Works-on-Paper from Royoung bookseller, Inc.

NP: NP, ND. Wraps. Both in Fine condition. 30.5 X 21.3 EACH. Two black and white lithographs on white stock and both signed by Bourgeois. "Sheaves" lithograph at left [Mid Century Modern] signed Bourgeois lower right margin -- one of 16 and on the right [Inner Life] signed in script Louise Bourgeois lower right margin -- one of… Saber más sobre este artículo

New York: McGraw-Hill, 1966. Hardcover. Orig. green cloth. Fine in slightly nicked dust wrapper. 259 pages. 29 x 24 cm. 226 illustrations, with twenty in color. Traces the history starting with Alois Senefelder. Bibliography and Index. Interior clean and fresh.

New York: Tabard Press, 1981. 1st English edition. Hardcover. Orig. green cloth spine lettered in gold. Fine in fine dust wrapper.. Bonnard, Pierre. 351 pages, Folio, 34 x 24.5 cm. Introduction by Antoine Terrase. Sixty color and 476 black and white illustrations. The first completed illustrated catalogue of Bonnard's prints. Bibliography. Exhibitions of Bonnard's graphic works. Two indices.… Saber más sobre este artículo

Np: Np, 2003. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. 99 pages. 28.5 x 24 cm. Complete description and color illustration for each poster. The collections starts with Toulouse-Lautrec, ends with Pierre Lacroix. Twenty-one artists are represented. Index.

New York: Brooklyn Museum Bookshop, 1982. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine in original unopened publisher clear plastic wrappers. Bourgeois, Louise. 144 pages. 30.5 x 22.5 cm. Illustrated in color and black and white.

New York: Albert & Charles Boni, 1925. First American edition. Hardcover. Orig. blue cloth spine and dark brown boards with front cover paper label. Near fine. Kauffer, E. McKnight. 190 pages. 31 x 23.5 cm. Voluminously illustrated in black and white and color, most are full-paged, many printed recto only. Kauffer points out "the modern Poster is still… Saber más sobre este artículo

New York: M. Knoedler & Co. Inc, 1985. First edition. Stiff wraps. Orig. illustrated wrappers. Fine.. Diebenkorn, Richard. Unpaginated. 28 x 25 cm. His recent paintings and works-on-paper in color and printed recto only.

San Francisco: Art Museum Association of America, 1985. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. 79 pages. 29.5 x 22.5 cm. Illustrated in color and black and white. Gottlieb, born in Australia was an abstract expressionist.

New York: MOMA, 1983. First edition. Hardcover. Orig. beige basket weave cloth lettered in gilt. Fine in near fine dust wrapper. 216 pages. 31 x 24.5 cm. 100 color illustrations. Index of Artists with each plate accompanied by an in depth analysis by Elderfield.

New York: Rizzoli, 1991. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. Clemente, Francesco. 109 pages. 26.5 x 23 cm. Illustrated with full page color plates printed recto only and additional black and white plates. Selected Bibliography.

Munchen: Prestel Verlag, 1984. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. Clemente, Francesco. 198 pages. 29.5 x 22 cm. Foreword by Rainer Crone. Host of black and white and color plates. Articles by experts. Biography. Bibliography. Text in German.

Paris: Galerie Maeght Lelong, 1985. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. 30 pages. 31.5 x 22 cm. Text in French. Color and black and white plates. Biography. Works Exhibited.

Santa Barbara: Black Sparrow Press, 1970. First edition. Hardcover. Fine in fine portfolio. Duncan, Robert. 22 x 14.5 cm. Limited edition, copy 299 of 300 signed by Duncan. A series of sixty-five numbered, folio plates in black and white, some of which are fold-outs from their original size. The remarkable drawings are housed in an elegant, paneled portfolio… Saber más sobre este artículo

Monte-Carlo: Andre Sauret, 1952. First edition. Stiff Wraps. Orig. pictorial stiff wrappers in original glassine overwrapper lacking small portions at head and rear of backstrip. Near fine in fine matching slipcase. Bonnard, Pierre. 183 pages.31 x 24.5 cm. 98 facsimile colour and monochrome lithographs printed by Mourlot. Text in French. "An adventurous, and influential lithographer working largely in… Saber más sobre este artículo

Godalming, Surrey: Pendomer Press, 1979. First edition. Hardcover. Orig. quarter black morocco and decorated boards. Teg. Fine in fine brown slipcase containing the original lithograph housed in matching brown lettered portfolio. 200 pages. 29.5 x 21 cm. Limited edition, copy 138 of 200, printed and bound by the Scolar Press on Glastonbury Book Antique Laid 120 gm paper.… Saber más sobre este artículo

Edinburgh: National Gallery of Scotland, 1999. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. 183 pages. 29.5 x 24.5 cm. Drawings from the 15th to 19th centuries. Profusion of color plates. Index of Artists.

Princeton: Princeton Univ. Press, 1976. First edition. Orig. cloth and boards. Fine in very good dust wrapper. Murillo, Bartolome Estaban. 200 pages. 22 x 26.5 cm. Voluminously illustrated with nearly 100 black and white reproductions, over one-third of which have not previously been studied or published, as well as seventy-one comparative illustrations. Catalogue Raisonne of Drawings by Murillo.… Saber más sobre este artículo

London: G.T. Stubbs, 1795. Wraps. Very Good. Engraving, image 18 x 17 cm., with Rachel Harmless noting, "O Indeed I thought the Mutton was done enough," and Hugh Bruin replying, " You think, damn you what business have to think! you never thought well in all your life." Edward Penny, English portrait and historical painter, and a founding… Saber más sobre este artículo

Minneapolis: Northcraft Studios, "At The Sign of the Pine, 1920. First edition. Hardcover. Quarter bound in tan buckram, descriptive front cover text. Very good. Portfolio is 15 x 12 1/2 inches. A complete set of five etchings: Canal Bridge, The Old Well at Toul, A Street Scene, The Fireside, The Fagot Gatherer, plus at inside back cover a… Saber más sobre este artículo

Paris: Bernard Klein, 1952. First edition. Hardcover. Contents loose as issued in wrappers with engraving on cover; publisher's board chemise (white spine lettered in gilt and brown boards) with matching brown slipcase. Fine. Brianchon, Maurice. 49 pages in text. Folio, 38 x 29 cm. Limited edition, copy 31 from a total of 300, and one of only 30… Saber más sobre este artículo