Fiction from The Glass Key

Hoboken: Melville House, 2008. Later printing. Paperback. Very Good. Third printing of this trade paperback edition. A clean, unmarked copy in continental-style printed wrappers (with flaps).

London: Picador, 1990. First printing of this edition. Paperback. near Very Good. First printing of this trade paperback edition. Translated from the German by John E. Woods. A clean, unmarked copy in printed wrappers. Wrappers a little rubbed and marked.

London: Everyman's Library, 1993. First printing of this edition. Hardcover. Very good +. Malcolm Liepke. Translated from the French by Francis Steegmuller. Burgundy cloth boards stamped in gilt on a black panel on the spine Contents clean and tightly bound without dust-jacket.

London: Viking, 1988. Later printing. Hardback. Very Good/very good. 7th impressioon. Blue cloth boards stamped in gilt on the spine. A touch of soiling to the book block edges else a clean and tightly bound copy in a price-clipped dust jacket.

London: Michael Joseph, 1946. First printing of this edition. Hardcover. Very good. Peter Scott. First printing of this illustrated edition. Illustrated by Peter Scott in colour halftone and monochrome line. 4to (252 x 180mm). Blue cloth boards stamped in white on the spine and in white and black on the upper panel. Name of… Saber más sobre este artículo

Harmondsworth: Pengiun, 1985. Later printing. Paperback. Very Good. 7th printing of this trade paperback edition - a volume in the Penguin Modern Classics series. A clean, unmarked copy in printed wrappers. Weappers a little soiled.

London: Secker & Warburg, 2001. First Edition. Hardcover. Near Fine/near fine. Illustrated by Alan Baker. First printing. Black cloth boards stamped in orange on the spine and upper panel. A clean, unmarked copy in a tight binding and bright, unclipped dust jacket.

London: Thomas Nelson, nd (1940?). No edition stated. Hardcover. Good +. Illustrated by C. E. Brock. Blue cloth boards stamped in gilt on the spine. Name of ownership and date (1940) on the front free endpaper else a clean, unmarked copy in a tight binding without dust-jacket. Cloth rather soiled and spine blocking faded.

London: Vintage, 2006. Later printing. Paperback. Very good. 12th printing of this trade paperback edition. A clean, unmarked copy in printed wrappers.

London: HarperCollins, 2016. First edition. Hardcover. Very good +/very good +. First impression. Black cloth boards stamped in gilt on the spine. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

London: Zaffre, 2020. First edition. Hardcover. Near fine/near fine. First impression. Claret cloth boards stamped in silver on the spine and upper panel. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

New York: Zaffre, 2019. First edition. Hardcover. Near fine/near fine. First impression. Black paper boards stamped in silver on the spine and upper panel. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

London: Macmillan, 1946. Later printing. Hardcover. Very good. 4th impression. Green cloth boards stamped in gilt on the spine. A clean, unmarked and tightly bound copy without dust jacket.

Nelson, Editeurs, ND. Hardcover. Very good/near very good.

London: Chatto and Windus, 1956. First edition. Hardcover. Very good. First impression. Blue cloth boars stampedin gilt on a brown panel on the spine. A clean, unmarked and tightly bound copy without dust jacket.

London: William Heinemann, 1952. Later printing. Hardcover. Very good. 3rd impression. Red cloth boards stamped in gilt on the spine and upper panel. A clean, unmarked and tightly bound copy without dust jacket.

London: Virago, 1985. Later printing. Paperback. near Very Good. 2nd printing of this trade paperback edition - Virago Modern Classic 95. Introduction by Janet Watts. A clean, unmarked copy in printed wrappers. Light diagonal crease to the bottom corner of upper wrapper.

London: Simon & Schuster, 2009. First Edition. Hardback. Very Good/very good. First impression. Olive green cloth boards stamped in gilt on the spine. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

London: Barrie & Jenkins, 1971. First printing of this edition. Hardcover. Very good/near very good. First impression. Edited with a new introduction and headnotes by Leon Edel. Black cloth boards stamped in silver on the spine. Name of ownership on the front free endpaper else a clean, unmarked copy in a tight binding and bright,… Saber más sobre este artículo

New York: Grove Weidenfeld, 2004. Later printing. Paperback. Very Good. 8th printing of this 8vo paperback edition. Translated from the French by Barbara Bray. A clean, unmarked copy in printed wrappers.