. very good. Quarto. 10 1/2" x 8". Rebound in brown cloth iwth gilt lettering to cover. New Endpapers. 25 tipped-in color ilustrations photographed from Life Studies by Adelaide Hanscom and Blanche Cumming. Linen-like tissues before each illustration. From the fourth version of Edward Fitzgerald's translation printed by Dodge Publsihing Co.… Saber más sobre este artículo

London: Folio Society, 1970. 1st thus. h/b. Fine, silver/gilt-impressed orange boards, in gold board slipcase. 8vo (230 x 150 / 9"" x 6""). Beautiful Folio edition of the famous translation by Fitzgerald (31 March 1809 - 14 June 1883). Omar Khayy‡m (18 May 1048 - 4 December 1131) was a Persian mathematician, astronomer, philosopher, and poet. Illustrated by… Saber más sobre este artículo

London: George G. Harrap & Co. Ltd., 1930.. Limited edition, number 148 of 1,250 copies printed (comprising 750 for England and 500 for the United States, this copy being part of the English issue). Signed by Willy Pogány in ink to the limitation page and again in pencil to the foot of the additional etched frontispiece. Quarto. Publisher's original… Saber más sobre este artículo

Collins/ Collins Greetings Booklets, 1955. Good. 16cm, pp.127, (1) + b/w frontispiece and illustrations. Red leatherette boards with silver lettering to spine (rubbed) and upper board. No slipcase? Shelf wear and light soiling. Top edge red. Gift inscription to ffep: 'There is no rose like an English rose, Truly, David. 28.11.60.' A clean, tight copy of this Collins… Saber más sobre este artículo

London: Hodder and Stoughton. Second Edition. Hardcover. Book condition is Very Good; bound in tan cloth covered boards with decorated gilt titles and patterned end papers. Toning, some staining and edge wear to covers. Pastedown on inside from cover detaching. Previous owner inscription on front end page. Some toning and foxing throughout interior. Text is unmarked. Illustrated by Edmund… Saber más sobre este artículo

Collins Clear-Type Press, 1111. Hardcover. Good. 126 pages. No dust jacket. Red cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning.