Resultados de búsqueda: italy a poem poems de rogers samuel

London: T. Cadell, 1834. Full Leather Hardcovers. The bindings are tight and square. Text clean, light even toning. Moderate shelf handling wear with some rubs.. Two volumes. Uniformly bound in full red morocco by Sangorski & Sutcliffe for N.J. Bartlett & Co., spines and boards with gilt decorations, spines titled in gilt, top edges gilt. With numerous in text illustrations. 8vo; 8.25 inches tall; vii, 284p; viii, 295p.  Wear to leather mostly at spines and edges, sunning to spines, contents lightly toned in the margins. The bindings are tight and square. Text clean.. Rogers an English poet of the Romantic School is best remembered as a witty conversationalist and as a friend of greater poets. On Wordsworth's death, in 1850, Rogers was offered the laureateship, which he refused. His visit to Italy in 1815 suggested to him the idea of a poem descriptive of that country, which Byron had not then handled in the fourth canto of Childe Harold.

Edward Moxon, 1838. Very Good. Rogers, Samuel. Poems by Samuel Rogers with Italy, A Poem by Samuel Rogers, Two Volumes. London: Edward Moxon, 1838. viii, 265, viii, 274pp. Illustrated. 4to. Book condition: Very good. Scuffing and rubbing to edges and raised bands. The Italy volume has a four inch scratch to lower corner area of the front board. Bindings tight and internally clean with sporadic foxing to some of the plates. Both volumes are filled with steel engravings, some by J.M.W. Turner.

London: Cadell, 1830. First. hardcover. near fine. Turner, J.M.W. & Stothard, T.. 2 volumes. Both volumes are illustrated with many fine steel engravings and vignettes after J.M.W. Turner & T. Stothard, each protected with tissue. 8vo, uniformly bound in contemporary full red polished calf (surface of covers slightly scuffed), with gilt ruled borders and frames and elaborate gilt decorated spines with raised bands, inner dentelles, a.e.g. London: Printed for T. Cadell, Jennings and Chaplin; and E. Moxon, 1830 & 1834. A near fine copy.<br/> <br/> First editions with these illustrations (Italy is the second issue, with the vignette correctly placed on p. 88). With the Turner and Stothard engravings, which in many ways represent the peak of the artists' genius in book illustration.<br/> <br/>

London: Printed for T. Cadell, 1830, 1834. First illustrated editions of Samuel Rogers' famed works. Octavo, 2 volumes, bound in full straight grain morocco by Riviere & Son, gilt titles and tooling to the spine in six compartments within raised gilt bands, gilt ruling to the front and rear panels, gilt turn-ins and inner dentelles, top edge gilt, illustrated with four plates, 20 in-text illustrations, and more than 100 steel-engraved headpieces and tailpieces after designs by Thomas Stothard and J.M.W. Turner. In near fine condition. Samuel Rogers was one of the most celebrated English poets during his lifetime, although his fame has long since been eclipsed by his Romantic colleagues and friends Wordsworth, Coleridge and Byron. Rogers first achieved fame with the publication of The Pleasures of Memory in 1792 and, after traveling to Italy and meeting Shelley and Byron, he produced the first version of his now famed poem, Italy. Published in 1822, the first edition sold poorly. Rogers destroyed… Leer más

London: T. Cadell and E. Moxton, 1834. First Illustrated Edition. Near fine. Turner and Stothard. 2 volumes; 8vo, 8 x 5 3/8 inches (202 x 135 mm); vii, [1], 284 pp.; viii, 296, [1] pp. Separately published works, often found as companion copies, in elegant matched bindings by Lucien Broca, stamp-signed on front turn-in. Crushed green morocco with gilt rules and intricate gilt floral and pointillé decorations on corners and turn-ins, gilt ruled board edges, raised bands with gilt dots, spine lavishly gilt in compartments with complex floral and pointillé designs and gilt lettering; bright green silk endpapers; t.e.g. Spine sunned, as typical of green morocco, but bindings square and in excellent condition. Occasional faint foxing. A total of 4 full-page plates, 20 in-text illustrations and over 100 steel-engraved headpieces and tailpieces most from designs by J. M. W. Turner and Thomas Stothard. - W.A. Foyle library bookplate in red morocco pasted inside front cover of each volume. [Ray 13, 15].… Leer más

London: Printed for T. Cadell, 1830, 1834. First Illustrated Editions. 202 x 135 mm. (8 x 5 1/2"). Two separately published works bound in two volumes (but often found as companion volumes).. VERY PRETTY SKY-BLUE MOROCCO, GILT, BY W. ROOT & SON (stamp-signed on front turn-ins), covers with gilt rule frame bedecked with a profusion of flowers, raised bands, spines gilt in compartments with large floral spray centerpiece, gilt titling, turn-ins decorated with gilt rules and floral garland, marbled endpapers, all edges gilt. The two volumes with a total of four plates, 20 illustrations in the text, and more than 100 fine steel-engraved headpieces and tailpieces, after designs mostly by J. M. W. Turner and Thomas Stothard. Ray 13, 15. ◆Spines slightly and uniformly darkened to a blue-green, but AN EXTREMELY PRETTY SET IN VERY FINE CONDITION, the immaculate text with virtually no signs of use, and the glittering bindings unworn. In flamboyant decorative morocco and containing illustrations of… Leer más

London: Printed for T. Cadell, 1830, 1834. First Illustrated Editions. 202 x 135 mm. (8 x 5 1/2"). iv, [2], 284 pp.; viii, 295, [1] pp. Two separately published works bound in two volumes (but often found as companion volumes).. VERY ATTRACTIVE GREEN MOROCCO BY RIVIERE & SON (stamp-signed on front turn-in), BEAUTIFULLY GILT-TOOLED BY FINISHER CHARLES MCLEISH, covers with frame of two gilt rules, with gilt dots along the inner frame, raised bands, spine lavishly gilt in compartments with complex design formed by trefoils sprouting from a central branch along with clusters of berries, the background with gilt pointillé, gilt lettering, gilt-rule-and-dot frame repeated on turn-ins, maroon endpapers, all edges gilt. The two volumes with a total of four plates, 20 illustrations in the text, and more than 100 fine steel-engraved headpieces and tailpieces, after designs mostly by J. M. W. Turner and Thomas Stothard. Italy with A HANDWRITTEN NOTE SIGNED BY ROGERS bound in at front. Ray 13, 15. ◆Spines… Leer más